The Night the World Exploded

The Night the World Exploded. Clover Productions 1957.

Before watching the movie:

Another one I stumbled upon that I know pretty much nothing about. It has something to do with an unknown mineral that’s been present in the Earth all this time igniting and bad stuff happens. I don’t know how the plot is going to set up that this thing can happen and is going to destroy the world if it isn’t stopped if it sounds like setting it off in one place will set it off all over the world, but that’s what I’ll find out.

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The Wasp Woman

The Wasp Woman. Santa Cruz Productions 1959.

Before watching the movie:

Here’s another cold watch of an old B-movie. I could try to do some quick research to get more early impressions, but sometimes it’s more interesting to know as little as possible.

Woman turns into a wasp-monster. I saw something about royal jelly, so I assume it’s an experiment gone wrong. Sounds interesting, and hopefully the fun kind of bad.

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The Magnetic Monster

The Magnetic Monster. United Artists 1953.

Before watching the movie:

I’d never heard of this movie before I stumbled across it in back catalogs looking for B-movies. The title didn’t sound particularly interesting, but the blurb threw a lot of sincere sounding superlatives around for a movie I’d never heard of.

Supposedly this has one of the most accurate portrayals of nuclear radiation, but the combination of most movies treating radiation as “field of evil chaotic magic” and the plot apparently having something to do with a monster with magnetic abilities, I’m not expecting much scientific accuracy.

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Guys and Dolls

Guys And Dolls. MGM 1955.

Before watching the movie:

I always had the impression this was a story about mafiosos and their molls, but the closest I ever came to any glimpse of the actual contents of the musical was… highly adulterated, and I’m pretty sure bears no relationship to the actual musical.

The summaries I’m seeing now seem to revolve around illegal gambling, which probably means organized crime, but it doesn’t really seem to be the focus. Obviously the real focus is probably “That Frank Sinatra is having a swell time singing”, more than likely with a dash of “and that nun is going to break her vows for him.”

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The Caddy

The Caddy. Paramount Pictures 1953.

Before watching the movie:

I don’t really know much beyond that this is a Martin and Lewis movie. I guess Jerry Lewis is the good golfer posing as his friend’s caddy because he can’t handle the attention of the crowd. But he’s hopeless as a caddy. Laughs ensue.

Looks like they both have love interests? I guess there’s room for some subplot around the slapstick and friend arguments.

I’m not sure I’ve seen enough of Dean Martin to know what to expect from him. He’s clearly the straight man of the duo though.

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War of the Satellites

War of the Satellites. Santa Cruz Productions 1958.

Before watching the movie:

I probably know about as much about this movie as Roger Corman did when he decided to make it. Earth is about to start launching satellites and aliens disapprove, and it’s all very “hey, remember Sputnik?”

It sounds more interesting to watch than to write. The effects and action sequences will probably be hilarious but also the best part. It looks like even though the United Nations is standing in for the United States, they still manage to let the United States be the most American part of the Earth.

I like going into movies completely blank on them until I have to write about my nonexistent preconceptions.

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The Shaggy Dog

The Shaggy Dog. Walt Disney Productions 1959.

Before watching the movie:

While I’d seen brief promos for this movie before with other Disney home video rereleases, I never really got an idea of what it was like beyond somebody turning into a dog. I did see the Tim Allen remake, but if that draws on anything past the “human turned into a dog” idea, it looks like it has more to do with the sequel The Shaggy D.A. I do see that where that remake used genetic research as the catalyst for the metamorphosis, I’m kind of amused that this is just “a magic ring”. Or rather, a magic ring the Borgias had, because dropping random historical names makes things sound more legitimate.

I know a few more details now but I still don’t really know what shape the story will take. It’s always nice to see Fred MacMurray though.

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Three Husbands

Three Husbands. Gloria Films 1951.

Before watching the movie:

The premise as I’ve seen it summarized sounds like it could be just a framing device. A recently deceased prankster’s final wish on the afterlife’s doorstep is to watch his three poker buddies’ reactions to receiving letters from him stating that he’s had an affair with all three of their wives. They can’t even be sure if it’s the truth or one last prank. It sounds like the prankster could set the scene for us and then drop out, or mainly appear in flashbacks, but mostly this seems to be a bowl of jealously-fueled comedy arguing.

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Earth vs. The Spider

Earth vs. The Spider.
American International Pictures 1958.

Before watching the movie:

I feel like I’ve seen clips of this movie used as a generic sci-fi B movie in a lot of places. I was definitely thinking it’s the source of the giant spider footage in Lilo And Stitch, but I think I’ve seen giant spider movie clips in other places not noted on Wikipedia, but I might be thinking of giant ants and THEM.

As far as what I know to expect, apparently there is a giant spider in this movie. My supply of midcentury schlock sci-fi seems to be more exhaustible than it seemed like it was a few months ago.

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The Sign of Zorro

The Sign of Zorro.
Walt Disney Pictures 1958.

Before watching the movie:

I previously reviewed The Mask of Zorro, but where that is a reboot, this appears to be the actual origin story. I can kind of see now that maybe the other movie didn’t want to reintroduce audiences to a hero who can do the things he does mainly because he’s wealthy. We accept it in Batman because Batman has never been that far away from popular culture, but Zorro’s time in our collective imagination has mostly passed. So instead of a Bruce Wayne story, the reboot gave audiences Terry McGinnis. But I’m not here to talk about “Mask”.

I’m expecting a pretty straightforward classic adventure story, where the good guys are good and the bad guys are bad, and right is restored in the end.

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