Desk Set

Desk Set. 20th Century Fox 1957.
Desk Set. 20th Century Fox 1957.

Before watching the Movie:

I can’t recall if this is something I saw come up specifically referenced by somebody as a story about a woman tasked with automating her research department and it turns out even just alone she’s better than the computer, or if this is unrelated and just came up in my algorithmic recommendations.

All I know for sure is that Spencer Tracy and Katharine Hepburn apparently do a lot of verbal sparring, and I’m a big fan of verbal sparring, especially by legends. I guess I haven’t seen all that much of Spencer Tracy. It may just be Guess Who’s Coming To Dinner and nothing else. But I know he’s highly regarded and that William Shatner in particular looked up to him.

It says this is a romantic comedy, and I’m wondering if the center couple is both Tracy and Hepburn. They seem mismatched in age.

Continue reading

Children of the Revolution

Ah dangit, some other posters flip the R, but this one flips the N. I was hoping to avoid a bastardization of the Cyrillic alphabet.
Children of the Revolution. Miramar Films 1996.

Before watching the movie:

This just came up in my digital recommendations a few weeks ago. I thought at first it was a documentary because the promotional images really don’t do much to convey that this is a scripted comedy, instead really getting into the cold war aesthetic.

So basically an Australian woman raises Josef Stalin’s love child in the true Party way, and somehow this leads to political disaster in the modern day. My first thought is that it’s another Australian comedy inserting Australians into places in history where they were not (an interesting apparent trend that may not exist outside these two movies, and I could do with more stories of real Australian history), but I’m really looking forward to the journey getting there, especially with a cast of familiar names, some of which I can actually place.

Continue reading

The Beverly Hillbillies

The Beverly Hillbillies. 20th Century Fox 1993.
The Beverly Hillbillies. 20th Century Fox 1993.

Before watching the movie:

While it was never really a favorite, more of something not disagreeable between other shows I did like, I recall there was a period in my youth when I watched a lot of The Beverly Hillbillies. Boy, those yokels who don’t know how they’re supposed to use egregious amounts of wealth, right? Actually I recall it using both extremes to mock the other. The Clampetts may have been walking stereotypes, but they were also people of simple tastes who highlighted just how absurd the excesses of wealthy Southern California can be. They bought a mansion in a nice neighborhood, but they still lived simply. I recently spent a lot of time thinking about what to do with a massive windfall, and I think it’s smart not to change much about one’s habits simply because smoking cigars wrapped in hundred-dollars bills on a yacht becomes an option.

I don’t know what to expect from a reboot movie made 20 or 30 years later. The show was made in a media landscape that believed in a simpler world than what the 90s accepted. The plots that stick strongly in my mind are the time Jed decided that the “billiard room” was the place to have Thanksgiving dinner because it had the nicest table in the house, and if possible he should serve a “billyard” (a rhino, like the head mounted on the wall in that room) on it, or when their banker turned out to be the last descendent of a family feud inspired by the Hatfields and McCoys, until Granny found out and revealed she was from the other family. When I try to imagine the 90s equivalent, I see a lot of manic slapstick. “From the director of Wayne’s World” being a selling point does not sound promising.

Continue reading

Murder, He Says

Murder, He Says. Paramount Pictures 1945.
Murder, He Says. Paramount Pictures 1945.

Before watching the movie:

This was a suggestion from a Facebook friend. All I needed was Fred MacMurray or “murder comedy”, but this appears to be both. I actually wasn’t sure when I decided to do this if it was a comedy or a thriller, but I was fairly certain MacMurray never played against type (0r at least in anything dark) in anything but Double Indemnity. So I was fairly certain it’ll be a good time.

I’m a little surprised I don’t already have a tag for Fred MacMurray. I’ve invoked The Happiest Millionaire in a few other blog posts, and he actually appeared via archive footage in Dead Men Don’t Wear Plaid, but in too minor a role to merit getting tagged as a star, and also I didn’t like what the movie did with the clips from Double Indemnity. Thanks to classic Disney films like Happiest Millionaire and The Absent-Minded Professor, as well as the impact Double Indemnity left on me as a young film student, I’ve always felt like MacMurray has had a minor presence here, but this is somehow the first time he’s starred in a review.

Continue reading

Johnny English

Johnny English. Working Title Films 2003.
Johnny English. Working Title Films 2003.

Before watching the movie:

I’ve been looking for this for years. It’s easy to find the sequel, it’s much harder to come across this one. I’m not sure why that is.

The marketing looks like it’s positioning this as “Mr. Bean is James Bond”, but I’m hoping Atkinson will be doing something closer to Blackadder. Some of that hope may be fueled by the idea that if it’s the case, it might find a place as a missing link in my silly theory that Atkinson’s Doctor in The Curse of Fatal Death is a continuation of the Blackadder line, which tends through history to get smarter (though usually of lower station).

Minor announcements:

Continue reading

Penn and Teller Get Killed

Penn and Teller Get Killed. Lorimar Film Entertainment 1989.
Penn and Teller Get Killed. Lorimar Film Entertainment 1989.

Before watching the movie:

I’m not entirely sure when I first encountered Penn and Teller. I clearly remember that my seventh grade science teacher, who was a magician himself, showed us some tapes of televised magic acts, and there was at least one Penn and Teller illusion in the bunch. They appeared on an episode of Home Improvement, though I don’t know if I recognized them when I was regularly watching that show. I knew them well enough when they released “Off The Deep End” in 2005 I made an effort to tape it myself. So I would conservatively say I knew of them by the early 2000s and had seen their work from as early as the mid-90s.

But when I discovered “Fool Us!”, I went looking for a list of their old specials and series, and discovered one that was pretty different from the others. Magic isn’t exactly unscripted, and it may tell a story, but here, among all these magic shows, was, nearly at the beginning of their career, a theatrical, scripted/narrative film where they play themselves. It’s perfect for them, but how did this even happen?

Continue reading

Cheech and Chong’s Up in Smoke

Cheech and Chong's Up In Smoke. Paramount Pictures 1978.
Cheech and Chong’s Up In Smoke. Paramount Pictures 1978.

Before watching the movie:

I don’t entirely get stoner comedy. No doubt, that’s because it’s the only real contact I have with stoner culture and you’re meant to consume stoner entertainment while stoned, so pretty much anything would be funny. But then there’s an element of making fun of how dulled the cognitive reflexes are while under the influence that would probably be funnier sober, so I guess it’s more about having fun with the lifestyle.

I’m fond of Cheech Marin’s comedy work, though I came in from a very different angle than most people (children’s edutainment). Tommy Chong I’ve really only encountered through Cheech & Chong, apparently because he had a rough time keeping his career afloat after Cheech split off to pursue acting. In most of their work together that I can remember, he seems like, if not the straight man (because high people are funny), the one who was there so Cheech had someone to play off of.

So… road movie about being high. I want to like it, but I can’t come up with much reason to express why. Continue reading

Anchors Aweigh

anchorsaweigh
Anchors Aweigh. Metro Goldwyn-Meyer 1945.

Before watching the movie:

I only know this movie exists because it famously has a scene where one of the men, probably Gene Kelly, dances with Jerry the cartoon mouse, which must be a fantasy number.

Apparently, this is a musical about falling in love on shore leave. Sinatra and Kelly are friends and shipmates and at least one of them falls in love with a local girl in port. I would be pleasantly surprised if this didn’t make up the bulk of its plot on a love triangle, but I’m just looking forward to some songs about sailors having good clean fun ashore.

Continue reading

The Out of Towners

The Out of Towners. Paramount Pictures 1999.
The Out of Towners. Paramount Pictures 1999.

Before watching the movie:

I need a break from Christmas. Also there are very few Christmas movies I can get hold of that I can blog and wanted to see.

The impression I had of a couple getting out to New York for a change and everything going off the rails reminded me a lot of Date Night, but it looks like they’re looking at moving out there permanently as a change once their kids have moved out, so it’s a different time of life here. And also it probably isn’t going to go off the rails in anything like the same way.

Steve Martin is of course very consistent, and I recall Goldie Hahn doing well in Foul Play, but that may be the only thing I’ve seen her in.

Continue reading

The Hebrew Hammer

The Hebrew Hammer.  Jericho Entertainment 2003.
The Hebrew Hammer. Jericho Entertainment 2003.

Before watching the movie:

I do recall seeing pieces of this on TV in college, but never more than a moment here and there because I only caught it at the beginning once and I didn’t have the time to watch it then.

I think this involves saving Hanukkah. I’m not entirely sure about that right now, but I thought I’d do a Hanukkah movie, and how many Hanukkah movies are there anyway? I wouldn’t know, as it’s not actually my tradition. I can only think of one definite one I’d really rather not see.

But anyway, what this definitely is is a Jewish parody of Blaxploitation films. Kind of like Shaft if he was Chosen instead of black. Well, more like the remake of Shaft maybe.

Continue reading