Ed and his Dead Mother

Ed and his Dead Mother. ITC Entertainment 1993.

Before watching the movie:

This was not well-released, not well-received, and perhaps not well made. But it looks fun enough, unless they managed to choke the fun out of it in the poor execution.

Steve Buscemi seems to be intended to be the most normal character in the story, which is a strange concept to me. He’s long been leaning into the eccentric roles his features attract, but I think he might be the straight man here.

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Attack of the Killer Tomatoes

Attack of the Killer Tomatoes. Four Square Productions 1978.

Before watching the movie:

I always knew that this was a horror spoof, but I didn’t realize it was a musical. It’s already under 90 minutes, and there are songs in it, so the plot will probably be very thin. But how much plot can be gotten out of running from murderous fruiting vines? Three sequels and a cartoon series, apparently.

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Rockula

Rockula. Cannon Films 1990

Before watching the movie:

I just learned that Dean Cameron is not Dean Cain or Kirk Cameron, so I don’t have as much to say as I thought. Dean Cameron doesn’t seem to have achieved the celebrity status as the others, and appears to be what’s called a “working actor”, despite having led a feature film of moderate success as a young man.

Anyway, he plays a young man cursed to watch his one true love die and be reincarnated and die over and over, and this time his chance to break the cycle involves becoming a rock star.

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I Married a Monster from Outer Space

I Married a Monster from Outer Space. Paramount Pictures 1958.

Before watching the movie:

Much like Invasion of the Body Snatchers, this is about people getting replaced by alien replicas. But with the added horror factor of following a 50s housewife’s discovery that her husband has changed.

It looks like the main thing that was notable about this movie is that it was released in a double feature with The Blob.

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Small Time Crooks

Small Time Crooks. Sweetland Films 2000.

Before watching the movie:

From what I’m seeing, this is basically the story of criminals who accidentally go into legitimate business. It also looks like it builds increasing farce until it implodes, and has a focus on letting the actors be zany and possibly improvisational. I always think of Woody Allen as a very script-oriented comedian, but the rest of the cast seem like they could riff.

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Bio-Dome

Bio-Dome. Weasel Productions 1996.

Before watching the movie:

Every now and then, comedians get famous for being annoying, and even though no one will admit to liking annoying comics, they seem to stay far longer than their welcome. From what I recall, I wouldn’t consider Pauly Shore the worst offender, but he’s certainly one of the most infamous. For my own taste, I can tolerate annoying humor fine, it’s just not my favorite. It’s awkward comedy that I can’t stand.

Anyway, I think that Shore and Baldwin are normies accidentally sealed into the dome with the scientists here, rather than frustratingly eccentric but indispensable like the character in Rocket Man. I can’t really picture a Baldwin brother being annoying, but that seems to be what’s about to happen.

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Real Genius

Real Genius. Tri-Star Pictures 1985.

Before watching the movie:

It seems like the 80s were fascinated with the idea of genius kids getting mixed up with top-secret government projects, but maybe it was just the inevitable collision between teenaged geniuses and mistrust of the government that both have plenty of independent examples. This time it’s lasers and remote assassination plots.

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