Larger Than Life

Larger Than Life. United Artists 1996.

Before watching the movie:

At first I thought I might have been aware of this movie when it came out, but I think I was thinking of the live action scenes from Osmosis Jones, in which Murray plays a zookeeper who seems to mainly scoop elephant droppings and other low tier jobs. Here, however, he’s inherited an elephant from his estranged circus performer father.

A road movie/buddy comedy with an elephant is a really random mix that definitely creates funny moments, but how does someone come up with an idea like that?

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Jack and the Beanstalk

Jack and the Beanstalk. Exclusive Productions 1952.

Before watching the movie:

I wouldn’t say that a written script is improvisation, though I have known jazz musicians to plan out the “improvised” solos they intend to play. However, I think “improvising around the fairy tale” is a good way to describe what I expect to see here.

A movie centered around a big green thing and a golden thing (unless the only treasure in this version is the woman) seems like a good choice for an early commercial color film.

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Space Cowboys

Space Cowboys. Malpaso/Mad Chance. 2000.

Before watching the movie:

What happens when a bunch of engineers who became ranchers or something I guess go into space to fix a satellite only they can fix? This movie, apparently.

I get the conceit that these engineers are being called out of retirement to fix space-based equipment that was designed on standards nobody learns anymore, and it takes less time to train the experts to be astronauts than to train the astronauts to be experts for the same reason as Armageddon, Because that’s how you get a movie.

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Masters of the Universe

Before watching the movie:

This is a movie based on a set of toys designed by adults trying to come up with what kind of story would feel most empowering to five year old boys in the 80s. That is the standard it should be held to.

I’m not directly familiar with the Masters of the Universe franchise. I mostly know it through osmosis, but apparently Eternia being a planet distinct from Earth is not a concept unique to this movie. I always considered MOTU a pure fantasy setting, but it seems to take whatever elements make exciting stories, and again, the core concept is for five year olds, so the mashup isn’t inappropriate. I’m still not fully comfortable with Skeletor being a spacefaring warlord subsuming planets into his empire, but this can’t go as poorly as Highlander 2 did.

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Yesterday’s Movie Magic

There’s something special about summertime movies. Maybe it’s that the theater was the original air conditioned oasis, but it’s when all the biggest thrills and magical adventures are brought out for our enjoyment, as well as, this year, the reanimated husk of The Lion King. Like all areas of the human experience, the magic of the movies has been documented in the movies, here in realistic and fantasy flavors.

  • The Majestic: a Macarthy-era drama about how a movie theater brings a small town together.
  • Matinee: the thrillfest of the year sets off a Rube Goldbergian chain of events.
  • Last Action Hero: Characters from a campy action movie come to the real world and find it’s a lot messier out here.
  • The Purple Rose of Cairo: It’s so easy to get lost in a movie, but sometimes the movie comes to you.

Movie Movie

Movie MOvie. Warner Bros. 1979.

Before watching the movie:

I never heard of this movie before I found I had it available to me, but I like movies that satirize the movie business, and there are some big names I recognize here, so I decided to go ahead with it.

The summary I saw described it as specifically poking fun at the movies of the 30s, carrying the same ensemble through multiple genres, so it’s probably somewhat but not very much like the Hollywood Director improv game where one player keeps changing the genre on the other players while they improvise a scene.

Anthology movies are hard to synopsize though.

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