Can’t Buy Me Love

Can’t Buy me Love. Apollo Pictures 1987.

Before watching the movie:

Among “contrived reasons for two people who wouldn’t normally interact to be stuck together”, “I will pay you a thousand dollars to be my girlfriend” is a pretty contrived one. It looks like he’s not even lonely, he’s just trying to increase his social standing.

It looks like there’s a little inverse-Pygmalion happening, where he brings her into his life and she helps him fit in? That is probably not what happens, but if it is, that could be a pretty forward-thinking concept for late 80s Hollywood.

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Field of Dreams

Field of Dreams. Gordon Company 1989.

Before watching the movie:

I’m not sure how this is an inspiring movie about following your dreams and not an inspiring movie about how listening to the voices in your head can work out sometimes, but when I try to anticipate what this movie will be, I think of The Astronaut Farmer with baseball instead of spaceflight. But anyway, family man tears his family apart doing crazy things and then there’s a happy ending. Apparently this time James Earl Jones is involved.

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Heathers

Heathers. Cinemarque Entertainment 1989.

Before watching the movie:

There are three kinds of movies that become modern classics. The ones that are constantly referenced to the point that very little remains a surprise on the first watch, the ones that have one specific scene that is synonymous with the movie, and the ones that are classics even though nobody seems to talk about them at all, apparently assuming that there’s nothing left to say. The last group is the hardest to discuss preconceptions of, since I have nothing to base them on.

I know this is about bloody revenge on a clique of popular girls who are bullies, and that’s it. Some blurbs have more words, but little more content. I didn’t even know it starred Winona Ryder and Christian Slater until I sourced the poster.

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Children of the Corn

Children of the Corn. Planet Productions 1984.

Before watching the movie:

I’m not sure if this is so much popular as memetic anymore. It’s still a go-to reference for “creepy and dangerous children”, but I think it’s more referencing other references than familiarity with the film anymore. At least, I haven’t heard of anyone actually watching it recently.

This spawned a ridiculous number of sequels. Yes, it’s a horror movie, but it’s a horror movie about a cult. Seems fairly self-contained.

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Dead Poets Society

Dead Poets Society. Touchstone Pictures 1989.

Before watching the movie:

Robin Williams has done a lot of feel-good movies, but none seem to have the reputation for soaring inspiration that this one does. Sure, it’s all about a teacher trying to inspire his students, but I can think of other movies about Williams’s character inspiring others. Maybe it’s that this is the most quotable, but the main quote I know is a cliche.

One thing that’s becoming apparent to me is how little of his work I was actually familiar with when I was in the height of my appreciation for Robin Williams as an actor.

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Lethal Weapon

Lethal Weapon. Silver Pictures 1987.

Before watching the movie:

I get the idea that the original Lethal Weapon isn’t as popular as 3 and 4. I’m not familiar enough with the franchise to know why.

Certainly, the most important part of a buddy-cop movie is the character dynamics, making the plot a canvas upon which to apply banter. Which also makes it difficult to know what to expect from this movie, apart from how it seems to have done well.

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Rock and Rule

Rock and Rule. Nelvana 1983.

Before watching the movie:

This movie has the rough edge to its animation that I normally associate with Don Bluth or Ralph Bakshi. I guess everybody that wasn’t Disney had this kind of look in the 80s, and The Black Cauldron didn’t quite escape at that.

Being an animated adventure centered around rock and roll and magic, this reminds me vaguely of Rock-a-Doodle, but by way of Cool World.

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