Summer watchlist

My plans changed at the last minute and I don’t have a review this week. But here are some movies I’ve been meaning to rewatch lately:

  • Blazing Saddles
  • The Producers
  • History of the World, Part I
  • Young Frankenstein (Yeah, I’ve been having a taste for Mel Brooks lately)
  • Moana
  • Indiana Jones and the Last Crusade
  • Anastasia
  • After Death

Some movies I’ve been wanting to watch for the first time and haven’t gotten to yet:

Finally, one of the best short films I’ve ever watched is available for everyone to see on Vimeo from the filmmakers, La Premiere. I’ve heard that they’re trying to turn it into something bigger, and I hope to see that sometime.

Compulsion

Compulsion. 20th Century Fox 1959.

Before watching the movie:

I have no idea what to expect. This was an algorithmically generated recommendation I’ve never heard of, and all I have to go on is that it’s a courtroom drama about some amoral law students who believe they’re above the law. And Orson Welles is in it.

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Batteries Not Included

Batteries Not Included. Amblin Entertainment 1987.

Before watching the movie:

The log line for the movie I’m expecting this to be is something like “the elves and the shoemaker, but with extraterrestrial robots”. That’s how I’m interpreting “desperate people get help from tiny robotic aliens”. The title seems more like a topical joke than anything particularly related to that story.

What particularly interests me is that Brad Bird has a writing credit. Spielberg’s name got this movie made, but I wonder if I can spot the early Brad Bird in the story.

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Picture Perfect

Picture Perfect. 3 Arts Entertainment. 1997.

Before watching the movie:

I know pretty much nothing about this movie. I am informed that the premise involves the main character faking a fiance for apparent life stability to get promoted at work, which I hope gets a little more justified, because anywhere else will look at your job as the sign of how stable your life is. Interesting to note that this 90s boss wants a female employee to be engaged though, since only a few decades earlier marriage was seen as a career-ending move for women.

I will also note that the handwritten-style title, particularly when displayed in white, strongly reminds me of Friends, which I wouldn’t doubt was intentional, this being a late 90s movie starring a Friends alum.

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Bedazzled (1967)

Bedazzled. 20th Century Fox 1967.

Before watching the movie:

Yes, there was a remake in 2000, which I haven’t seen either, but I was aware of at the time (I was only 12, there was no way I’d have gotten permission even if I wanted to see it).

I’m surprised by the critics’ comments about the intelligence of the movie. There’s a similar poster out there that has the quote shown here as well as another one calling it “an intellectual’s Hellzapoppin“. Considering it’s impossible to find a poster that doesn’t sell the movie on Raquel Welch’s body, I never thought “smart” would be a word to describe it.

What really sold me on it was the lead duo of Peter Cook and Dudley Moore. I’m guessing the intelligence of the comedy comes from the ways the wishes get twisted.

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Heavyweights

Heavyweights. Caravan Pictures 1995.

Before watching the movie:

How did I not know about this movie until right now? It came out in the mid-90s with Disney backing and it’s about put-upon fat camp kids taking over the camp. Why was I not all over this as a kid? Where was the hype?

Sure, it’s hardly a tentpole movie. Ben Stiller and Judd Apatow are the biggest names on it, and both near the beginning of their careers. I don’t expect it to be to modern standards of body positivity, but how often do you see the plump kids as the heroes?

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Do Not Disturb

Do Not Disturb. Arcola Pictures 1965.

Before watching the movie:

This is being promoted as a romp with a wife who invents a lover to get revenge on her husband for spending more time with his secretary. Apparently it also involves travel to Europe, but I’m not clear how big a part of the movie that is. I suspect the story starts with them relocating for business reasons, and then the new secretary at the new office gets too much of the husband’s attention.

This is based on a play, so I’m expecting some really good dialogue, very long scenes, and a handful of location scenes in Europe because movies feel obligated to Open Up a play.

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