It occurs to me that I’ve only seen Joe Pesci in Home Alone. So here’s another movie he made spoofing his typecasting as a criminal, only a much more hard-edged one than the family friendly Wet Bandits. He plays an actual mobster who just happens to get caught up in hijinks because his bag accidentally got switched with someone else’s bag at the airport.
I think that this kind of poster isn’t one to make stuff up for the symbolism of it, so maybe there’s an actual vulture involved in the hijinks? That seems as wacky as the tone that seems to be implied.
Ah, 1997. A simpler time when the President of the United States could recognize and deal with a Russian threat.
It’s pretty clear that this is trying to be in the spirit of the Jack Ryan movies Harrison Ford was in, but even though apparently in the books Jack Ryan spent time as the US President, this is not a Jack Ryan story.
Every time I think I understand what this movie is, I go looking for something to verify that and I come up with more confusing information. I think I can safely say that the main character is a recently deceased man recruited by demonic forces whose main internal conflict comes from coming to decide this work isn’t right. I’m not clear on much of anything else. Except this isn’t as similar to Blade as I thought. Every still I’m being presented looks like it’s from a different movie.
I know pretty much nothing about this movie. I am informed that the premise involves the main character faking a fiance for apparent life stability to get promoted at work, which I hope gets a little more justified, because anywhere else will look at your job as the sign of how stable your life is. Interesting to note that this 90s boss wants a female employee to be engaged though, since only a few decades earlier marriage was seen as a career-ending move for women.
I will also note that the handwritten-style title, particularly when displayed in white, strongly reminds me of Friends, which I wouldn’t doubt was intentional, this being a late 90s movie starring a Friends alum.
I guess before just now I didn’t know anything but the title. So apparently a ship that was lost in a black hole has mysteriously come back, and the people who go investigate discover that it brought Something back with it. It seems to basically be a horror story with sci-fi trappings, so I wonder how much it’s indebted to Alien, when I was picturing something more like The Fifth Element or The Black Hole (three films I have yet to see as well). I suspect the main reason I have it connected to The Fifth Element in my head is because of similar looming heads posters and proximity of release dates, but also possibly they were stored close to each other in a friend’s collection. As a tense horror film, I don’t know how much to expect as far as visual and practical effects, and the only name I recognize among the top billing is Laurence Fishburne. So I don’t have much of any foundation for expectations here. Continue reading →
I grew up on Aladdin, Flubber , Jumanji, and Bicentennial Man all came out when I was the right age for them. I rediscovered Hook at a well-developed age between childhood and adulthood. Mork and Mindy may have been the first grown-up TV show I discovered on my own, but even if it wasn’t, it struck a chord with me the other possibilities didn’t. Robin Williams was the first person I did a search for in the library system and I pulled several movies from that search, a strategy I only applied so earnestly to two other actors. Having a blog focused on catching up with movies I haven’t seen led me to check off more of his filmography. So when news of his death came, I had some trouble finding a movie to review in his honor. It’s not so much that there are no movies left that I haven’t seen, but most of them are bleak dramas or too recent.
In the outpouring of love for the man I saw online in the last few weeks, Dead Poets’ Society seems to be very highly regarded, perhaps his most inspirational film. I indeed have not seen it and will certainly be getting to it soon, but I wanted to remember him with a proper comedy of the sort that there’s hardly anything left.
So here’s Father’s Day, a nearly forgotten movie about two men who have both been led to believe they’re the father of an ex-girlfriend’s runaway son, for the purpose of getting both of them to track him down. Sounds like a road movie with two giants of comedy at odds with each other. Let’s have some fun.
Before watching the movie: This looks way too similar to Down Periscope. Though that’s probably just because of the closeness of subject matter. And tropes of 90s poster design. Some months ago, when I learned of the existence of this movie and queued it, I knew I wouldn’t be able to appraise it well without a better appreciation of the TV show, so I recorded and watched a handful of episodes. I’m sure the rest of the boat was distinctly characterized if one paid attention over the course of the series, but really only four characters stood out to me. So I’m already not too bothered with the fact that they clearly seem to have changed that lineup to move with the times. However, that would just leave a shell of legacy over a story that would otherwise be its own thing. Continue reading →