Loophole

Loophole.
Brent Walker Productions 1981.

Before watching the movie:

I think it was Martin Sheen leading the movie that caught my attention, but I’m interested in seeing his character accidentally fall into helping a crime gang, as well as Albert Finney as the mastermind.

I thought this was going to be more comic, but it seems to be listed as heist drama.

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Face/Off

Before watching the movie:

Face/Off. Paramount Pictures 1997.

My strongest memory of this movie being in the world was the giant poster on the side of a building at King’s Island for years. I don’t think it had anything to do with anything at the park, it was just a 50-foot poster nobody bothered to take down across the three to five years my visits were spread across. (Update: apparently they named their head to head roller coaster Face/Off, until Paramount sold the park and the new owner debranded it. I didn’t ride many of the coasters there.)

I later learned the movie is about a good guy and a bad guy trading faces for… reasons, don’t think too much about it. I’m not sure which actor starts as which character, because of course both play both. I’ve heard that Cage as the terrorist gets eccentrically creepy in the way he’s famous for now.

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The Bishop’s Wife

The Bishop’s Wife. RKO Radio Pictures 1948.

Before watching the movie:

Cary Grant and David Niven are an unexpected pairing. Grant gets all the focus, so I saw Cary Grant and that it’s a romance and assumed that Grant is the Bishop. But it turns out that he’s an alleged angel and Niven is the Bishop, which makes more sense for their types.

Grant’s character inveigle his way into the Bishop’s life claiming to be an angel here to help with a challenging renovation, but mostly imposes upon him and attracts the attentions of his wife, hence the title. Sounds like an unusual setup for a screwball comedy.

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The Monster Club

The Monster Club. Sword and Sorcery Productions 1981.

Before watching the movie:

This is three horror stories as framed by a vampire and the actual author of those stories going to a dance club. The packaged stories could be anything, but that frame sounds bonkers, and they seem to be positioning the rest of the movie as a bit of a spoof too.

It looks like a pretty minor cult classic that didn’t get much outside of the UK, but it features some pretty big names in monster movies, so I’m interested in seeing how this goes.

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Space Cowboys

Space Cowboys. Malpaso/Mad Chance. 2000.

Before watching the movie:

What happens when a bunch of engineers who became ranchers or something I guess go into space to fix a satellite only they can fix? This movie, apparently.

I get the conceit that these engineers are being called out of retirement to fix space-based equipment that was designed on standards nobody learns anymore, and it takes less time to train the experts to be astronauts than to train the astronauts to be experts for the same reason as Armageddon, Because that’s how you get a movie.

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Going in Style

Going in Style. Warner Bros. 1979.

Before watching the movie:

I didn’t realize until I started looking for the poster that there was what appears to be a remake a couple of years ago. While the combination of Morgan Freeman, Michael Caine, and Alan Arkin sounds pretty compelling, I’m also drawn to the idea of seeing George Burns and Art Carney together too. Lee Strasberg is not as big a name, but I’m sure he’ll probably hold his own with the other two.

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Predator

Predator. 20th Century Fox 1987.

Before watching the movie:

Survival sci-fi horror starring a ripped commando who shoots stuff. I’m not sure if the Predator franchise eventually blended with the Alien franchise just because they’re both survival sci-fi horror, but I think this is more action and less gore than Alien, at least that’s how it presents itself.

I like the angle of humans encountering a species more capable than themselves that is intentionally an intimate threat to them. Extraterrestrials are often threats in the form of invasions or mindless monsters, but the Predator is, I understand, a sapient being optimized biologically and technologically for hunting.

I suspect that there is less machine gun fire and more running and hiding than suggested by the poster.

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