Yellowbeard

Yellowbeard. Hemdale Film Corporation 1983.

Before watching the movie:

This looked like a bit of a mess when I first passed by it and taking a closer look now it seems like it’s even worse than it initially appeared. The huge cast of big names probably means that nobody except Graham Chapman’s Yellowbeard gets much time to be all that important to the plot. There’s a whole lot of Monty Python alums here, but it’s not a Monty Python or Terry Gilliam project. Though as Chapman is a writer, it’s easy to see how they were assembled.

At this point, it seems that the most marketable names in the movie are Cheech and Chong, and it’s not just weird that they’d be in a movie together and not at the center of it, but I don’t understand what they’re doing in such a Python-y movie.

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The Shrimp on the Barbie

The Shrimp on the Barbie. Unity Pictures 1990.

Before watching the movie:

I’m not sure I’ve encountered a solo Cheech Marin vehicle before (aside from that weird kids’ songs album where he’s a school bus driver). I’ve only ever seen him since Tommy Chong or in an ensemble or as a cameo.

It’s also an interesting idea to blend him with Australian culture. I certainly never would’ve thought to put the two together. He can be the scruffy, embarrassing fish out of water anywhere, but Australia isn’t really a common setting to throw such fish into.

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Cheech and Chong’s Up in Smoke

Cheech and Chong's Up In Smoke. Paramount Pictures 1978.
Cheech and Chong’s Up In Smoke. Paramount Pictures 1978.

Before watching the movie:

I don’t entirely get stoner comedy. No doubt, that’s because it’s the only real contact I have with stoner culture and you’re meant to consume stoner entertainment while stoned, so pretty much anything would be funny. But then there’s an element of making fun of how dulled the cognitive reflexes are while under the influence that would probably be funnier sober, so I guess it’s more about having fun with the lifestyle.

I’m fond of Cheech Marin’s comedy work, though I came in from a very different angle than most people (children’s edutainment). Tommy Chong I’ve really only encountered through Cheech & Chong, apparently because he had a rough time keeping his career afloat after Cheech split off to pursue acting. In most of their work together that I can remember, he seems like, if not the straight man (because high people are funny), the one who was there so Cheech had someone to play off of.

So… road movie about being high. I want to like it, but I can’t come up with much reason to express why. Continue reading