Missile to the Moon

Missile to the Moon. Layton Film Productions 1958.

Before watching the movie:

This looks like a typical B-movie sci-fi horror shocker. The all-women moon society might be interesting, and I’m looking forward to seeing how good or bad the monster is, but the most interesting angle is the fact that the ship is stolen in the first place. So that element probably won’t go anywhere.

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The Third Man

The Third Man. London Film 1949

Before watching the movie

Apparently, this movie has appeared in the number two spot on a list of best British movies, and I only hear about it in discussion of lesser-known great Orson Welles movies. Welles is playing the (supposedly?) dead man, so, while even in the late 40s, you don’t cast Orson Welles as a corpse, his presence might be inflated by the fact that he’s the only recognizable name in the cast.

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Miracle

Miracle. Walt Disney Pictures 2004.
Before watching the movie: I’ve heard many references to the “Miracle on Ice”, but only ever the broad strokes, that the US men’s hockey team in the 1980 winter olympics was not expected to beat the Soviet team, but they did. Those broad strokes leave out why anyone would still care about what happened then, and the closest I’ve seen to any explanation past the cold war rivalry has been “it’s an underdog story. The Russians were known for fielding dominant teams.” So here’s an underdog movie. Continue reading

I Married a Monster from Outer Space

I Married a Monster from Outer Space. Paramount Pictures 1958.

Before watching the movie:

Much like Invasion of the Body Snatchers, this is about people getting replaced by alien replicas. But with the added horror factor of following a 50s housewife’s discovery that her husband has changed.

It looks like the main thing that was notable about this movie is that it was released in a double feature with The Blob.

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Jailhouse Rock

Jailhouse Rock. Metro-Goldwyn-Mayer 1957.

Before watching the movie:

Early summaries I saw were all about Elvis’s character learning music in jail, so I was expecting a plot entirely in the jail, but looking a little closer, it seems like more of the story is about how the music changes his life outside of jail. That’s not as interesting to me, but then, I guess the story I was expecting was Prisoners of Love. At least I know the music will be good.

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The Mighty

The Mighty. Scholastic Productions 1998.

Before watching the movie:

All of the summaries I can see point to the story being about the two boys who form a friendship of outsiders, but Sharon Stone, the sick boy’s mother, seems to be featured even more prominently than it seems like she would just because she’s the biggest name in the cast. I get the sense that she’s the viewpoint character.

The story being around a boy with Morquio Syndrome and his parent puts me in mind of Lorenzo’s Oil, which is all about the parents trying to keep their son alive. It’s also a movie I was shown in high school, and another reason this makes me think of that is because my friend Kellie recently rediscovered it as a movie she was shown in grade school. This post was suggested by Kellie and has input from her. She has agreed that I may limit mentions of how hot she is for Gillian Anderson to two (this one might not count).

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Arthur

Arthur. Orion Pictures 1981.

Before watching the movie:

This is the movie anyone thinks of when they hear Dudley Moore’s name. Arthur is the playboyest of playboys, and has to choose between love and money.

This is one of those famous movies that everyone cites without discussing, so I don’t know very much about it, except there was a remake with Russell Brand nobody asked for a few years ago.

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