The Forbidden Kingdom

Before watching the movie:

The Forbidden Kingdom.
Relativity Media 2008.

I barely remember this being a thing when it came out. Maybe martial arts movies were especially common at the time, but they never interested me much, and I completely ignored whatever I might have seen advertising this movie.

I was so ignorant about it that, no doubt thanks to how hyped up the Jackie Chan and Jet Li pairing is, when I saw the description saying that a modern-day martial arts movie fan gets stuck in ancient China to have adventures, I wondered which of them would be the modern-day character with no direct fighting experience, which is a silly question because that would be a comedy slapstick fish out of water role that Jackie Chan would be attracted to like a magnet. However, they’re both masters of ancient China and the modern-day protagonist is a white American the domestic marketing doesn’t seem to want you to know about. I feel like this poster comes closer to telling the story I’m now prepared to see, but it’s not in English, so I didn’t use it.

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The Lake House

The Lake House. Vertigo Entertainment 2006.

Before watching the movie:

This seems like a strange pairing for a movie that seems to want to be known as a pensive romance. Reeves and Bullock headlined Speed as well, but that was an action blockbuster, which they’re both better known for.

Similarly to how I was wondering how the original source of You’ve Got Mail got things going without the weird social construct of anonymous chat rooms, it’s my understanding that the central concept here is that they send letters to each other, but they’re in the same place a few years apart. I’m again curious to see how that gets started, but also how it can be sustained.

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Loophole

Loophole.
Brent Walker Productions 1981.

Before watching the movie:

I think it was Martin Sheen leading the movie that caught my attention, but I’m interested in seeing his character accidentally fall into helping a crime gang, as well as Albert Finney as the mastermind.

I thought this was going to be more comic, but it seems to be listed as heist drama.

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Face/Off

Before watching the movie:

Face/Off. Paramount Pictures 1997.

My strongest memory of this movie being in the world was the giant poster on the side of a building at King’s Island for years. I don’t think it had anything to do with anything at the park, it was just a 50-foot poster nobody bothered to take down across the three to five years my visits were spread across. (Update: apparently they named their head to head roller coaster Face/Off, until Paramount sold the park and the new owner debranded it. I didn’t ride many of the coasters there.)

I later learned the movie is about a good guy and a bad guy trading faces for… reasons, don’t think too much about it. I’m not sure which actor starts as which character, because of course both play both. I’ve heard that Cage as the terrorist gets eccentrically creepy in the way he’s famous for now.

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The Bishop’s Wife

The Bishop’s Wife. RKO Radio Pictures 1948.

Before watching the movie:

Cary Grant and David Niven are an unexpected pairing. Grant gets all the focus, so I saw Cary Grant and that it’s a romance and assumed that Grant is the Bishop. But it turns out that he’s an alleged angel and Niven is the Bishop, which makes more sense for their types.

Grant’s character inveigle his way into the Bishop’s life claiming to be an angel here to help with a challenging renovation, but mostly imposes upon him and attracts the attentions of his wife, hence the title. Sounds like an unusual setup for a screwball comedy.

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The Monster Club

The Monster Club. Sword and Sorcery Productions 1981.

Before watching the movie:

This is three horror stories as framed by a vampire and the actual author of those stories going to a dance club. The packaged stories could be anything, but that frame sounds bonkers, and they seem to be positioning the rest of the movie as a bit of a spoof too.

It looks like a pretty minor cult classic that didn’t get much outside of the UK, but it features some pretty big names in monster movies, so I’m interested in seeing how this goes.

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Space Cowboys

Space Cowboys. Malpaso/Mad Chance. 2000.

Before watching the movie:

What happens when a bunch of engineers who became ranchers or something I guess go into space to fix a satellite only they can fix? This movie, apparently.

I get the conceit that these engineers are being called out of retirement to fix space-based equipment that was designed on standards nobody learns anymore, and it takes less time to train the experts to be astronauts than to train the astronauts to be experts for the same reason as Armageddon, Because that’s how you get a movie.

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