Sometimes I just want a pulpy mystery. And it doesn’t hurt if it’s closer to one hour than one and a half or two because I’m busy.
I know I’ve seen the name Alan Mowbray around, but I couldn’t place him to anything specific. Seems like someone I should know.
I wonder if audiences outside New York are supposed to get the reference to 42nd street being a cross street with Broadway (something I only know because of the poster) and presumably a place where there are theaters. My initial guess would be that 42nd street would be far enough out of town that it’s not a very nice theater, but New York is gigantic next to the cities I’ve gotten a feel for, so maybe it’s in the heart of the theater district. I don’t know. I’m not a New Yorker, much like most of the people who would be watching this.
I just found out about this movie, and it sounds like a lot of fun. A newspaper mogul gets killed and planted in his rival’s car, so the rival then has to hide the corpse to not get charged for the murder, only the body keeps going missing and somehow turning up in conspicuous places.
Some of the names in the cast seem vaguely familiar, but there’s not really anything that would’ve made it stand out except the black box algorithms that control our lives thought I might like it, and for once it looks like they’re right.
There are at least three major screen adaptations of this show, and I’m not sure if this version is the most popular or just the most available. The 1933 version stars Will Rogers, but it’s in black and white, so it’s probably not expected to sell as well.
I thoroughly expect this to be a thin plot for hanging songs about rural Americana on, but it’s Rodgers and Hammerstein, so they should be great songs. I’ve probably heard of at least one, but I can’t think of any I specifically associate with it. Continue reading →
This was a suggestion from a Facebook friend. All I needed was Fred MacMurray or “murder comedy”, but this appears to be both. I actually wasn’t sure when I decided to do this if it was a comedy or a thriller, but I was fairly certain MacMurray never played against type (0r at least in anything dark) in anything but Double Indemnity. So I was fairly certain it’ll be a good time.
I’m a little surprised I don’t already have a tag for Fred MacMurray. I’ve invoked The Happiest Millionaire in a few other blog posts, and he actually appeared via archive footage in Dead Men Don’t Wear Plaid, but in too minor a role to merit getting tagged as a star, and also I didn’t like what the movie did with the clips from Double Indemnity. Thanks to classic Disney films like Happiest Millionaire and The Absent-Minded Professor, as well as the impact Double Indemnity left on me as a young film student, I’ve always felt like MacMurray has had a minor presence here, but this is somehow the first time he’s starred in a review.
I only know this movie exists because it famously has a scene where one of the men, probably Gene Kelly, dances with Jerry the cartoon mouse, which must be a fantasy number.
Apparently, this is a musical about falling in love on shore leave. Sinatra and Kelly are friends and shipmates and at least one of them falls in love with a local girl in port. I would be pleasantly surprised if this didn’t make up the bulk of its plot on a love triangle, but I’m just looking forward to some songs about sailors having good clean fun ashore.
I felt like I knew a lot about this movie until I started to try to write about it. What I know is that it was remade as a Richard Pryor vehicle (infamously), and the plot concerns having to spend a lot of money quickly in order to inherit a massive fortune. Apparently this is one in a long line of adaptations of a book, so it must have been very popular.
The name Dennis O’Keefe sounds familiar, and I thought I must have reviewed something else starring him, but I don’t seem to have a tag for him. Also the poster clued me in to the fact that Eddie Anderson, breakout star from the Jack Benny Program, has a role. I think it’s the first time I’ll be encountering him not playing Rochester, though the popularity of that character may mean this one is basically the same under a different name.
Here’s a cheery little comedy about how society’s changed so much women can become functioning adults without knowing how to cook! What a crazy, upside-down world! At least the lead can fake it in print.
I feel a little bad that I’m most interested in seeing what Sydney Greenstreet brings to this movie, when he appears to be in a supporting role. I come across Barbara Stanwyck so much I ought to know more about her. Unfortunately, she’s from an era where it seems like everyone in Hollywood, and especially women, were encouraged to be interchangeable. From what I’ve seen of her she’s pretty good, but she ends up failing to leave an impression on me because I can’t tell her apart from any other woman on film in the 40s. Also, speaking of interchangeable, I’ve never heard of Dennis Morgan.