Three Husbands

Three Husbands. Gloria Films 1951.

Before watching the movie:

The premise as I’ve seen it summarized sounds like it could be just a framing device. A recently deceased prankster’s final wish on the afterlife’s doorstep is to watch his three poker buddies’ reactions to receiving letters from him stating that he’s had an affair with all three of their wives. They can’t even be sure if it’s the truth or one last prank. It sounds like the prankster could set the scene for us and then drop out, or mainly appear in flashbacks, but mostly this seems to be a bowl of jealously-fueled comedy arguing.

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Spirited Away

Spirited Away
(Sen to Chihiro no Kamikakushi). Studio Ghibli 2001.

Before watching the movie:

I don’t know anything about this movie except that it seems to pretty consistently be considered the best Studio Ghibli movie. And I recall the title refers to something about the character being stuck in a place of spirits. I’ve seen most of Kiki’s Delivery Service, but that’s all of Ghibli I’ve seen despite having several friends and former roommates who have extensive collections.

I rarely go into movies as cold as this. Usually I have descriptions from boxes or streaming platforms, but with this one, I just decided “we’re going to watch this movie everyone loves”.

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Mystery of the 13th Guest

Mystery of the 13th Guest. Monogram Pictures 1943.

Before watching the movie:

What intrigues me most about this story is that it’s about returning to the case 13 years after the presumed crime happened. The girl’s father invited 13 people to a party and died suddenly shortly thereafter, and now his will has requested that she return to the house and find the truth.

I don’t expect a great masterpiece, but uncovering clues that long after the crime was committed will probably be interesting.

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Gorgo

Gorgo. King Brothers Productions 1961.

Before watching the movie:

I’m sure nobody wanted audiences to think this was Godzilla with a bit of a King Kong plot. It’s a giant monster movie, but this time in London because it’s a UK production. That’s about all that one can expect, I guess. Specifically, the monster is taken back to London from the place it was found to be shown off, but its mother comes and stomps everything.

Western kaiju movie. I don’t know what more to say. Some of the names are slightly familiar but I couldn’t place them to anything specific.

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Earth vs. The Spider

Earth vs. The Spider.
American International Pictures 1958.

Before watching the movie:

I feel like I’ve seen clips of this movie used as a generic sci-fi B movie in a lot of places. I was definitely thinking it’s the source of the giant spider footage in Lilo And Stitch, but I think I’ve seen giant spider movie clips in other places not noted on Wikipedia, but I might be thinking of giant ants and THEM.

As far as what I know to expect, apparently there is a giant spider in this movie. My supply of midcentury schlock sci-fi seems to be more exhaustible than it seemed like it was a few months ago.

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Mad Money

Mad Money. Millennium Films 2008.

Before watching the movie:

I barely remember this title floating around back in 2008, and I’m not sure if I remember it as a movie or just as the quirky stock trading show. I think I’ve also conflated it a little bit with Moneyball, which it has no connection with aside from the word “money”.

This looks like a movie that’s a little ahead of its time. Regrettably, the industry didn’t seem to have a foothold for women-led comedies until Bridesmaids. This all-women heist comedy didn’t make much of a splash, but ten years later Ocean’s Eight did very well doing basically the same thing.

I try not to read critical responses before watching the movie, but I skimmed a little to try to see if I just missed it somehow and along with a lot of general negativity, I saw a very charming comment from Roger Ebert about how “some girls will like it, the men not so much”. Which sounds like internet comment sections about every women-led movie even today. If the execution was bad, the execution was bad, but I wonder how much was just moviegoers in 2008 not getting it.

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Julie and Julia

Julie and Julia.
Easy There Tiger Productions 2009.

Before watching the movie:

I’ve always been aware of Julia Child as an important figure in cooking, but I’ve only known of her indirectly. Of the PBS Digital Studios remixes, the Julia Child video was the only one I didn’t have my own experience with the source material of.

I actually watched the Academy Awards presentations for a few years, and I remember that this was one of those years. I had the impression this was about a direct mentorship or friendship, but apparently what happens is that a blogger challenges herself to cook every recipe in Childs’s book. But over the course of the movie we also learn Childs’s own story, so maybe I’ll finally understand why she made an impact on so many people that seems to go beyond writing a popular book and presenting a cooking show.

Also how have I been reviewing movies for ten years and this is the first time I’ve tagged Meryl Streep?

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The Black Hole

The Black Hole. Buena Vista 1979.

Before watching the movie:

This always seemed a strange choice for Disney, even considering the weird live action movies they made in the 60s, 70s, and 80s. The trailer I dimly remember seeing for it on some tape seemed dark and scary and serious, not the kind of fanciful family outing that most Disney live action movies try to be. I’ve heard there are fun comic relief robots for the kids, but this always seemed to be positioned as “Disney does Star Wars” (which took about three and a half decades to actually happen).

The synopses I’ve seen are not much help for shaking this notion. It seems like Alien meets 2001: A Space Odyssey. A deep space mission with a sense of foreboding encounters a mystery that ultimately takes them beyond anything the reality we know prepared them for. You know, for kids!

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The Final Days

The Final Days.
Multicom Entertainment Group 1989

Before watching the movie:

Long ago, in another time, a corruption scandal went all the way to the top and there were consequences. This is the story of what was happening in the White House as Nixon’s power and psyche crumbled.

As interesting as the intrepid reporting profiled in All The President’s Men was, it’s a story told from the outside. It’s a mystery, but one where every reader will know who did it, just not the path the sleuths took to figuring it out. As I watched that movie, and more so as I read the book, I was more interested in the legal and political processes that, as the story went on, seemed increasingly out of focus as Woodstein followed the money. So I was glad to find that their followup book was a reconstruction of what was happening in the Nixon White House as everything fell apart, put together from interviews with basically everyone involved except Nixon himself. The Happily Never After of the political fairy tale.

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The Forbidden Kingdom

Before watching the movie:

The Forbidden Kingdom.
Relativity Media 2008.

I barely remember this being a thing when it came out. Maybe martial arts movies were especially common at the time, but they never interested me much, and I completely ignored whatever I might have seen advertising this movie.

I was so ignorant about it that, no doubt thanks to how hyped up the Jackie Chan and Jet Li pairing is, when I saw the description saying that a modern-day martial arts movie fan gets stuck in ancient China to have adventures, I wondered which of them would be the modern-day character with no direct fighting experience, which is a silly question because that would be a comedy slapstick fish out of water role that Jackie Chan would be attracted to like a magnet. However, they’re both masters of ancient China and the modern-day protagonist is a white American the domestic marketing doesn’t seem to want you to know about. I feel like this poster comes closer to telling the story I’m now prepared to see, but it’s not in English, so I didn’t use it.

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