I know pretty much nothing about this movie. I am informed that the premise involves the main character faking a fiance for apparent life stability to get promoted at work, which I hope gets a little more justified, because anywhere else will look at your job as the sign of how stable your life is. Interesting to note that this 90s boss wants a female employee to be engaged though, since only a few decades earlier marriage was seen as a career-ending move for women.
I will also note that the handwritten-style title, particularly when displayed in white, strongly reminds me of Friends, which I wouldn’t doubt was intentional, this being a late 90s movie starring a Friends alum.
How did I not know about this movie until right now? It came out in the mid-90s with Disney backing and it’s about put-upon fat camp kids taking over the camp. Why was I not all over this as a kid? Where was the hype?
Sure, it’s hardly a tentpole movie. Ben Stiller and Judd Apatow are the biggest names on it, and both near the beginning of their careers. I don’t expect it to be to modern standards of body positivity, but how often do you see the plump kids as the heroes?
I was very close to reviewing this a few months ago, but then when I started to get ready to, I quickly learned that not only was it a foreign-language import, it was also technically a sequel. Its original Chinese title is “Drunken Master II”. However, it is described as a “reboot” of the original movie from sixteen years earlier, with “little in common with… its predecessor”.
And what’s different? Well, I was hesitant even when I found out it wasn’t originally in English. But I’ve crossed that now. After a tough month, I want to review something silly, and since this is only spiritually connected with the movie that gave this one its II, I’m not that concerned by it. I’ve reviewed adaptations and remakes, and I’m given to understand this is essentially a fresh take.
This came up in automatic recommendations, and I know very little about it. Apparently, it concerns a jewel thief trying to recover his stash, which had a police station built over it while he was in jail. I’m expecting something of a heist, but there are indications he spends a while posing as a police officer to get inside, which implies a deeper level of infiltration than I usually think of for a heist.
I expect this movie to be a lot like RoboCop. A police state dystopia set in the near future that is now both uncomfortably dated and also overly optimistic about technological advances.
I’m not sure if Dredd is a satire or just a warning, but I know the point of him is that the degree of force he and other law enforcement are allowed to use is meant to be far beyond excessive. I don’t know if that carried through into the movie, or into fan understanding of the comic or the movie. Starship Troopers is mostly loved for the hyperviolence it was meant to be satirizing, and I wouldn’t be surprised if the same happened to Dredd.
I have a dim memory of being aware this movie was in theaters. It was nothing I would have gotten to see at the time, but it vaguely sparked some interest as a regular viewer of Jeopardy. I didn’t know what it was about then. It was 20 years later that Jeopardy had their own ratings-driving long-runner, but the reason it hadn’t happened before is that they had only recently dropped the forced retirement rule instituted to keep above the appearance of doing the same rigging that actually happened on Twenty-One.
There is absolutely no reason I can think of why this should remind me of The King’s Speech, but here we are. Maybe one of the posters for that movie shows the King making the radio address from behind? It’s completely immaterial, so. Continue reading →
I principally know the story of The Legend of Sleepy Hollow through the Disney featurette. Wishbone did an adaptation, but it was the second season that I’m much less familiar with. It would be easy to go more into why Crane gets involved with the Horseman legend than the Disney version did, but it seems to pretty simply be that he’s spooked by the legend and happens to become a victim of the ghost. Well, it was a short story to begin with, so there’s not much need or room for motivation.
In this version, apparently they’ve changed him from a superstitious schoolteacher to a detective. Which would let him drive the plot, so it might be a good change. Definitely means this is going to be very different. Continue reading →