Sky Captain and the World of Tomorrow

Sky Captain and the World of Tomorrow. Filmauro 2004.

Before watching the movie:

This is such a bizarre movie on the face of it. It ostensibly takes its influences from pulp adventure and German Expressionism, but it comes off like it’s part of a franchise that doesn’t exist (which may be part of the artistic intent of imitating pulp serials), and the audacious scope has a hint of Anime plotting to me (as well as the man being called “Sky Captain” sounding like a translation beating out the subtlety of it).

The origins remind me of how Lucas created Star Wars because he wanted to do a Buck Rodgers movie, only this looks more successful at that idea in some ways. This seems like more of an update of the pulp feel than Star Wars achieved. (Perhaps it’s because I’ve always lived in a world where it existed, but that franchise has always seemed more like its own thing of its own time than something that could screen next to Buck Rodgers, but I’ve already digressed too much.)

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Invisible Invaders

Invisible Invaders. Premium Pictures 1959.

Before watching the movie:

Here is a sci-fi B-movie. B-movies can be fun. Very few B-movies are legendary enough to be well-known. This is not one of them.

Apparently John Agar is a big name of B-movies, but I don’t recognize him. Mainly because I’m not steeped in B-movies. But they are fun.

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Deep Blue Sea

Deep Blue Sea. Warner Bros. Pictures 1999.

Before watching the movie:

I’m surprised that I don’t recognize any of the names at the top of the cast list other than Samuel L. Jackson. I would have thought the central protagonist would be a big name.

Anyway, scientists meddle with sharks and make them more dangerous because science things. It makes more sense than some of the places the Jaws franchise went, really.

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Voyage to the Bottom of the Sea

Voyage to the Bottom of the Sea. Windsor Productions 1961.

Before watching the movie:

I’m entirely unfamiliar with this movie, but it involves shooting nuclear missiles at the Van Allen Belt to put out a fire, so the science is patently ridiculous. Apparently somehow this leads into a monster, but I’m not sure if the missiles create the monster, or if they encounter the monster on the way to where they need to shoot the missiles.

I know I’ve seen Walter Pidgeon in something, but I think the only thing is Forbidden Planet, which is completely overshadowed in my memory by showing Leslie Nielson in a serious role.

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Million Dollar Duck

Million Dollar Duck. Walt Disney Productions 1971.

Before watching the movie:

There’s a tendency for the family comedies Disney made in the 50s-70s to blend together, unless they reached you early enough to trigger nostalgia. At this point, it’s hard to say if that’s the classics rising to the top, or one generation passing their nostalgia to the next.

This is not one of the well-known ones. At least, I only learned about it by finding it on a shelf. It stars Dean Jones, but so does almost every movie Disney made back then. Disney’s stable of reliable actors reminds me these days of the contract system of the Golden Age of Cinema, where actors contracted to do so many movies of whatever kind they were assigned to with the same studio before they were free to leave or renew their contract, which also created a kind of repertory effect.

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The Astronaut Farmer

The Astronaut Farmer. Spring Creek Pictures 2006.

Before watching the movie:

What I’m most interested in about this story of an ex-astronaut who had to quit NASA to save the farm, but then decides to build his own rocket, is how the movie makes it plausible that one man can build a rocket on his own. The farm must be doing really well to be able to afford that kind of DIY equipment.

It’s meant as a feel-good story about Following Your Dreams™, but it’s just about the most extreme way to depict it. Solo rocketry projects are most likely to end up with the hobbyist spread across the landscape, no matter how much of an expert in engineering the rocketeer is.

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Movies of My Yesterdays: Jetsons: The Movie

The Jetsons. Universal Pictures 1990.

I believe I have been told this is the first movie I was ever taken to see. Of course, I was young enough that I don’t remember that at all. It was always a part of our home collection in my memory, one of the Beta cassettes that got run into the ground.

I always understood The Jetsons as having been a 60s series that the movie had revived, but I eventually learned that most of the episodes were produced over 20 years later. I’d thought that was either to justify or follow up on the movie, but some quick research right now informs me that the movie came years later, after the show had done well in syndication. I have no doubt the main reason for the 80s episodes was so there would be enough episodes of the property to sell in syndication.

As a kid, I didn’t pick up on much of a difference between the movie and the episodes I’d seen. Longer of course, and a big deal is made about moving the family to a new location, but pretty much the same. Oh, and the interminable song breaks, that I can now appreciate as pretty good MTV music videos that still don’t belong in the movie. As I got older, I came to recognize the CGI, and the cultural shift that had happened underneath the surface.

The last few times I watched this movie, I saw it as the wholesome 60s family uprooted to place them in a setting more relatable to contemporary audiences, but they’re slightly modernized themselves, Judy’s starstruck melodrama (it was just a date with a touring celebrity, not a long-term boyfriend she’s torn away from, come on) aside. Their roles within the family unit are slightly less regimented and clean.

The environmentalist and coexistence message might be a little pat today, but it’s a movie made when those messages were at their most popular in the industry, especially in children’s media. And it certainly wasn’t an overused message for me as a kid. Star Trek taught us that we can make the future better, but it seems very distant next to The Jetsons, which shows us that in the future, we’ll be much like we are now, but with better technology. And this movie asks us to consider what that kind of lifestyle might cost, and if we can do better than that. Sometimes, that just seems possible.