Ah, 1997. A simpler time when the President of the United States could recognize and deal with a Russian threat.
It’s pretty clear that this is trying to be in the spirit of the Jack Ryan movies Harrison Ford was in, but even though apparently in the books Jack Ryan spent time as the US President, this is not a Jack Ryan story.
I picked this up because I was curious why there was a talk show highlights compilation on the fiction movies shelf.
Art Carney and Lily Tomlin sold me. Apparently it has a reputation as a drama with a lighter tone, but it’s positioned like a noir farce, so I’m interested in trying it.
As much as personalized algorithmic suggestions tend to point me toward things I want to watch, they tend to get trained more narrowly than my tastes actually are, and they’re limited by what’s been made available based on what the userbase as a whole wants to see. So sometimes it’s a refreshing change of pace to just go to the library and see what jumps off the shelf.
Perhaps a learning AI trained on the entire back catalog of my blog and having the entire history of Hollywood movies to choose from might suggest a 40s Orson Welles thriller about searching out an escaped Nazi officer, but it doesn’t seem likely.
I’m not sure how this is an inspiring movie about following your dreams and not an inspiring movie about how listening to the voices in your head can work out sometimes, but when I try to anticipate what this movie will be, I think of The Astronaut Farmerwith baseball instead of spaceflight. But anyway, family man tears his family apart doing crazy things and then there’s a happy ending. Apparently this time James Earl Jones is involved.
There are three kinds of movies that become modern classics. The ones that are constantly referenced to the point that very little remains a surprise on the first watch, the ones that have one specific scene that is synonymous with the movie, and the ones that are classics even though nobody seems to talk about them at all, apparently assuming that there’s nothing left to say. The last group is the hardest to discuss preconceptions of, since I have nothing to base them on.
I know this is about bloody revenge on a clique of popular girls who are bullies, and that’s it. Some blurbs have more words, but little more content. I didn’t even know it starred Winona Ryder and Christian Slater until I sourced the poster.
I’m not sure if this is so much popular as memetic anymore. It’s still a go-to reference for “creepy and dangerous children”, but I think it’s more referencing other references than familiarity with the film anymore. At least, I haven’t heard of anyone actually watching it recently.
This spawned a ridiculous number of sequels. Yes, it’s a horror movie, but it’s a horror movie about a cult. Seems fairly self-contained.
Robin Williams has done a lot of feel-good movies, but none seem to have the reputation for soaring inspiration that this one does. Sure, it’s all about a teacher trying to inspire his students, but I can think of other movies about Williams’s character inspiring others. Maybe it’s that this is the most quotable, but the main quote I know is a cliche.
One thing that’s becoming apparent to me is how little of his work I was actually familiar with when I was in the height of my appreciation for Robin Williams as an actor.
I’ll be honest, a screencap with Colm Meaney was what attracted my attention, though it looks like he has a pretty minor role. And really, an Irish movie in the 90s would be remiss not to include him in some way.
The actual point of this movie seems to be a bunch of wannabe musicians being put together in a band by a wannabe manager. Which could go several different ways, and since it’s billed as a dramedy, probably goes many of them.
Voyage to the Bottom of the Sea. Windsor Productions 1961.
Before watching the movie:
I’m entirely unfamiliar with this movie, but it involves shooting nuclear missiles at the Van Allen Belt to put out a fire, so the science is patently ridiculous. Apparently somehow this leads into a monster, but I’m not sure if the missiles create the monster, or if they encounter the monster on the way to where they need to shoot the missiles.
I know I’ve seen Walter Pidgeon in something, but I think the only thing is Forbidden Planet, which is completely overshadowed in my memory by showing Leslie Nielson in a serious role.