Men caring for children and being overwhelmed! That’s funny, right? Because men can’t handle kids? Or because men aren’t prepared for childcare and face a steeper learning curve? Eddie Murphy and his friend who’s not a big enough name to be billed above the title or featured on the poster at all will find out, I guess.
I thought this movie had both Eddie Murphy and Steve Martin, but I’m pretty sure I’m just confused because Steve Martin appeared in Cheaper By The Dozen the same year, and they are both movies about Too Many Kids.
I remember this movie positively, so I’m surprised how negative my review sounds. My topics still might not necessarily flow into each other, but I try to be coherent on at least the level of paragraphs. I’m pretty sure my original review is more jumbled than the movie seemed to me at the time.
While Thor is still a random character to be enamored with for the 80s, his film appearances in the last decade have certainly raised his relevancy now. In 2009, if I even knew that Marvel Studios was making a Thor movie, I was aghast and perplexed that someone thought he was a movie superhero. His first two solo movies didn’t do much to change my mind, but as an ensemble player and in Ragnarok, I enjoy him a lot now.
Chris’s boyfriend cancels on their anniversary dinner at the last minute, and Chris ends up agreeing to babysit Thor fan Sara and her older brother Brad, who has a freshman crush on Chris. When Chris’s friend Brenda spends all her money running away to the bus station downtown, Chris takes her charges into the city, along with Brad’s lecherous friend Daryl. A fast succession of misadventures soon causes them to be targeted by a murderous gang of car thieves.
It’s a lot easier to complain about movies than to discuss what’s good or analyze them. I still think Daryl’s initial portrayal is way over the top, but that comes from a combination of him being a kid who doesn’t know or care what’s not okay in a time when they didn’t know as well what wasn’t okay. Everyone’s characterizations as they’re introduced are a little heavy-handed, it’s just that Daryl’s really hasn’t aged well.
For a city as diverse as Chicago, it seems a little odd that the three different music venues visited are all into rhythm and blues. It’s good music, and the Babysitting Blues is a highlight of a scene, but I think it reveals where someone’s taste in music lay.
I think Sara’s love of Thor might be meant to draw a parallel between comic book adventures and the gang’s series of travails. Every time they get themselves out of trouble, they quickly land in a new kind of it. Also Thor may a bit of an odd choice, but he definitely is one of the easiest comic book superheroes to accidentally cosplay as, which leads to the most important Sara scene.
Looking back at what I was writing ten years ago, I think it’s easy to see how much I’ve grown into this. I don’t always feel like my writing makes sense, but I’ve developed a sensibility that I don’t think would let something that disjointed get published now. A good movie deserves better than a pile of disconnected complaints.
Cary Grant and David Niven are an unexpected pairing. Grant gets all the focus, so I saw Cary Grant and that it’s a romance and assumed that Grant is the Bishop. But it turns out that he’s an alleged angel and Niven is the Bishop, which makes more sense for their types.
Grant’s character inveigle his way into the Bishop’s life claiming to be an angel here to help with a challenging renovation, but mostly imposes upon him and attracts the attentions of his wife, hence the title. Sounds like an unusual setup for a screwball comedy.
This is three horror stories as framed by a vampire and the actual author of those stories going to a dance club. The packaged stories could be anything, but that frame sounds bonkers, and they seem to be positioning the rest of the movie as a bit of a spoof too.
It looks like a pretty minor cult classic that didn’t get much outside of the UK, but it features some pretty big names in monster movies, so I’m interested in seeing how this goes.
At first I thought I might have been aware of this movie when it came out, but I think I was thinking of the live action scenes from Osmosis Jones, in which Murray plays a zookeeper who seems to mainly scoop elephant droppings and other low tier jobs. Here, however, he’s inherited an elephant from his estranged circus performer father.
A road movie/buddy comedy with an elephant is a really random mix that definitely creates funny moments, but how does someone come up with an idea like that?
I wouldn’t say that a written script is improvisation, though I have known jazz musicians to plan out the “improvised” solos they intend to play. However, I think “improvising around the fairy tale” is a good way to describe what I expect to see here.
A movie centered around a big green thing and a golden thing (unless the only treasure in this version is the woman) seems like a good choice for an early commercial color film.
What happens when a bunch of engineers who became ranchers or something I guess go into space to fix a satellite only they can fix? This movie, apparently.
I get the conceit that these engineers are being called out of retirement to fix space-based equipment that was designed on standards nobody learns anymore, and it takes less time to train the experts to be astronauts than to train the astronauts to be experts for the same reasonas Armageddon, Because that’s how you get a movie.