It occurs to me that while this is significant in the zeitgeist, or at least in the Hanksgeist, I’m not sure in what way. It gets referenced as something anyone who knows about Tom Hanks should know, but I’m not sure if that’s meant as a high point or a low point. Opinions will differ, but is it an adorable action comedy masterpiece, or that time Tom Hanks had to spend an hour and a half yelling at a dog? People seem to expect me to know already. Maybe I will now.
I am aware of the Two Coreys heartthrob duo of the 80s only through discussion of them, as they were just before my time (I was dimly aware that Jonathan Taylor Thomas was a big deal a decade later).
This is looking suspiciously like “Ferris Bueller, but with the Coreys instead of Matthew Broderick”, though I’m still interested. The car wasn’t a very big part of Ferris Bueller, whereas this could potentially be a road trip kind of joyride.
I’m not sure what year it was, but I know when it happened. My first grown up Christmas. The year of revised expectations. I think it was when I was in high school. All through the final build up to the day, something was wrong. Something was missing. Something wasn’t Christmas about that Christmas. I couldn’t put a finger on it, it just wasn’t working. Into that malaise, none of my gifts that year were anything that was particularly able to excite me. Maybe I was just burned out.
I was told that there was another present meant for me. A very major present. But it had vanished. It had even vanished from memory, for I could not be told was it was. I understood. I couldn’t blame anyone. It was just one more way that holiday wasn’t working out the way I’d come to expect. In my state of mind that year, it probably wouldn’t have saved Christmas for me anyway. However, in its absence, the most significant gift I received was a movie.
It was a Christmas movie, which was already a strike against it. As someone who likes to keep things compartmentalized, being a Christmas movie meant that it was going to be out of season the next day. I respected that that view may not be widely held, and tried to look past it. It stars Mary Steenburgen, whom I’d liked in Back to the Future 3. If I recall correctly, it has Wayne Robson in a major role, and I like him on The Red Green Show. The familiar cast should have helped me like it.
However, its plot was something like a modern take on It’s A Wonderful Life, with a whole heap of problems building to a crisis, followed by a magical second chance. It ended up being more depressing than enjoyable. But I wasn’t really enjoying anything that year. I still have no idea why, but there was no magic in my Christmas, and One Magic Christmas didn’t provide any.
With the movie fresh in my mind now, I think the two main parts of the problem were that it’s a much more pure drama than anything I would have ever expected, and I wasn’t in a frame of mind to be receptive to what it actually does. Ginny’s life is already miserable, and in order to find the Christmas Spirit, she has to reach a much lower point than that, so that she essentially has nothing left but faith in Christmas magic. It’s like if It’s A Wonderful Life spent two thirds of its runtime on the day Uncle Billy lost the money. The moments of relief from the depression are subtle, and not something I was originally able to notice, let alone appreciate. The payoff of the unrelenting hardship is the catharsis of how her experience has changed her, and maybe it is arbitrary, and the magic involved confusing, but now it feels good anyway. Over ten years later, when if anything I’m more of a pragmatic adult like Ginny, I can let the movie’s magic in.
I was vaguely aware of this movie before I saw a mashup parody (with Die Hard, I think?) on Bob’s Burgers. The mashup was so mixed I learned very little, except that it’s more popular than I thought. And I wasn’t sure that it was about office politics.
What it is, or at least what it’s billed as, is a romantic comedy with Melanie Griffith and Harrison Ford as the lead couple, as well as a stolen idea and a stolen identity. Continue reading →
I’m not sure if this will work, but I’m going to experiment with something different. I’ve gotten into foreign movies a little bit before, but this is much more out what I’m familiar with than the others. I haven’t even seen a Godzilla movie before. So I’m not sure how well this will connect with me. I’m going ahead anyway, because I want to spend a while escaping from ideologies, dictators, monsters, and country-destroyers with a propaganda movie produced by a dictator about a monster destroying a country.
I’ve had this on my radar for a long time, but I never noticed the bad guy is a wizard until I read the description quite recently, even though now that I look there is clearly a wizard looming in the background on that poster.
A martial arts movie starring Kurt Russell isn’t terribly attractive to me, but bringing magic into the mix grabs my attention. I don’t have high hopes for it being respectful of Asian cultures, but I don’t think it will be a factor that ruins my enjoyment.
I remember this came up very recently, but I don’t recall what it was in connection to. I think it was a related movie on IMDB, but I’m not even sure of that. Maybe it had sufficient keywords in common with The Sting, but I can’t recall for sure and it wasn’t there when I checked. What I am sure of is that the idea of Sean Connery, Dustin Hoffman, and Matthew Broderick playing a criminal family running a caper was something I needed immediately.