The Pearl of Death

The Pearl of Death. Universal Pictures 1944.
The Pearl of Death. Universal Pictures 1944.

Before watching the movie:

Sherlock Holmes pops up so often here that he has his own genre category. So it was fairly inevitable that I’d get to the series starring Basil Rathbone eventually, even though I haven’t been very up on that version in the past. This is mostly by reputation at this point. Rathbone is considered definitive by some, and by others a poor portrayal that damages subsequent attempts. I have seen one installment before, but not much of it held my attention and my own opinions have changed since then.

At the time, I found the idea of setting the stories contemporary to their WWII production was lazy. The BBC’s current hit, Sherlock, however, has since demonstrated to me how much brilliance can be involved in making that kind of leap, and I should be judging it on the quality of the shift, not on the presence of it. Additionally, I was annoyed that they apparently tied Moriarty to everything, but most other adaptations do that too, and I should be judging it on how much they made that make sense, starting from the basis that a Napoleon of Crime would in fact have his fingers in a lot of crime. Finally, at the time I wasn’t aware that this series has been accused of practically lobotomizing Watson next to Doyle’s character, influencing many subsequent takes.

There’s a delicate balance in reviewing an installment from a film series. I try to avoid sequels that build on events from their predecessors, but this is more of the franchise type, with each individual film standing alone. In fact, it’s practically a television series before the popularization of television, due to the sheer number of films, the turnaround time between each, and the length of each (this one is only 69 minutes, and seems fairly typical). So how did I select which one? I have access to the third volume of the collection and this was the most interesting one in it. It’s based somewhat on The Adventure of the Six Napoleons.

Continue reading

Major League

Major League. Mirage Enterprises/Morgan Creek Productions 1989.
Major League. Mirage Enterprises/Morgan Creek Productions 1989.

Before watching the movie:

This is one of those that I feel like I should have more preconceptions of than I do. It’s a “The Producers” kind of sandbagging scheme, only the sandbagger isn’t the protagonist. It’s just about a team that’s so bad they’re good, I guess. I can’t tell what the mohawked sunglasses-wearing baseball is trying to convey. Attitude? Eighties attitude? Am I reading too much into the mohawk that’s probably just for the Cleveland Indians?

Kind of impressive that a movie could be made with a real pro sports franchise cast as the ragtag misfits. The only comparable example I can think of is The Mighty Ducks, and I think Disney money made the Ducks a real team after the fact. Maybe Angels in the Outfield, but the team is reasonably competent in that.

There are some more familiar names lower down in the credits, but of the headliners, I only really know Charlie Sheen.

Continue reading

The Inspector General

The Inspector General. Warner Bros. 1949.
The Inspector General. Warner Bros. 1949.

Before watching the movie:

I was only familiar with this story previously through a Wishbone adaptation of the play. What I recall of it is rather different from the summary I’ve seen of this movie, though on the one hand this is credited as “suggested by” the play, admitting they’ve walked rather far away from it, while Wishbone could well have bowdlerized the bungled assassination attempts mentioned as being in this movie. Having quickly scanned a summary of the play, I’m inclined to think it’s more the former than the latter.

It’s a rather surprising notion to do a story about corruption in the Imperial Russian government as a cheery-looking musical starring Danny Kaye, no matter how farcical the plot may be.The songs should either be quite something or a lot of nothing.

Continue reading

Rock, Rock, Rock!

Rock, Rock, Rock! Vanguard Productions 1956.
Rock, Rock, Rock! Vanguard Productions 1956.

Before watching the movie:

The title pretty much says it all. There’s a plot about high schoolers and some kind of competition, but this is basically a concert film.

The cast is full of appearances from acts who were famous in their day, but the main name I recognize now is Chuck Berry, and I think I’ve seen much more of him now than at the top of his career, so that will be interesting. When I think of Chuck Berry in the 50s, I think of Marty McFly.

Continue reading

King Solomon’s Mines

King Soloman's MInes. Golan-Globus 1985.
King Soloman’s MInes. Golan-Globus 1985.

Before watching the movie:

This is clearly a cash-in on the Indiana Jones franchise, but it’s a response to a pulp adventure pastiche with one of the original pulp adventurers. I don’t know much of anything about Allan Quatermain (I’m discounting everything I might remember from League of Extraordinary Gentlemen because it’s a bouillabaisse of literary big names with little regard for detail) other than that he’s the inspiration for a lot of more recent adventure throwbacks.

I guess I saw him in The Three Musketeers, but I don’t really have a very strong impression of Richard Chamberlain yet. I have a hard time keeping the Musketeers that aren’t D’artagnan straight.

Continue reading

The Cable Guy

The Cable Guy Columbia Pictures 1996.
The Cable Guy. Columbia Pictures 1996.

Before watching the movie:

The poster shown here is overwhelmingly the image associated with this movie, but for the longest time I took it at face value, as if it was telling me Carrey’s character is really a sinister, murderous psycho. However, in light of the descriptions usually attached, I think this is a joke that’s lost its context. From the descriptions, I think I see a story about a needy character who has more of an exasperating effect than a worrying one. Less Fatal Attraction, more What About Bob? But then looking at IMDB just now I’m thinking I’ve underestimated the darkness again.

I expect good things from Matthew Broderick in a beleaguered straight man role, and Jim Carrey’s proved himself in pretty much any kind of role.

Continue reading

Fathers’ Day

Fathers' Day. Silver Pictures 1997.
Fathers’ Day. Silver Pictures 1997.

Before watching the movie:

I grew up on AladdinFlubber , Jumanji, and Bicentennial Man all came out when I was the right age for them. I rediscovered Hook at a well-developed age between childhood and adulthood. Mork and Mindy may have been the first grown-up TV show I discovered on my own, but even if it wasn’t, it struck a chord with me the other possibilities didn’t. Robin Williams was the first person I did a search for in the library system and I pulled several movies from that search, a strategy I only applied so earnestly to two other actors. Having a blog focused on catching up with movies I haven’t seen led me to check off more of his filmography. So when news of his death came, I had some trouble finding a movie to review in his honor. It’s not so much that there are no movies left that I haven’t seen, but most of them are bleak dramas or too recent.

In the outpouring of love for the man I saw online in the last few weeks, Dead Poets’ Society seems to be very highly regarded, perhaps his most inspirational film. I indeed have not seen it and will certainly be getting to it soon, but I wanted to remember him with a proper comedy of the sort that there’s hardly anything left.

So here’s Father’s Day, a nearly forgotten movie about two men who have both been led to believe they’re the father of an ex-girlfriend’s runaway son, for the purpose of getting both of them to track him down. Sounds like a road movie with two giants of comedy at odds with each other. Let’s have some fun.

Continue reading

Red Dawn

Red Dawn. Valkyrie Films 1984.
Red Dawn. Valkyrie Films 1984.

Before watching the movie:

Even in the 80s, as the cold war thawed, open warfare between the US and Soviet Union seemed likely. However, apparently it seemed plausible that a Soviet invasion could be resisted by guerrilla teens, so fear of the red menace was probably eroding.

I’m finding it interesting to track depictions of the Enemy over the decades. I know the 90s had trouble giving up the Soviets as stock villains, but I haven’t previously noticed a shift in how Russia was treated before the breakup. It’s often just a looming shadow of calamity, like an anvil held over one’s head with a fraying rope. Here, however, is a take on what happens when the rope snaps.

Continue reading

How to Marry A Millionaire

How to Marry a Millionaire. 20th Century Fox 1953
How to Marry a Millionaire. 20th Century Fox 1953

Before watching the movie:

You couldn’t make this kind of movie today (I hope). Three women make it their top goals to marry into money. This will probably be a fun little romantic comedy romp running on outdated gender values, which isn’t in itself a bad thing, as long as one keeps in mind that it’s no longer considered healthy.

I was kind of looking forward to this until I put on my feminist glasses.

Anyway, three powerhouse ladies of the golden age of cinema in a story about taking control of their lives by manipulating anybody in reach with a thick enough wallet.

Maybe I should just get on with watching it.

Continue reading

Runaway Bride

Runaway Bride. Interscope Communications 1999.
Runaway Bride. Interscope Communications 1999.

Before watching the movie:

Once in a writing class, we were told to look at a collection of pictures from the art department and write some vignettes inspired by those images. I saw a picture of a woman stepping out of a pair of fancy shoes, and I think I connected that with this movie’s poster to write a scene at a wedding reception, but the implied plot was in an entirely different direction.

So apparently most of what I have to say about this movie before seeing it is nearly unrelated to it. I’m expecting a generic romantic comedy with one obvious unusual twist. And Gere and Roberts have had success before with Pretty Woman and I think a few others, so they should do well here.

Continue reading