While the title isn’t very indicative of what the movie is about, upon reading that it’s about an astronaut accidentally winding up in the time of King Arthur, I’m incredibly unsurprised that it’s an adaptation of A Connecticut Yankee in King Arthur’s Court but jazzed up with space. And a robot too, for good measure. I hope the “android double” won’t be too ridiculous.
I’m not sure if I’ve actually seen Jim Dale perform in anything, but of course I know him pretty well as the audiobook narrator for the Harry Potter series in the US. I would not have expected him for Mordred though. A few of the other names are vaguely familiar but I can’t tie them to anything specific.
I’m not versed on the lore of Doom, but I think it’s pretty simple. There’s some kind of complex infested by demons, and one guy with a lot of guns takes them out. This movie is about a team fighting aliens. So already not the most faithful.
Later games probably built up the story, but I’m pretty sure it’s always essentially a lone guy fighting demons. But lone guys are hard to write movies for. I’m sure the change to aliens was something like embarrassment, but I completely get making it a team, even if it was probably not the best possible decision.
I know pretty much nothing about this. I’d never heard of it before it languished in one of my streaming queues for years untouched, looking vaguely interesting, but not all that exciting. Looking closer now, I see it’s a story about a couple of boys who build an intergalactic spaceship in their backyard and have a fantastical coming of age adventure and… how did I not encounter this growing up? A kid-oriented sci-fi movie from square in the middle of the 80s, which produced such sci-fi-ish legends most of the best Star Trek movies, two-thirds of the original Star Wars trilogy, Back to the Future, Ghostbusters, and such childhood classics as Stand By Me, Labyrinth (I thought I reviewed that one?), The Never-Ending Story, and of course the most-known member of both categories, E.T.? This seems like it could have had the chance to have been my favorite movie at age nine, maybe as a companion to Flight of the Navigator if I’d known about that before my teens.
I think I’ve experienced movies too late before (see most classic slasher movies, which I was too scared of to watch when they wouldn’t have seemed cheesy to me), so I’m hoping that watching this movie as an entire adult won’t diminish the magic it looks like they’re trying to capture here too much.
I wanted to find a positive movie about the internet, telepresence, computers and communication bringing us together. Here in the holiday season of 2020, people are either lamenting not being able to join family gatherings or participating in the greatest infection spike of the year by going anyway. I wanted to find a story about people who are separated for Reasons being able to bring light into each others’ lives through the internet, video chat, hologram, or virtual reality communication.
Nobody wants to tell optimistic stories about technology. We get movies like The Net, where hackers can destroy a target’s entire life because the internet enables them, The Matrix, where the Machines put humans into a VR simulation of the 1990s so they wouldn’t notice they’re being enslaved, Lawnmower Man, where a mentally disabled man is plugged into a VR world and decides to become a god, and just so very many movies about killer computer programs being unleashed on the real world.
The most positive candidates I could come up with were Surrogates, a movie about a world where most people plug their brains into lifelike androids and never leave the safety of their homes (which I’ve already seen, and it’s not all that positive), Avatar, where the military plugs a disabled man’s brain into an alien body and he gets to know the aliens’ culture and decides to side with them over the military that wants to destroy their home (again, already seen), and Hyperland, a very odd TV special where virtual Tom Baker teaches Douglas Adams about the lifechanging ways that computers are going to change his life in the coming decades (not a movie, and already seen). I have not seen Ready Player One, but it seems maybe too positive on the idea of escaping into virtual worlds. I get the idea that it’s less about creating virtual communities and more about how it’s cool to base your life on pop culture.
In fact, the only stories about the internet bringing family together that I can think of are thirty-second short films about things like Spectrum saving Christmas. Because it seems the only people who want to tell inspiring stories about the internet are the companies who are selling you the internet. Everyone else is just much more fascinated with technology gone wrong.
So, I’ve settled on this obscure romantic comedy about a love triangle between a man, a woman, and a computer. Does it probe my thesis about the internet bringing people together? Almost certainly not. But it’s about a computer character and nobody gets murdered (probably), so I’m going to take it.
The log line that I read said something about robots putting humans in immortal synthetic bodies so they don’t go extinct, which sounds nice of them and I don’t see how this gets spun as a horror movie.
A little more in-depth description refers to humans getting entirely too dependent on the robots and factions trying to keep the robots from becoming “too human” and taking over, which sounds like the kind of allegory that robots as a science fiction concept were invented from.
From how hard the movie is trying to be sold as a wacky comedy, I would expect that the change that Avalon’s undergoes in space would be really wacky, like he comes back really loopy, or having switched minds with his simian copilot. At the very least, “Deadhead” suggests to me an “idiot comes turns smart” story, which isn’t necessarily funny. But the summary I read says that he returns with a more “aggressive” personality. That doesn’t necessarily sound funny. Maybe it’s funny because he’s aggressive like a chihuahua, overconfident in his abilities.
I’m sure nobody wanted audiences to think this was Godzilla with a bit of a King Kong plot. It’s a giant monster movie, but this time in London because it’s a UK production. That’s about all that one can expect, I guess. Specifically, the monster is taken back to London from the place it was found to be shown off, but its mother comes and stomps everything.
Western kaiju movie. I don’t know what more to say. Some of the names are slightly familiar but I couldn’t place them to anything specific.
I feel like I’ve seen clips of this movie used as a generic sci-fi B movie in a lot of places. I was definitely thinking it’s the source of the giant spider footage in Lilo And Stitch, but I think I’ve seen giant spider movie clips in other places not noted on Wikipedia, but I might be thinking of giant ants and THEM.
As far as what I know to expect, apparently there is a giant spider in this movie. My supply of midcentury schlock sci-fi seems to be more exhaustible than it seemed like it was a few months ago.
I hadn’t heard of this movie until I stumbled across it on a streaming platform, but apparently it has a cult following. It’s from about 20 years later than I initially thought, but I also thought it was played straighter. This is going for satire, not camp.
I wouldn’t be surprised if the grotesque deformity the accident that gave him his super powers came from is a specific take-that to all of the superheroes and villains that got their start from chemical or nuclear accidents and end up looking amazing, or at most with a cool scar on the face, completely unlike most things that suddenly and dramatically change a human body in reality.
I don’t quite understand why Godzilla captured people’s imaginations. I would’ve said that a large part of the charm of the original Japanese kaiju movies was camp and cheap effects, but everything that sells eventually gets three high-budget reboots here, and I think this did pretty well in theaters.
I certainly remember it being heavily promoted and cross-promoted. It probably made its money back just on toy sales, or at least the studio thought they had a shot at doing so.