Behind the Mask

Behind the Mask. Code Entertainment 2006.

Before watching the movie:

I’m not a very big fan of horror, but I do enjoy a mockumentary, especially a comedic one, and horror is a genre that’s always ripe to be mocked.

I hadn’t heard of this movie before the part of the internet that works in mysterious ways (okay, the mysterious ways governed by data and math) brought it to the surface. It’s a pretty simple premise, as a serial killer to be invites a documentary team to follow him as he plans his blaze of glory, and instead of calling the police or anything, they go get their killer story.

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Anger Management

Anger Management. 
Columbia Pictures 2003.

Before watching the movie:

This is another movie I’ve been pretty sure would show up here eventually since almost the beginning. Back when Adam Sandler made movies people wanted to watch, I guess.

It’s been quite clear that this is about a guy and his therapist living together and driving each other crazy, but it wasn’t as apparent until I saw what I’m looking at now that the patient isn’t actually all that explosive, except around his eccentric therapist.

The “client and patient shackled together and nearly kill each other” concept is similar to Analyze This and What About Bob?, the former to the point (at least on the surface) that if this movie and Analyze This weren’t five years apart I’d call them duelling movies.

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Miracle

Miracle. Walt Disney Pictures 2004.
Before watching the movie: I’ve heard many references to the “Miracle on Ice”, but only ever the broad strokes, that the US men’s hockey team in the 1980 winter olympics was not expected to beat the Soviet team, but they did. Those broad strokes leave out why anyone would still care about what happened then, and the closest I’ve seen to any explanation past the cold war rivalry has been “it’s an underdog story. The Russians were known for fielding dominant teams.” So here’s an underdog movie. Continue reading

Small Time Crooks

Small Time Crooks. Sweetland Films 2000.

Before watching the movie:

From what I’m seeing, this is basically the story of criminals who accidentally go into legitimate business. It also looks like it builds increasing farce until it implodes, and has a focus on letting the actors be zany and possibly improvisational. I always think of Woody Allen as a very script-oriented comedian, but the rest of the cast seem like they could riff.

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Sky Captain and the World of Tomorrow

Sky Captain and the World of Tomorrow. Filmauro 2004.

Before watching the movie:

This is such a bizarre movie on the face of it. It ostensibly takes its influences from pulp adventure and German Expressionism, but it comes off like it’s part of a franchise that doesn’t exist (which may be part of the artistic intent of imitating pulp serials), and the audacious scope has a hint of Anime plotting to me (as well as the man being called “Sky Captain” sounding like a translation beating out the subtlety of it).

The origins remind me of how Lucas created Star Wars because he wanted to do a Buck Rodgers movie, only this looks more successful at that idea in some ways. This seems like more of an update of the pulp feel than Star Wars achieved. (Perhaps it’s because I’ve always lived in a world where it existed, but that franchise has always seemed more like its own thing of its own time than something that could screen next to Buck Rodgers, but I’ve already digressed too much.)

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Nacho Libre

Nacho Libre. Paramount Pictures 2006.

Before watching the movie:

I’m fairly confident this was the first time I’d heard of Jack Black. I’d heard a lot about Shallow Hal, but since Malcolm in the Middle was such a big presence in my life at the time, my brain kept putting Bryan Cranston in the title role. So with Nacho Libre, Jack Black entered my consciousness as someone new, yet someone I apparently should have already known about.  So I was completely lost later when Tenacious D got a movie and was apparently a well-established band already. And this time it was real, unlike my early confusion about Galaxy Quest.

Anyway, here’s a cult movie about a white guy rising to the top in a Mexican cultural institution from the age where taboo topics were permissible, but insensitivity was in fashion. So I’m hoping this will be fun, but it’s got some hurdles to clear.

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Lara Croft: Tomb Raider

 

Lara Croft: Tomb Raider. Mutual Films Company 2001.

Before watching the movie:

The video game was very popular, possibly even for reasons beyond the audacious character model, so of course Tomb Raider got a movie fairly quickly. I’m not sure why the title of the successful franchise with five years of brand recognition was prefaced with the character’s name for the movie, but I assume if I look it up, I’ll see something about “Lara Croft” being the name known more by the mainstream audience, again because of the character model.

I was surprised to see Daniel Craig’s name in the credits for this 2001 movie, and then I looked up when Casino Royale came out (2006) and shriveled to a skeleton and turned to dust like the villain in Indiana Jones and the Last Crusade. I also found that my impression that Angelina Jolie hasn’t done much lately is very much not true.

It’s also surprising to me that the rebooted Tomb Raider series got a reboot movie before the Uncharted franchise, which I suspect the Tomb Raider reboot owes some of its success to, was able to get its movie out of development hell.

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