Well, here’s a “scary animal is the monster” horror movie. Comparing it to Jaws is easy. Probably harder to compare to Arachnophobia, even if I did remember enough of it to do that. In this case, it’s a documentary film crew stuck on the Amazon getting picked off by some guy’s scaly White Whale, which is a somewhat interesting angle to get into the story through. It would probably be most interesting as a pure found footage movie, but even though this was about the time that Blair Witch proved that could work, I don’t expect that will be the case.
The cast is particularly eclectic. I started thinking that when I saw Ice Cube featured prominently, but also how often do actors like Jon Voight and Jonathan Hyde mix with Owen Wilson and Jennifer Lopez?
I always had the impression this was a story about mafiosos and their molls, but the closest I ever came to any glimpse of the actual contents of the musical was… highly adulterated, and I’m pretty sure bears no relationship to the actual musical.
The summaries I’m seeing now seem to revolve around illegal gambling, which probably means organized crime, but it doesn’t really seem to be the focus. Obviously the real focus is probably “That Frank Sinatra is having a swell time singing”, more than likely with a dash of “and that nun is going to break her vows for him.”
This was one of the big cultural moments in my early childhood that I was aware of even as it passed me by. Everyone was talking about Free Willy for some reason. I dimly recall it being on in the same room at one point, but I think it was in the way that one dips in and out of a movie someone else is watching while at a family gathering.
There’s a good movie finding its audience, and then there’s a cultural phenomenon. The latter I can understand for a lavish tentpole movie like Titanic, but this doesn’t seem to be that kind of visual-oriented extravaganza. It kind of looks like it has a similar domestic plot to the original, before the franchise fatigue Air Bud, actually, like if you took all the basketball out of that movie and swapped the dog for an orca, you’d come close to this movie. While cetaceans were popular in the 90s, I would’ve thought that more came out of the popularity of this movie than contributed to it. Well, I guess I’m about to find out.
I clearly remember the promotion for this movie (it’s still a little strange to have films from about the time I started this blog that are old enough to show up here), but everything I saw indicated that Dave wasn’t a real person but a ship piloted by tiny people for some reason. One of the more intriguing Eddie Murphy vehicle concepts since the late 90s, but since so few of his projects have been well received since he got enough fame to make any movie he wanted, not that compelling. Also I seem to recall the little people were all played by Murphy, which seems to further underscore the artificiality while also playing into his enthusiasm for multiple roles (something I can’t begrudge him for, as when I was regularly making videos I kept writing stuff that let me act against myself too).
However, when I came across this opportunity now, the summary I saw described Dave like he’s a man hijacked in his own body by tiny aliens sabotaging his love life. Everything I assumed may be wrong and I’m now more interested in the story instead of just the concept.
I knew when I rewatched Blank Check that I’d eventually come back to Richie Rich. I’m completely unfamiliar with the comic, and while I don’t think it ever had an animated adaptation, I couldn’t say for sure without looking it up. But I’d say this live action movie came out between when I started noticing new movies coming out and when I started connecting strongly with them, so while I remember it as part of my childhood, it was mostly remarkable because it had Macaulay Culkin and had a similar “kid with an unreasonable amount of money” movie come out at vaguely the same time. I may have only actually watched it once before now, though I do recall being in the same room with it playing at least once.
Though Richard “Richie” Rich Jr. is the world’s richest boy, there is one thing his parents’ money can’t buy him. His life in obscene wealth has kept him isolated from children his own age, aside from the handful of kids at his private school who are already obsessed with being mini moguls like their parents. Richie’s parents are admirably devoted to him, but his only real friend is his manservant Cadbury. While Richie tries to figure out how to make friends with his age peers, the CFO of his father’s company, Lawrence Van Dough, is scheming to get Richard Sr. out of the way to not only cut the cost of the Riches philanthropy out of the budget and control Rich Industries, but also get his hands on the priceless treasures that are stored in the secret Rich Family vault. Together with the Rich family’s security chief, Van Dough has a bomb planted on the family plane, intending to wipe them all out at once, only Richie survives by backing out of the trip at the last minute, and finds himself now the heir of the family fortune and majority shareholder in the company, much to Van Dough’s frustration.
It turns out I had pretty much forgotten the entire movie. Everything that I remembered could’ve come from trailers. Richie’s dollarmation, Mount Richmore, Richie’s amazing toys. I didn’t remember anything about the plot beyond something about being robbed and maybe home invasion. Richie’s loneliness was new again to me, and so was Van Dough’s plot. The only settings that looked familiar were Richie’s bedroom and the tent in the back yard with the laser that etched Mount Richmore.
It sure is nice to imagine rich people who give millions away to every cause they see without worrying about diminishing their wealth. Van Dough isn’t even worried about the Riches spending the company into bankruptcy, just into lower profits. It’s far beyond the scope of the story to tell us how they made their fortune, though it’s probably meant to just be being really really good at investment picks and selling good products and not ever exploiting anybody, and now they have enough money in banks and other hands-off investments that it’s impossible to spend faster than it earns interest. There may have been a time when fortunes could be made completely honestly and innocently, but it’s always been unlikely. Once a huge fortune is acquired though, it can be possible to give it away without worrying about it going so fast the money runs out. I know there’s a Disney who just isn’t allowed to divest as much as she wants to, and Jeff Bezos’s ex wife has devoted a lot of her time to giving away her half of his fortune, and at the end of every giving spree she seems to have more money in the bank than she started with. Unfortunately, I can’t really not think of that when I see a story about benevolent megarich people anymore.
The friendship subplot felt a bit underdone. It’s the most important personal arc for Richie, but it really just gets him into position to have allies when he retakes the house. On the other hand, his relationship with Cadbury carries some significant emotional weight, and we do feel Richie’s loss of his parents as deeply as a fun kids’ movie can comfortably do.
I kind of have to wonder briefly who this movie is for. 90s kids weren’t familiar with the source comic, and at times it seems like things from the comic are being brought out to say “hey, remember…?” It’s also simplistic to the point of not really working as well as it could for adults. I think as an adult I can engage with a show like Annie on a level that is missing here. So it seems like it might be a letdown to people who did grow up with the comic. It probably is intended to be something for those people to share with their children, but it doesn’t feel like it’s been exactly updated enough to serve either. I guess what I really want it to be is more like DuckTales. But not everything can be DuckTales. Hardly anything, actually. But this seemed to serve children’s fantasies at the time, and I was one of them then.
I heard about this movie a long time ago, though I’m not sure what movie it was brought up in contrast to anymore. I know I already knew of Keanu Reeves as the central player in the Matrix movies, and that heavily colored what little I knew about the movie. I still really only know the core concept, but I’ve always thought of this movie as being very cyberpunk, and had a hard time separating the idea of “mind in computer (simulation)” from “computer in mind”.
Taking a look at the poster right now, it seems like it’s positioning itself as the futurist version of Speed, but that might just be because it’s an action movie with Keanu Reeves.
I’m not sure I’d even heard of this movie before I was invited to watch it. It’s definitely something outside my normal tastes, but I should occasionally broaden my intakes in directions I’m not as eager about as well, and crime drama still has the potential to excite.
This looked like a bland musical in a setting I wasn’t very interested in until I recently heard it discussed as a unionization success story, which is pretty topical. I also have more understanding of the newspaper landscape of the late 1800s and the media dueling media empires of the day.
It also still looks like a kind of bland musical, but I haven’t looked too closely.
From the first time I heard about this movie, I was vaguely interested in the reality-hopping concept, but I wasn’t into martial arts movies and so I wasn’t all that attracted to it. What I know about the movie hasn’t really changed, I’m mostly just warmer to Kung fu films in general, and also I’m a little more aware of Jet Li’s work.
Apparently the movie was originally meant for Dwayne Johnson, who would’ve been very different, but I also would’ve been less familiar with 20 years ago.
This is a horror movie about a possessed car. Even though it’s based on a Stephen King novel, I think the chances are good that it’s going to be more silly than actually scary. Maybe it’s just my frame of reference, but when people refer to a story about a living car, they’ll go for a lighter story like The Love Bug or “My Mother The Car” (that one’s almost certainly my reference pools), because the concept really does seem to be better suited for comedy than horror. A car can kill you, and we’ve built our cities with a little too much focus on car accessibility, but ultimately a car is only dangerous to a person under a very specific set of circumstance.