Earth vs. The Spider

Earth vs. The Spider.
American International Pictures 1958.

Before watching the movie:

I feel like I’ve seen clips of this movie used as a generic sci-fi B movie in a lot of places. I was definitely thinking it’s the source of the giant spider footage in Lilo And Stitch, but I think I’ve seen giant spider movie clips in other places not noted on Wikipedia, but I might be thinking of giant ants and THEM.

As far as what I know to expect, apparently there is a giant spider in this movie. My supply of midcentury schlock sci-fi seems to be more exhaustible than it seemed like it was a few months ago.

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The Sign of Zorro

The Sign of Zorro.
Walt Disney Pictures 1958.

Before watching the movie:

I previously reviewed The Mask of Zorro, but where that is a reboot, this appears to be the actual origin story. I can kind of see now that maybe the other movie didn’t want to reintroduce audiences to a hero who can do the things he does mainly because he’s wealthy. We accept it in Batman because Batman has never been that far away from popular culture, but Zorro’s time in our collective imagination has mostly passed. So instead of a Bruce Wayne story, the reboot gave audiences Terry McGinnis. But I’m not here to talk about “Mask”.

I’m expecting a pretty straightforward classic adventure story, where the good guys are good and the bad guys are bad, and right is restored in the end.

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A Night to Remember

A Night to Remember. 
The Rank Organisation 1958.

Before watching the movie:

Since 1997, James Cameron’s movie has been considered the epitome of the Titanic legend on film, but this is the dramatization of the epitome of the Titanic in print. I suspect that a documentary would have suited the book a little better, but as I have not yet read the book, I can’t definitively say. At least this movie focuses on people who actually existed and characters composed from people who existed.

I’m watching this movie as part of a brief interest in Titanic media outside of the 1997 movie due to reading a short dramatic account of the Carpathia‘s rescue mission, which does not seem to have been dramatized on screen in the way this account sounds like it deserves. Though apparently that telling largely comes from the book The Other Side of the Night, which I now also intend to read.

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Missile to the Moon

Missile to the Moon. Layton Film Productions 1958.

Before watching the movie:

This looks like a typical B-movie sci-fi horror shocker. The all-women moon society might be interesting, and I’m looking forward to seeing how good or bad the monster is, but the most interesting angle is the fact that the ship is stolen in the first place. So that element probably won’t go anywhere.

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I Married a Monster from Outer Space

I Married a Monster from Outer Space. Paramount Pictures 1958.

Before watching the movie:

Much like Invasion of the Body Snatchers, this is about people getting replaced by alien replicas. But with the added horror factor of following a 50s housewife’s discovery that her husband has changed.

It looks like the main thing that was notable about this movie is that it was released in a double feature with The Blob.

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Teacher’s Pet

Teacher's Pet. Paramount Pictures 1958.
Teacher’s Pet. Paramount Pictures 1958.

Before watching the movie:

A 50s screwball romantic comedy is pretty much always welcome, and often a relief. This week, I think I really need to see Clark Gable and Doris Day verbally spar their way into each other’s arms.

The setup of a teacher and a student and a false identity vaguely reminds me of the original The Nutty Professor, but an adult educator and a reporter taking her class for petty reasons is a lot better than a college professor and a coed.

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Carry On Sergeant

Carry On, Sergeant. Peter Rogers Productions 1958.
Carry On, Sergeant. Peter Rogers Productions 1958.

Before watching the movie:

In the last few months, I’ve become aware of the British cultural phenomenon of the Carry On franchise. While this may not be the most typical of the series, it’s the first, and so would have the most to do with the “Carry on” name.

Also, it’s an opportunity to see William Hartnell in the sort of role he was known for before Doctor Who redefined his legacy and allowed him to escape his former typecasting.

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