What Did You Do in the War, Daddy?

What Did You Do in the War, Daddy?
The Mirisch Company 1966.

Before watching the movie:

The two keywords that got me interested are “Blake Edwards” and “James Coburn”. There are quite a lot of WWII farces around by now, and I’m certainly no stranger to them, but a Blake Edwards farce sounds highly promising, and I’ve enjoyed James Coburn in comedies from the time as well.

From what I’ve seen, I’m not sure the title has much to do with how the story is told, unless all of the summaries I’ve read completely ignore a framing device. The unreliable narrator aspect shown on this poster is a good starting point for what I’d want to do with a story with a title like that, but I don’t expect to see it in the movie.

Continue reading

Failure to Launch

Failure to Launch.

Before watching the movie:

I’ve seen this poster everywhere, but the movie doesn’t seem to actually get talked about much. I don’t even remember seeing trailers for it when it was in theaters.

The parents of a late bloomer hire a relationship expert for their son and no doubt they end up together in a very familiar romantic comedy progression. I wonder if there’s a bit of a Pygmalion element to the plot as well.

Continue reading

Good Burger

Good Burger. Paramount Pictures 1997.

Before watching the movie:

I always thought this was the movie of a series, but it turns out that this is the expansion of a recurring sketch from All That. Keenan Thompson and Kel Mitchell were Keenan And Kel on a completely different (eponymous) show, and Keenan’s character in this movie was not in the All That sketches. All of this just goes to demonstrate that while lots of kids my age were watching All That and Keenan and Kel, I didn’t have Nickelodeon.

Movies of my Yesterdays: The Rescuers Down Under

While not as embedded in the landscape of my media childhood as Lady and the Tramp or The Little Mermaid, The Rescuers Down Under was always there as far as I can recall. I associate a very youthful spirit of adventure with it that I think predates the time in my adolescence when I was defining my own tastes for what seemed like the first time, the “hit me at the right time” years.

While the original The Rescuers probably more deserves the appreciation of a mature reviewer, I don’t have the same fondness for it. The two movies came from different eras of Disney animation and have a very different look and feel. The first came from the time of The Fox And The Hound and 101 Dalmatians, but it’s almost as obscure as The Black Cauldron and hits a lot more of the same notes. Sensibilities had changed at Disney in the time between the two Rescuers movies and the latter is part of the upward trend moving toward the Disney Renaissance.

The Rescuers Down Under. Walt Disney Pictures 1990.

Cody, a very American sounding Australian boy, is a friend to the animals of the Outback, and rescues a giant Golden Eagle from a poacher’s trap. She gives him one of her golden feathers as a keepsake, and then on his way home, Cody finds a mouse tied up as what turns out to be bait in a trap sat by ruthless poacher MacLeach. MacLeach finds the golden feather and realizes that Cody knows where the last Golden Eagle is, so he kidnaps him in order to try to get him to divulge the location of the bounty. The rescued mouse reports Cody’s peril to the Rescue Aid Society, and soon Bernard and Bianca are on their way through the Outback to him with Australian Jake as their guide.

Where the first was likely modeled after a pulp adventure novel, this feels more like an action adventure movie. It has modern pacing sensibilities, but I think the first is stronger in that as I recall, Bernard and Bianca spend most of the story trying to find a way to get Penny out of her situation, this one doesn’t have them get to Cody until the climax. There’s not much for them to do but ride more Australian animals across the landscape while Jake tries to flirt with Miss Bianca and Bernard tries to find a moment to propose to her. It’s a comic relief subplot, but moreso Wilbur and the hospital mice fixing his back with extreme force.

Two things make this movie feel epically sized: the music and the sweeping three dimensional camera moves. Disney shopped out many backgrounds to Pixar, and while sometimes they’re obviously very primitive CG by today’s standards (I’ve seen previsualization renders more convincing than the city skyscrapers and cars), they do bring to life the camera perspectives and the Outback. People talk a lot about the clock gears in The Great Mouse Detective and the Ballroom in Beauty and the Beast, but I think this is the best demonstration of what cel animation can do with CGI backgrounds as a tool in the kit.

If this had Ashman/Menken songs, it would be 20 minutes longer, but it would also be at least at the level of the actual Renaissance Disney movies. The plot structure makes a lot of the returning or pseudo-returning (Wilbur is allegedly Orville’s brother despite how very different they are aside from being airline albatrosses) characters redundant, but it’s a fantastic adventure for the whole family, and it should be remembered as fondly as Disney’s biggest hits of the 90s.

The Wackiest Ship in the Army

The Wackiest Ship in the Army.
Columbia Pictures 1960.

Before watching the movie:

Every time I see this title, I get a little disappointed it’s not The Ship with the Flat Tire, which apparently didn’t amount to much of anything outside of the enjoyment of the few who read it and has probably been out of print since the 60s.

This looks like a pretty standard farce with a misfit crew and a leaky boat, but Jack Lemmon will probably give it a good turn. What will make it distinctive is how colorful the eccentric characters are.

Continue reading

Imagine That

Imagine That. Nickelodeon Movies 2009.

Before watching the movie:

Eddie Murphy’s work since the late 90s has a reputation for not being good, at least when it comes to his live-action vehicles or possibly anything other than the Shrek franchise. If anyone liked The Nutty Professor, nobody really cared for what came after, including the two sequels. Eddie Murphy stopped being funny on screen around the time Will Smith became a movie star somehow.

This movie is a Nickelodeon production, so it’s clearly aimed directly at children and families, but other than children-oriented movies getting ignored, I don’t see anything that would indicate why it’s not considered a Good Eddie Murphy Movie. I don’t see any warning signs yet.

Continue reading

Teenage Mutant Ninja Turtles

Teenage Mutant Ninja Turtles.
Limelight Entertainment 1990.

Before watching the movie:

I am broadly aware of the Teenage Mutant Ninja Turtles franchise, but I was never all that into it. I briefly thought I was going to watch the cartoon series, but I was given a parental directive to choose one violent show between TMNT and Mighty Morphin Power Rangers and I chose the latter. Then a few weeks later I abruptly decided the whole premise of MMPR was silly and dropped it.

Apparently there’s a well-known easter egg that in one telling of the Turtles’ origin story, the radioactive ooze that made them was also involved in making Daredevil. That’s pretty neat. That will not be relevant to this movie.

Continue reading