The Bishop’s Wife

The Bishop’s Wife. RKO Radio Pictures 1948.

Before watching the movie:

Cary Grant and David Niven are an unexpected pairing. Grant gets all the focus, so I saw Cary Grant and that it’s a romance and assumed that Grant is the Bishop. But it turns out that he’s an alleged angel and Niven is the Bishop, which makes more sense for their types.

Grant’s character inveigle his way into the Bishop’s life claiming to be an angel here to help with a challenging renovation, but mostly imposes upon him and attracts the attentions of his wife, hence the title. Sounds like an unusual setup for a screwball comedy.

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The Monster Club

The Monster Club. Sword and Sorcery Productions 1981.

Before watching the movie:

This is three horror stories as framed by a vampire and the actual author of those stories going to a dance club. The packaged stories could be anything, but that frame sounds bonkers, and they seem to be positioning the rest of the movie as a bit of a spoof too.

It looks like a pretty minor cult classic that didn’t get much outside of the UK, but it features some pretty big names in monster movies, so I’m interested in seeing how this goes.

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Larger Than Life

Larger Than Life. United Artists 1996.

Before watching the movie:

At first I thought I might have been aware of this movie when it came out, but I think I was thinking of the live action scenes from Osmosis Jones, in which Murray plays a zookeeper who seems to mainly scoop elephant droppings and other low tier jobs. Here, however, he’s inherited an elephant from his estranged circus performer father.

A road movie/buddy comedy with an elephant is a really random mix that definitely creates funny moments, but how does someone come up with an idea like that?

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Jack and the Beanstalk

Jack and the Beanstalk. Exclusive Productions 1952.

Before watching the movie:

I wouldn’t say that a written script is improvisation, though I have known jazz musicians to plan out the “improvised” solos they intend to play. However, I think “improvising around the fairy tale” is a good way to describe what I expect to see here.

A movie centered around a big green thing and a golden thing (unless the only treasure in this version is the woman) seems like a good choice for an early commercial color film.

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Space Cowboys

Space Cowboys. Malpaso/Mad Chance. 2000.

Before watching the movie:

What happens when a bunch of engineers who became ranchers or something I guess go into space to fix a satellite only they can fix? This movie, apparently.

I get the conceit that these engineers are being called out of retirement to fix space-based equipment that was designed on standards nobody learns anymore, and it takes less time to train the experts to be astronauts than to train the astronauts to be experts for the same reason as Armageddon, Because that’s how you get a movie.

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Movie Movie

Movie MOvie. Warner Bros. 1979.

Before watching the movie:

I never heard of this movie before I found I had it available to me, but I like movies that satirize the movie business, and there are some big names I recognize here, so I decided to go ahead with it.

The summary I saw described it as specifically poking fun at the movies of the 30s, carrying the same ensemble through multiple genres, so it’s probably somewhat but not very much like the Hollywood Director improv game where one player keeps changing the genre on the other players while they improvise a scene.

Anthology movies are hard to synopsize though.

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