Predator

Predator. 20th Century Fox 1987.

Before watching the movie:

Survival sci-fi horror starring a ripped commando who shoots stuff. I’m not sure if the Predator franchise eventually blended with the Alien franchise just because they’re both survival sci-fi horror, but I think this is more action and less gore than Alien, at least that’s how it presents itself.

I like the angle of humans encountering a species more capable than themselves that is intentionally an intimate threat to them. Extraterrestrials are often threats in the form of invasions or mindless monsters, but the Predator is, I understand, a sapient being optimized biologically and technologically for hunting.

I suspect that there is less machine gun fire and more running and hiding than suggested by the poster.

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Can’t Buy Me Love

Can’t Buy me Love. Apollo Pictures 1987.

Before watching the movie:

Among “contrived reasons for two people who wouldn’t normally interact to be stuck together”, “I will pay you a thousand dollars to be my girlfriend” is a pretty contrived one. It looks like he’s not even lonely, he’s just trying to increase his social standing.

It looks like there’s a little inverse-Pygmalion happening, where he brings her into his life and she helps him fit in? That is probably not what happens, but if it is, that could be a pretty forward-thinking concept for late 80s Hollywood.

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Lethal Weapon

Lethal Weapon. Silver Pictures 1987.

Before watching the movie:

I get the idea that the original Lethal Weapon isn’t as popular as 3 and 4. I’m not familiar enough with the franchise to know why.

Certainly, the most important part of a buddy-cop movie is the character dynamics, making the plot a canvas upon which to apply banter. Which also makes it difficult to know what to expect from this movie, apart from how it seems to have done well.

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Innerspace

Innerspace. Amblin Entertainment 1987.

Before watching the movie:

I don’t recall at the moment if this started as a direct remake/sequel to Fantastic Voyage, was merely inspired by it openly, or just has a similar concept, but I do know that I was first made aware of the existence of Innerspace when researching Voyage. I have dim recollections that it might be a “suggested by” treatment of the novel sequel to Voyage?

Anyway, I also just discovered it has Martin Short as the hapless fellow who doesn’t realize he’s got a tiny explorer inside him, which ramps up my interest in it. Also, the idea of cutting back to comedy sequences outside caused by what’s going on inside reminds me of Osmosis Jones, only with live action/VFX instead of cartoon animation.

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Harry and the Hendersons

Harry and the Hendersons. Amblin Entertainment 1987.
Harry and the Hendersons. Amblin Entertainment 1987.

Before watching the movie:

I get a sense this movie was conceived as a response to the success of E.T. Instead of an alien hiding in a suburban family’s home, it’s a sasquatch. This time around the entire family is in on the secret (and the dad seems to be the one taking point on how to handle hiding him), but there’s still government people looking for him and he can’t stay forever. Not a total knockoff like Mac and Me, and produced by the same companies, this might be more of a spiritual sequel.

I know nothing about what any of the family does other than John Lithgow, but I assume the kids play with Harry, do cute kid stuff with him, and are generally the main catalyst for sasquatch antics.

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Critical Condition

Critical Condition. Paramount Pictures 1987.
Critical Condition. Paramount Pictures 1987.

Before watching the movie:

I honestly didn’t know this movie existed five minutes before selecting it. It’s a Richard Pryor vehicle in which he apparently gets mistaken for a doctor while trying to escape the psych ward he faked a plea of insanity to get into.

It’s exciting going into a movie blind. I have generally a good impression of Richard Pryor, though I can only come up with two or three movies I’ve seen him in, and one was Superman III. I can’t think of another one that I’ve seen that didn’t show up here.

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