Movies of My Yesterdays: Meet the Robinsons

I remembered this movie as having come out a little earlier. Spring of course, but I didn’t remember that it was my final spring as a high school student. I do remember that spring and summer being significant to me in a lot of ways that made me feel like I was growing up and defining my own tastes. Placing it in that year, I know that I had a car that was mine to use rather than borrowed when I needed it for the first time. It was a good year for listening to songs on the radio, which is something I rarely chose to do. I think I was making occasional trips to bookstores by myself to browse.

However, this was not a movie I found all on my own. I knew it was coming, I was looking forward to seeing it, but soon after its release, my grandfather wanted to take me to a movie. Looking at what was coming out around that time, I can see that this was pretty much the only option for us.

Meet the Robinsons. Walt Disney Pictures 2007.

Sometimes I talk about movies coming out at the right time for me. Usually that probably just means they were things I’d have liked anyway reaching me at an age when I was old enough to think about it a little more deeply than a child, but still simply enough to easily generate nostalgia for it later. I suspect that’s the case with Tarzan, though it did introduce me to the music of Phil Collins. But I feel like Meet the Robinsons was perfectly suited for my mindset at the time, and considering that I was about to graduate high school, it’s easy to see how a story about a bright kid dropped into a colorful future that turns out to be of his own making might’ve particularly spoken to me.

Lewis, a 12-year old abandoned at an orphanage as a baby, is already an inventor capable of revolutionizing modern science when he sets his mind to it. Still unable to get adopted at his advanced age, he decides to invent a memory scanning machine to help him find the mother who left him years ago. However, at the science fair, Lewis encounters a teen claiming to be from the future, and a mustache twirling saboteur with a sentient bowler hat. In order to get Lewis back on track, Wilbur Robinson takes him to the future to prove that he is a time traveler, and Lewis gets mixed up with Wilbur’s eccentric family. If meeting his mother doesn’t work out, surely Lewis could find a home with the Robinsons.

I still love the fanciful spin on classic futurist design. Robots, another William Joyce-inspired movie, was made in a similar style, but I like the results here better for some reason. The music doesn’t grab me now like it did at the time, both the neo-swing I was very into back then and the 00s Disney boy band songs that did a lot of the work of opening me to modern pop.

I’m always impressed with how well the non-destructive time travel is set up and paid off. The Cornelius loop as well as the orphanage steps and Bowler Hat Guy’s origins are meticulously detailed and make repeat viewings rewarding. It’s so well done that the rewritten timeline begins to seem like an illusion that Cornelius somehow arranged in order to get Lewis set on the right path. After all, Cornelius did invent the evil hat that started it all.

It’s probably never going to be as good as the first and second time I watched it, but Meet The Robinsons will always hold a special place with me for when it came to me, and as long as I like time travel stories, it will stand among the better ones for me.

Brewster’s Millions (1985)

Brewster’s Millions. Silver Pictures 1985.

Before watching the movie:

I’ve already covered the 1945 version of this story, but I knew that eventually I’d come to this one. This is the 7th movie adaptation of the 1902 novel just in English, and at this point it’s surprising that it hasn’t been tried again. The reputation this version has is tepid, and it’s the version people think of when the name comes up (the last version with the same title was made 40 years previous), but it’s clearly a story with staying power, and within the next ten years, every memorable movie from the 80s is going to get remade if it hasn’t already.

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Saturday the 14th

Before watching the movie:

Mel Brooks, early Zuckers, and the Scream movies. Those are the successful genre parodies I can think of right now. This one, I think mainly lasts because it’s an accessory to the Friday the 13th legacy (or a remora on it).

Reviews I’ve seen are mixed and polar. The biggest name now isn’t the lead. I’m thinking maybe this will be a decent cult movie, but almost definitely no classic.

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Captain Ron

Captain Ron. Touchstone Pictures 1992.

Before watching the movie:

Full disclosure: I went and found this movie because it was mentioned on an episode My Brother, My Brother, and Me. I don’t recall what question led one of the brothers to bring up “when Martin Short inherited a boat and knew nothing about sailing in Captain Ron, he went out and found Kurt Russell”, but all I needed to hear to be interested was “Martin Short inherited a boat knowing nothing about sailing”.

I wasn’t entirely prepared for the personality clash set up here, but it’s not terribly surprising. Martin is a straight-laced man dumbfounded by Ron’s party animal ways. That’s a pretty standard setup, and those are types they slot into well.

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Arthur

Arthur. Orion Pictures 1981.

Before watching the movie:

This is the movie anyone thinks of when they hear Dudley Moore’s name. Arthur is the playboyest of playboys, and has to choose between love and money.

This is one of those famous movies that everyone cites without discussing, so I don’t know very much about it, except there was a remake with Russell Brand nobody asked for a few years ago.

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The Lemon Drop Kid

The Lemon Drop Kid. Paramount Pictures 1951.

Before watching the movie:

I found this on the shelf, and it seemed like a pretty standard comedy vehicle. Bob Hope gets into trouble, and Bob Hope does a lot of crazy things trying to get out of trouble. A Bob Hope movie.

The more modern image on the box is probably more indicative of the content than the poster, which is most likely depicting the most outrageous, but minor, sequence. “Bob Hope wearing a dress! Hilarious, right?” But I stick to theatrical posters, and there was no other option.

Apparently this is a Christmas movie, but I didn’t realize that when I decided to watch it. Imagining refreshingly cold winter air is probably welcome right now.

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Can’t Buy Me Love

Can’t Buy me Love. Apollo Pictures 1987.

Before watching the movie:

Among “contrived reasons for two people who wouldn’t normally interact to be stuck together”, “I will pay you a thousand dollars to be my girlfriend” is a pretty contrived one. It looks like he’s not even lonely, he’s just trying to increase his social standing.

It looks like there’s a little inverse-Pygmalion happening, where he brings her into his life and she helps him fit in? That is probably not what happens, but if it is, that could be a pretty forward-thinking concept for late 80s Hollywood.

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We’re Back! A Dinosaur’s Story

We’re Back! A Dinosaur’s Story. Amblin Entertainment 1993.

Before watching the movie:

Despite definitely remembering a trailer, I couldn’t say anything more about what this movie is that isn’t on the poster. Cartoon dinosaurs in the modern day. There are a lot of names I recognize in the credits, but I don’t know what to expect other than John Goodman is definitely the lead dinosaur and Jay Leno’s character is probably a minor chomic relief player.

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