Going in Style

Going in Style. Warner Bros. 1979.

Before watching the movie:

I didn’t realize until I started looking for the poster that there was what appears to be a remake a couple of years ago. While the combination of Morgan Freeman, Michael Caine, and Alan Arkin sounds pretty compelling, I’m also drawn to the idea of seeing George Burns and Art Carney together too. Lee Strasberg is not as big a name, but I’m sure he’ll probably hold his own with the other two.

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Predator

Predator. 20th Century Fox 1987.

Before watching the movie:

Survival sci-fi horror starring a ripped commando who shoots stuff. I’m not sure if the Predator franchise eventually blended with the Alien franchise just because they’re both survival sci-fi horror, but I think this is more action and less gore than Alien, at least that’s how it presents itself.

I like the angle of humans encountering a species more capable than themselves that is intentionally an intimate threat to them. Extraterrestrials are often threats in the form of invasions or mindless monsters, but the Predator is, I understand, a sapient being optimized biologically and technologically for hunting.

I suspect that there is less machine gun fire and more running and hiding than suggested by the poster.

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Day of the Triffids

Day of the Triffids. Security Pictures 1963.

Before watching the movie:

The Triffids are an iconic piece of science fiction. Any locomoting plants in sci-fi stories will inevitably be compared with them.

The full-color alien invasion horror movie aspect makes me think about Invasion of the Body Snatchers, but there doesn’t really seem to be much in common between “anyone near you could have been replaced by an alien” and “run from that twenty-foot tall walking plant”. If there’s an allegory for something in the public consciousness in the 60s here, I’m not sure what it would be.

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Kindergarten Cop

Kindergarten Cop. Imagine Entertainment 1990

Before watching the movie:

I feel like this is the peak of Arnold Schwarzenegger’s bankability. He went from a bodybuilder of little note outside the body building circuit to a breakout action star overnight, and now a few years later, he’s in a family-ish comedy about how he’s out of his element and toddlers are too much for him to handle.

I’m expecting a fun, snap-together vehicle comedy. Nothing that breaks ground, but fun worth coming back to. It seems to have stood out among his comedies as one people love.

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The Magnificent Ambersons

The Magnificent Ambersons.
Mercury 1942.

Before watching the movie:

I seem to recall that this is sometimes regarded as at least equal in stature to Citizen Kane in some way. It doesn’t get the hype that Kane does though, and it seems to get discussed to the extent of “probably Orson Wells’ best film ever, but moving on…”

Much like Kane is a portrait of a life, just with a nominal mystery to drive the plot, this seems to be a portrait of a family’s travails over possibly years. I have a sense that it’s character driven and plot light and would probably be comfortable on the same shelf with Little Women.

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Strangers on a Train

Strangers on a Train. Warner Bros. 1951

Before watching the movie:

This is one of those that nobody ever really discusses beyond the concept. A pair of strangers meet on a train and through conversation, discover that they both have someone they’d like to murder, and if they each just kill the other person’s target, they could both get away with it from having no apparent motive.

The only other thing people say about it is that it’s a Hitchcock film, which does more or less define a genre, or at least a tone. I also note that Raymond Chandler worked on the screenplay, so it should come off as a good detective story, assuming there’s a detective in it that nobody talks about. There has to be one, so there’s an antagonist, I assume.

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Phantom From Space

Phantom From Space.
Planet Filmplays 1953.

Before watching the movie:

When I came across this movie, I wasn’t sure if I’d already reviewed it, because I thought I remembered a movie about invisible space beings. I was remembering Invisible Invaders, a body-snatching movie where a small town is taken over by aliens hijacking men’s bodies.

The brief synopsis of this one that I have read suggests that the titular alien might be harmless if left alone, as, after killing two attackers frightened by his suit, he takes it off to escape. I notice that’s an inciting incident, not a plot, but this has the potential to go to interesting places.

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