I wouldn’t say that a written script is improvisation, though I have known jazz musicians to plan out the “improvised” solos they intend to play. However, I think “improvising around the fairy tale” is a good way to describe what I expect to see here.
A movie centered around a big green thing and a golden thing (unless the only treasure in this version is the woman) seems like a good choice for an early commercial color film.
This is a movie based on a set of toys designed by adults trying to come up with what kind of story would feel most empowering to five year old boys in the 80s. That is the standard it should be held to.
I’m not directly familiar with the Masters of the Universe franchise. I mostly know it through osmosis, but apparently Eternia being a planet distinct from Earth is not a concept unique to this movie. I always considered MOTU a pure fantasy setting, but it seems to take whatever elements make exciting stories, and again, the core concept is for five year olds, so the mashup isn’t inappropriate. I’m still not fully comfortable with Skeletor being a spacefaring warlord subsuming planets into his empire, but this can’t go as poorly as Highlander 2 did.
I’m not sure if anyone else felt this way, but at the time that this and Space Jam came out, it seemed to me like you were either for one kids’ movie starring a basketball player or the other, and while I did get a Kazaam toy from whatever restaurant had the promotion, Space Jam had Looney Toons and space aliens, so it was no contest which one I went to see.
This is also the subject of a modern Mandela Effect misremembering, as a lot of people, myself included, started to remember the existence of a movie starring Sinbad as a genie named Shazam instead of Shaq as a genie named Kazaam. Which is strange that I fell into that too, because as I said above, I definitely remembered that it starred a basketball player, and Sinbad is a comedian.
This movie sounds very similar to Monty Python’s The Life of Brian. The major difference, aside from being about a Moses parallel instead of a Jesus parallel, seems to be that Herschel has been deluded into believing he is God’s prophet while Brian spends the whole movie begging the crowds to stop trying to make him their messiah. Apparently it was also protested by Jewish groups for mocking their religion. I didn’t find Life of Brian as blasphemous as everyone said, so I’ll reserve judgment here.
What can be said about this big-budget adaptation of a beloved, long-lasting sci-fi/fantasy/action/adventure franchise? This movie that brought people’s childhood fantasies to the big screen in an ambitious project that had never been done before? The first time moviegoers assembled for The Avengers?
Of course, I mean the 1998 adaptation of the British ITV series from the 60s. What else could I be referring to?
I have no familiarity with the Marvel comics this is based on. For all I know, this movie was made because New Line had bought a package of cheap comics properties to turn a fast profit on. I don’t like to be so dismissive, but Blade is one of the most prominent notably black superheroes I can think of who aren’t carrying a legacy mantle, and I wouldn’t know that the book exists without this movie that exemplifies an era of moviemaking where “based on a comic book” was something to hide.
Lacking any of the brand recognition and shared continuity that makes comic book stories enticing now, this is essentially sold on the strength of Wesley Snipes slaying vampires with martial arts for two hours. Which is exciting enough if you’re into that sort of thing.
After watching the movie:
Thirty years ago, a baby was born to a woman dying of a vampire bite. Now, Blade is a Daywalker, a being without the vulnerabilities of vampires, but with many of the advantages, including super strength and speed and decreased aging. Blade and his partner Whistler save Dr. Karen Jenson from a vampire that eluded Blade’s assault on a vampire-owned rave, and they introduce Karen to the secret war to free human society from the elite order of vampires that secretly rule. As Blade fights vampire activity, a vampire named Frost manages to translate one of the ancient texts of the vampires, unlocking plans for a ceremony to bring about the age of the Blood Gods.
In the time this was made, comic book movies were often trying to be mature and serious while at the same time providing spectacular violence shows. This created a lot of movies that seem afraid to have fun, even as the stunt sequences the plots excuse are really fun and cartoonish. This has some really fun fight scenes, and the plot is pretty cartoonish, but the story and the fights often seem to belong to different movies because of how different they are in tone.
Most of the effects are highly effective. There’s a lot of work with prosthetics and practical creature effects that create convincing looks, and probably a lot of background CG that’s not noticeable. The disintegration of silver-stabbed vampires is really good for the time. The only time I was really taken out of the scene by bad effects was in the finale, with the demonic vampire souls flying around. That might have been partially caused by a frame rate mismatch, like how jarring the ED-209 was in RoboCop.
Even though there have been over 20 more years of superhero movies and Hero’s Journey plots further wearing out their cliches since Blade, the tropes this plot leans on seem particularly lazy. Developments in act one set up developments in act three with a megaphone. At least this movie introduces the character already established and just recaps the origin story, which is a rare approach.
I have to respect that this was one of the vanguards of the modern rebirth of superhero movies, but it’s not a part of it. The success of movies like Blade and Spawn demonstrated that the market was safe for comic book movies again, but they didn’t do it by revolutionizing or commenting upon the genre, just by playing it straight. Often too straight, but I have to keep in mind how early this was. This is still a fun movie that doesn’t need too much of an excuse to explode some vampires, and that’s really all it had to be.
This was not well-released, not well-received, and perhaps not well made. But it looks fun enough, unless they managed to choke the fun out of it in the poor execution.
Steve Buscemi seems to be intended to be the most normal character in the story, which is a strange concept to me. He’s long been leaning into the eccentric roles his features attract, but I think he might be the straight man here.