Dead Poets Society

Dead Poets Society. Touchstone Pictures 1989.

Before watching the movie:

Robin Williams has done a lot of feel-good movies, but none seem to have the reputation for soaring inspiration that this one does. Sure, it’s all about a teacher trying to inspire his students, but I can think of other movies about Williams’s character inspiring others. Maybe it’s that this is the most quotable, but the main quote I know is a cliche.

One thing that’s becoming apparent to me is how little of his work I was actually familiar with when I was in the height of my appreciation for Robin Williams as an actor.

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The Commitments

The Commitments. Dirty Hands Productions 1991.

Before watching the movie:

I’ll be honest, a screencap with Colm Meaney was what attracted my attention, though it looks like he has a pretty minor role. And really, an Irish movie in the 90s would be remiss not to include him in some way.

The actual point of this movie seems to be a bunch of wannabe musicians being put together in a band by a wannabe manager. Which could go several different ways, and since it’s billed as a dramedy, probably goes many of them.

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Voyage to the Bottom of the Sea

Voyage to the Bottom of the Sea. Windsor Productions 1961.

Before watching the movie:

I’m entirely unfamiliar with this movie, but it involves shooting nuclear missiles at the Van Allen Belt to put out a fire, so the science is patently ridiculous. Apparently somehow this leads into a monster, but I’m not sure if the missiles create the monster, or if they encounter the monster on the way to where they need to shoot the missiles.

I know I’ve seen Walter Pidgeon in something, but I think the only thing is Forbidden Planet, which is completely overshadowed in my memory by showing Leslie Nielson in a serious role.

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The Astronaut Farmer

The Astronaut Farmer. Spring Creek Pictures 2006.

Before watching the movie:

What I’m most interested in about this story of an ex-astronaut who had to quit NASA to save the farm, but then decides to build his own rocket, is how the movie makes it plausible that one man can build a rocket on his own. The farm must be doing really well to be able to afford that kind of DIY equipment.

It’s meant as a feel-good story about Following Your Dreams™, but it’s just about the most extreme way to depict it. Solo rocketry projects are most likely to end up with the hobbyist spread across the landscape, no matter how much of an expert in engineering the rocketeer is.

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The Wraith

The Wraith. Alliance Entertainment 1986.

Before watching the movie:

So what I’m seeing described here is a techno ghost chasing down the drag racing gang that killed him in a magic racing car. I’m trying to come up with a crazier movie synopsis and, okay, Ghost Rider probably counts. And a whole lot of other contemporary horror stories, I guess. I withdraw the question.

I’m not clear right now on who the protagonist is. The summary I saw framed it as the dead guy’s story, the poster looks like it’s about a group of people who may be the drag racing gang that got him killed, but I don’t think the heroes of a horror story would be as culpable as the summary I saw made out.

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Mortal Kombat

Mortal Kombat. Threshold Entertainment 1995.

Before watching the movie:

I’m not a fan of fighting games. I don’t consider learning complicated button combinations to use against your opponent until all their health is drained to be all that fun, and the carnage Mortal Kombat offered as its selling point did not sweeten the deal.

I know so little about fighting game franchises I was thinking about Raul Julia camping it up when I selected this, but that’s Street Fighter. So all I have to go on for what to expect is mystic Orientalist action focused through a tournament. I’m not sure if it would be more fun for it to make sense or not make sense.

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Gentleman’s Agreement

Gentleman’s Agreement. 20th Century Fox 1947.

Before watching the movie:

I’m unclear whether the anti-Semitism the main character wants to expose is within a particular institution, or more broadly, within society at large, like the seminal Black Like Me, or less seminal White Chicks.

While there are people, perhaps even people who would not be considered eugenicists or race-nationalists, who consider “Jewish” a morphological race, the physical characteristics are very subtle, to the point where I’m not sure how a Gentile reporter would pose as a Jewish man other than introducing himself to people who don’t know him with a “hi, I’m Jewish, by the way!” A long game approach would probably be to get a new job somewhere and drop big hints, but that would point back to “within a single institution”. I feel like I got out of my depth three paragraphs ago and I should just let the movie tell its own story.

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