It seems a natural fit that a comedian who often plays meek nice guys would eventually land in a genderbent fairytale. If Jerry Lewis has a specialty in stories, it may well be nebbish men’s wish fulfilment fantasies, and few stories are more wish fulfilment than Cinderella.
In an era where we’re taking our traditionally white male role model character roles and trying to be conscious about putting more women and people of color there, it may seem a little backward to turn one of the canon fairytale princesses into Jerry Lewis, but I think the reason I’m not too discomforted by it is that Cinderella is a pretty classical feminine role type, and it’s not a position one would expect to find a fictional man who is the protagonist in. So it’s an underutilized permutation that stands exploring in media.
The Triffids are an iconic piece of science fiction. Any locomoting plants in sci-fi stories will inevitably be compared with them.
The full-color alien invasion horror movie aspect makes me think about Invasion of the Body Snatchers, but there doesn’t really seem to be much in common between “anyone near you could have been replaced by an alien” and “run from that twenty-foot tall walking plant”. If there’s an allegory for something in the public consciousness in the 60s here, I’m not sure what it would be.
And here is a Jerry Lewis Shenanigan. I didn’t realize he was a mental hospital orderly when I picked this up, and I’m sure there are going to be elements that haven’t aged well, but hey, slapstick, right?
I’m entirely unfamiliar with this movie, but it involves shooting nuclear missiles at the Van Allen Belt to put out a fire, so the science is patently ridiculous. Apparently somehow this leads into a monster, but I’m not sure if the missiles create the monster, or if they encounter the monster on the way to where they need to shoot the missiles.
I know I’ve seen Walter Pidgeon in something, but I think the only thing is Forbidden Planet, which is completely overshadowed in my memory by showing Leslie Nielson in a serious role.
I wouldn’t have thought that surfing would make an interesting topic for a documentary until I saw that this existed. Maybe that’s one of the functions of good documentary film, to highlight things about the world you wouldn’t have thought you’d be interested to learn about. Apparently the director made a series of several surfing docs over ten years, which seems a bit much, but this seems to be considered the best.
I’m hoping to see 95 minutes painting the picture on the poster, living in the world of the 60s surfing scene and memorializing how great it was.
Yes, there was a remake in 2000, which I haven’t seen either, but I was aware of at the time (I was only 12, there was no way I’d have gotten permission even if I wanted to see it).
I’m surprised by the critics’ comments about the intelligence of the movie. There’s a similar poster out there that has the quote shown here as well as another one calling it “an intellectual’s Hellzapoppin“. Considering it’s impossible to find a poster that doesn’t sell the movie on Raquel Welch’s body, I never thought “smart” would be a word to describe it.
What really sold me on it was the lead duo of Peter Cook and Dudley Moore. I’m guessing the intelligence of the comedy comes from the ways the wishes get twisted.
This is being promoted as a romp with a wife who invents a lover to get revenge on her husband for spending more time with his secretary. Apparently it also involves travel to Europe, but I’m not clear how big a part of the movie that is. I suspect the story starts with them relocating for business reasons, and then the new secretary at the new office gets too much of the husband’s attention.
This is based on a play, so I’m expecting some really good dialogue, very long scenes, and a handful of location scenes in Europe because movies feel obligated to Open Up a play.