Movies of My Yesterdays: Meet the Robinsons

I remembered this movie as having come out a little earlier. Spring of course, but I didn’t remember that it was my final spring as a high school student. I do remember that spring and summer being significant to me in a lot of ways that made me feel like I was growing up and defining my own tastes. Placing it in that year, I know that I had a car that was mine to use rather than borrowed when I needed it for the first time. It was a good year for listening to songs on the radio, which is something I rarely chose to do. I think I was making occasional trips to bookstores by myself to browse.

However, this was not a movie I found all on my own. I knew it was coming, I was looking forward to seeing it, but soon after its release, my grandfather wanted to take me to a movie. Looking at what was coming out around that time, I can see that this was pretty much the only option for us.

Meet the Robinsons. Walt Disney Pictures 2007.

Sometimes I talk about movies coming out at the right time for me. Usually that probably just means they were things I’d have liked anyway reaching me at an age when I was old enough to think about it a little more deeply than a child, but still simply enough to easily generate nostalgia for it later. I suspect that’s the case with Tarzan, though it did introduce me to the music of Phil Collins. But I feel like Meet the Robinsons was perfectly suited for my mindset at the time, and considering that I was about to graduate high school, it’s easy to see how a story about a bright kid dropped into a colorful future that turns out to be of his own making might’ve particularly spoken to me.

Lewis, a 12-year old abandoned at an orphanage as a baby, is already an inventor capable of revolutionizing modern science when he sets his mind to it. Still unable to get adopted at his advanced age, he decides to invent a memory scanning machine to help him find the mother who left him years ago. However, at the science fair, Lewis encounters a teen claiming to be from the future, and a mustache twirling saboteur with a sentient bowler hat. In order to get Lewis back on track, Wilbur Robinson takes him to the future to prove that he is a time traveler, and Lewis gets mixed up with Wilbur’s eccentric family. If meeting his mother doesn’t work out, surely Lewis could find a home with the Robinsons.

I still love the fanciful spin on classic futurist design. Robots, another William Joyce-inspired movie, was made in a similar style, but I like the results here better for some reason. The music doesn’t grab me now like it did at the time, both the neo-swing I was very into back then and the 00s Disney boy band songs that did a lot of the work of opening me to modern pop.

I’m always impressed with how well the non-destructive time travel is set up and paid off. The Cornelius loop as well as the orphanage steps and Bowler Hat Guy’s origins are meticulously detailed and make repeat viewings rewarding. It’s so well done that the rewritten timeline begins to seem like an illusion that Cornelius somehow arranged in order to get Lewis set on the right path. After all, Cornelius did invent the evil hat that started it all.

It’s probably never going to be as good as the first and second time I watched it, but Meet The Robinsons will always hold a special place with me for when it came to me, and as long as I like time travel stories, it will stand among the better ones for me.

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Brewster’s Millions (1985)

Brewster’s Millions. Silver Pictures 1985.

Before watching the movie:

I’ve already covered the 1945 version of this story, but I knew that eventually I’d come to this one. This is the 7th movie adaptation of the 1902 novel just in English, and at this point it’s surprising that it hasn’t been tried again. The reputation this version has is tepid, and it’s the version people think of when the name comes up (the last version with the same title was made 40 years previous), but it’s clearly a story with staying power, and within the next ten years, every memorable movie from the 80s is going to get remade if it hasn’t already.

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The Mighty

The Mighty. Scholastic Productions 1998.

Before watching the movie:

All of the summaries I can see point to the story being about the two boys who form a friendship of outsiders, but Sharon Stone, the sick boy’s mother, seems to be featured even more prominently than it seems like she would just because she’s the biggest name in the cast. I get the sense that she’s the viewpoint character.

The story being around a boy with Morquio Syndrome and his parent puts me in mind of Lorenzo’s Oil, which is all about the parents trying to keep their son alive. It’s also a movie I was shown in high school, and another reason this makes me think of that is because my friend Kellie recently rediscovered it as a movie she was shown in grade school. This post was suggested by Kellie and has input from her. She has agreed that I may limit mentions of how hot she is for Gillian Anderson to two (this one might not count).

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Man of La Mancha

Man Of La Mancha. United Artists 1972.

Before watching the movie:

I think this is the way most people have experienced Don Quixote.  I’ve read some of the book, but despite the new translation I was using, the stilted nature of it still sometimes overpowered the comedy, which itself sometimes felt a little too much like “mental illness is funny!” It’s at the same time amazing how modern it feels at over 400 years old and yet how basic the storytelling can be at times, because it’s had 400 years to become part of the way we always tell stories.

But the grandeur of the way Man of La Mancha interprets the book is enticing and accessible. Everyone has heard at least a few bars of “The Impossible Dream”. It’s a classic showtune ballad. The romance is probably more feel-good in this take as well.

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Field of Dreams

Field of Dreams. Gordon Company 1989.

Before watching the movie:

I’m not sure how this is an inspiring movie about following your dreams and not an inspiring movie about how listening to the voices in your head can work out sometimes, but when I try to anticipate what this movie will be, I think of The Astronaut Farmer with baseball instead of spaceflight. But anyway, family man tears his family apart doing crazy things and then there’s a happy ending. Apparently this time James Earl Jones is involved.

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We’re Back! A Dinosaur’s Story

We’re Back! A Dinosaur’s Story. Amblin Entertainment 1993.

Before watching the movie:

Despite definitely remembering a trailer, I couldn’t say anything more about what this movie is that isn’t on the poster. Cartoon dinosaurs in the modern day. There are a lot of names I recognize in the credits, but I don’t know what to expect other than John Goodman is definitely the lead dinosaur and Jay Leno’s character is probably a minor chomic relief player.

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Children of the Corn

Children of the Corn. Planet Productions 1984.

Before watching the movie:

I’m not sure if this is so much popular as memetic anymore. It’s still a go-to reference for “creepy and dangerous children”, but I think it’s more referencing other references than familiarity with the film anymore. At least, I haven’t heard of anyone actually watching it recently.

This spawned a ridiculous number of sequels. Yes, it’s a horror movie, but it’s a horror movie about a cult. Seems fairly self-contained.

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