Long ago, in another time, a corruption scandal went all the way to the top and there were consequences. This is the story of what was happening in the White House as Nixon’s power and psyche crumbled.
As interesting as the intrepid reporting profiled in All The President’s Men was, it’s a story told from the outside. It’s a mystery, but one where every reader will know who did it, just not the path the sleuths took to figuring it out. As I watched that movie, and more so as I read the book, I was more interested in the legal and political processes that, as the story went on, seemed increasingly out of focus as Woodstein followed the money. So I was glad to find that their followup book was a reconstruction of what was happening in the Nixon White House as everything fell apart, put together from interviews with basically everyone involved except Nixon himself. The Happily Never After of the political fairy tale.
I barely remember this being a thing when it came out. Maybe martial arts movies were especially common at the time, but they never interested me much, and I completely ignored whatever I might have seen advertising this movie.
I was so ignorant about it that, no doubt thanks to how hyped up the Jackie Chan and Jet Li pairing is, when I saw the description saying that a modern-day martial arts movie fan gets stuck in ancient China to have adventures, I wondered which of them would be the modern-day character with no direct fighting experience, which is a silly question because that would be a comedy slapstick fish out of water role that Jackie Chan would be attracted to like a magnet. However, they’re both masters of ancient China and the modern-day protagonist is a white American the domestic marketing doesn’t seem to want you to know about. I feel like this poster comes closer to telling the story I’m now prepared to see, but it’s not in English, so I didn’t use it.
This seems like a strange pairing for a movie that seems to want to be known as a pensive romance. Reeves and Bullock headlined Speed as well, but that was an action blockbuster, which they’re both better known for.
Similarly to how I was wondering how the original source of You’ve Got Mail got things going without the weird social construct of anonymous chat rooms, it’s my understanding that the central concept here is that they send letters to each other, but they’re in the same place a few years apart. I’m again curious to see how that gets started, but also how it can be sustained.
I think it was Martin Sheen leading the movie that caught my attention, but I’m interested in seeing his character accidentally fall into helping a crime gang, as well as Albert Finney as the mastermind.
I thought this was going to be more comic, but it seems to be listed as heist drama.
My strongest memory of this movie being in the world was the giant poster on the side of a building at King’s Island for years. I don’t think it had anything to do with anything at the park, it was just a 50-foot poster nobody bothered to take down across the three to five years my visits were spread across. (Update: apparently they named their head to head roller coaster Face/Off, until Paramount sold the park and the new owner debranded it. I didn’t ride many of the coasters there.)
I later learned the movie is about a good guy and a bad guy trading faces for… reasons, don’t think too much about it. I’m not sure which actor starts as which character, because of course both play both. I’ve heard that Cage as the terrorist gets eccentrically creepy in the way he’s famous for now.
Cary Grant and David Niven are an unexpected pairing. Grant gets all the focus, so I saw Cary Grant and that it’s a romance and assumed that Grant is the Bishop. But it turns out that he’s an alleged angel and Niven is the Bishop, which makes more sense for their types.
Grant’s character inveigle his way into the Bishop’s life claiming to be an angel here to help with a challenging renovation, but mostly imposes upon him and attracts the attentions of his wife, hence the title. Sounds like an unusual setup for a screwball comedy.
This is three horror stories as framed by a vampire and the actual author of those stories going to a dance club. The packaged stories could be anything, but that frame sounds bonkers, and they seem to be positioning the rest of the movie as a bit of a spoof too.
It looks like a pretty minor cult classic that didn’t get much outside of the UK, but it features some pretty big names in monster movies, so I’m interested in seeing how this goes.
What happens when a bunch of engineers who became ranchers or something I guess go into space to fix a satellite only they can fix? This movie, apparently.
I get the conceit that these engineers are being called out of retirement to fix space-based equipment that was designed on standards nobody learns anymore, and it takes less time to train the experts to be astronauts than to train the astronauts to be experts for the same reasonas Armageddon, Because that’s how you get a movie.
I didn’t realize until I started looking for the poster that there was what appears to be a remake a couple of years ago. While the combination of Morgan Freeman, Michael Caine, and Alan Arkin sounds pretty compelling, I’m also drawn to the idea of seeing George Burns and Art Carney together too. Lee Strasberg is not as big a name, but I’m sure he’ll probably hold his own with the other two.
Survival sci-fi horror starring a ripped commando who shoots stuff. I’m not sure if the Predator franchise eventually blended with the Alien franchise just because they’re both survival sci-fi horror, but I think this is more action and less gore than Alien, at least that’s how it presents itself.
I like the angle of humans encountering a species more capable than themselves that is intentionally an intimate threat to them. Extraterrestrials are often threats in the form of invasions or mindless monsters, but the Predator is, I understand, a sapient being optimized biologically and technologically for hunting.
I suspect that there is less machine gun fire and more running and hiding than suggested by the poster.