This looked like a bit of a mess when I first passed by it and taking a closer look now it seems like it’s even worse than it initially appeared. The huge cast of big names probably means that nobody except Graham Chapman’s Yellowbeard gets much time to be all that important to the plot. There’s a whole lot of Monty Python alums here, but it’s not a Monty Python or Terry Gilliam project. Though as Chapman is a writer, it’s easy to see how they were assembled.
At this point, it seems that the most marketable names in the movie are Cheech and Chong, and it’s not just weird that they’d be in a movie together and not at the center of it, but I don’t understand what they’re doing in such a Python-y movie.
This movie is incidentally legendary in my family. I’m told I saw a few minutes of it at an extremely young age until my mother realized she shouldn’t be playing it in the presence of someone so young. So this is the Ur-example of movies I haven’t seen because of good parenting.
The combination of Gene Wilder and the Holmes mythos is an odd one, but both of them individually are reasons to take an interest, so hopefully they merge successfully. I expect the reason Wilder’s character is “Sigerson Holmes” when Mycroft Holmes is a canonical character who is actually smarter than Sherlock is so they have more room to do what they want with him, but I hope Mycroft at least gets a mention. I think the Doyle estate still had American copyright over Holmes characters, so this might be a legal loophole as well.
I think somewhere around the house there’s still an off-air recording of this movie (which has most of the title on the label, but always seemed less like a title and more like a placeholding description), but even if we had a working Betamax player, I don’t like to review from off-air recordings since scenes get cut for time and content, and commercials break the flow in an unintended way. I saw this float through the library again and decided it was time.