I think I was aware of this movie as a title floating out there, but that was pretty much the end of it. Even watching a trailer, I thought this was There’s Something About Mary for a moment. I wouldn’t have expected Ben Stiller and Jennifer Aniston to appear together in anything.
Total opposites romantic comedies, especially where the cautious guy’s world is opened by a wildcard girl, are pretty common (off the top of my head, Something Wild fits the bill), but what the concept reminds me the most of is Yes Man. It’s something about the mix of extreme activities that he never would have agreed to without this change in his life, I think. I don’t really have a whole lot more to say about a movie I barely knew existed, just how much it reminds me of more well-regarded movies.
I dimly remember actually seeing this movie in the theater, but for whatever reason, what sticks with me more is getting it for Christmas, in a set with a toy figure (example photo, not mine) that was both exciting and yet I don’t think I ever actually played with. I seem to associate the story with winter scenes as well, even though I know there are summer scenes. I guess it takes place over a longer period of time than I thought.
I do recall that seeing the movie in the theater was at least one of the first times I allowed myself to cry at a movie (in a dark theater). The emotion that this movie draws out of celluloid is one of the main reasons that it’s endured as a modern classic and stands out against the more bland landscape of contemporaries that, unlike the perennial vintage cinema, we can still remember. In the nine(!) years I’ve been writing this blog, I’ve covered many movies from that year. Only a few of them come close to the legacy The Iron Giant immediately cemented.
Hogarth, a boy in advanced classes with an excitable imagination outside of small town Rockwell, Maine, goes investigating his missing TV antenna and comes across a 50-foot tall robot from space! The giant robot, which eats metal, tries to eat a power station transformer, and gets tangled up in power lines, and Hogarth rescues him by pulling the shutoff switch. As Hogarth investigates, the giant befriends him, and they quickly form a secret partnership with junkyard artist Dean for the use of his scrap metal so the giant won’t go hungry. But the reports of strange sightings draw government agent Kent Mansley, a cold war G-man who sees Soviet threats in anything he doesn’t understand. Kent quickly susses out that Hogarth isn’t telling all he knows, and if he can get proof that there’s a dangerous weapon in Rockwell, he’ll finally get the respect he thinks he deserves.
This might not be the first time I’ve watched the movie since that VHS, but it’s the first time I’ve really noticed how much care was put into the art for this movie. I’m not sure I’ve seen better cel-shaded CGI before, but the Giant, Sputnik, and the missile are CG renders blended in so well it’s easy to forget they’re technically a different medium, and if they used it for other things, I couldn’t even tell or it wasn’t major enough to remember. However, the CGI was something I was aware of years ago. This time, I was also looking at the traditional animation, and especially the lovingly-created backgrounds. I think I’ve seen this movie called a love letter to traditional animated movies in an era where everyone wanted to make the next Toy Story, and I got it then, but I see it for myself now. As well, the music is quite evocative of cartoon features of a different age, and sometimes comes very close to evoking Looney Tunes incidental music.
My first instinct was to say that the messages of the movie are what makes it resonate, but there’ve been a lot of bad and forgettable movies with messages of “friendship is good, guns are bad, be yourself, help others, your past doesn’t define you”. What makes it effective is the execution. This story is not just character driven, but the characters express real emotion and profound thoughts that manage to all align to create a package of concentrated Feelings. It’s no wonder Pixar incorporated Brad Bird into their inner circle of creatives after this.
As the 1950s setting evokes a kind of nostalgia for a lost age of childhood, the movie is itself nostalgia for a generation, as it now approaches 20 years since its release. I’m sure that there are professional animators now who were inspired by this opus, and hopefully many of them are actually getting to do something close enough to that to satisfy them, as the market has moved away from traditional animation with any real budget for artistic flair. Being an inspiration is probably the highest honor a work of art can aspire to, and this is certainly one that has inspired careers as well as daily lives.
I know pretty much nothing about this movie. I am informed that the premise involves the main character faking a fiance for apparent life stability to get promoted at work, which I hope gets a little more justified, because anywhere else will look at your job as the sign of how stable your life is. Interesting to note that this 90s boss wants a female employee to be engaged though, since only a few decades earlier marriage was seen as a career-ending move for women.
I will also note that the handwritten-style title, particularly when displayed in white, strongly reminds me of Friends, which I wouldn’t doubt was intentional, this being a late 90s movie starring a Friends alum.
From time to time I pass up a film, and it goes on to get big. Then I start thinking about seeing it, but the moment has passed, and I just run into references here and there. Happily, nobody’s quoted Office Space to me in pieces. Yet.
There comes a point when I decide I might as well see what I’ve been missing. I’m told it’s supposed to be popular among people who work in the kind of offices it’s satirizing, but I haven’t met anybody who likes it who does. Or that many people in general who work in cube farms, really. They seem to be a mistake of the 90s that is mostly filtered out of the system. Even on The Office it’s not that bad. On the other hand, I wish I could work in a cube farm at least for a while.
Remember when I often gave “bad” movies a chance on this blog? I found this movie and had to give it a try. I’ll probably regret it, but hopefully my readership (all four of you) will enjoy it.
If I recall correctly, the thing this movie is most infamous for is making Leprechaun 2 possible, so at least I know I haven’t signed up for the worst horror movie of all time.
Three reasons I’m reviewing this now: It’s not quite Halloween, so this isn’t a holiday tie-in; it’s nowhere near St. Patrick’s Day, so I don’t ruin my St. Patrick’s day (also St. Pat’s won’t be on a blogging day next year); and I found it while looking for a movie to do this week.