It occurs to me that even though I remember seeing all of the tv spots for it at the time, and I have a synopsis in front of me, I don’t know much about this story other than “Bernie Mac unretires from baseball to protect his record”.
I’m guessing the tension comes from him clashing with his teammates, mostly due to them resenting him using them like that, but also maybe an old school baseball/new school baseball rivalry.
I’m still going to go with “it’s about Bernie Mac playing baseball” though.
I always conflated this movie with Cool Worldbecause of the idea of an artist interacting with a cartoon reality. Until I reread my review of Cool World, I still thought it was also about creator and creation, but the artist only based his work on the already-existing alternate reality.
Also, this is definitely actually aimed at a PG-13 rating. And the animation is claymation, or CG pretending to be claymation, rather than Ralph Bakshi rotoscoped xeroxes. Continue reading →
So as I’ve heard, this is the story of a brilliant law student using sex appeal to break into Harvard so she can get un-dumped by her boyfriend. And that’s just about all I’ve heard. I seem to recall it managed to get a sequel or two as well as a stage musical, despite the fact that that description doesn’t sound like something that could lend itself to a sequel, but when has that stopped anyone before?
I think of this movie as “Armageddon with Dirtronauts” (from a Dick van Dyke Show pitch). I really just know the log line, something’s wrong with the Earth’s core and we need to go fix it. Apparently it’s too dangerous to send robots to that kind of temperature and pressure so humans have to go instead.
It’s actually a fascinating idea to send an expedition below the crust, even if the conceit is ludicrous. At least Journey to the Center of the Earth is so divorced from science (I think even in Verne’s day the hollow Earth theory was at least on the way out) that it can be read as pure fantasy. With what we currently understand about the planet, no good can come from sending people that deep inside it, and the only sources of story there come from just how implausible such an expedition would be. So I’m going to try to enjoy this on its internal consistency, because the way it pretends to be science just preemptively frustrates me, but it otherwise looks like fun.
I’ve probably been aware of this movie since shortly after it came out. I remember for years seeing it on the shelf at the library, picking it up, and putting it down again. It always looked like something I should be interested in, but it never grabbed me. It’s about a dog show. It’s a mockumentary. It’s by Christopher Guest. And none of that ever really put it over the edge for me, until now.
For an improvisational mockumentary with a huge cast, the only thing I know to expect is that I can’t predict anything.
I’ve been looking for this for years. It’s easy to find the sequel, it’s much harder to come across this one. I’m not sure why that is.
The marketing looks like it’s positioning this as “Mr. Bean is James Bond”, but I’m hoping Atkinson will be doing something closer to Blackadder. Some of that hope may be fueled by the idea that if it’s the case, it might find a place as a missing link in my silly theory that Atkinson’s Doctor in The Curse of Fatal Death is a continuation of the Blackadder line, which tends through history to get smarter (though usually of lower station).
For years, Terry Gilliam has wanted to make a Don Quixote movie. And for decades, it’s been in development hell. Except once, it actually went into production. And never came out. This is the story of Terry Gilliam’s impossible dream.
I always thought Gilliam made this documentary himself when production fell apart, but it’s attributed to a couple of other directors. Makes sense, I guess. He’s too busy making weird movies (or at least trying) to make a documentary.
Apparently the title for Gilliam’s movie is The Man Who Killed Don Quixote. I always thought it was going to just be Cervantes’s story with a Gilliam bent, but that title sounds like he intended to at least tell a new frame story. I am unfortunately not familiar enough with Quixote to know how the original story ends, but I expect it’s a classical tragedy. So it might yet not be an original story on Gilliam’s part.