You couldn’t make this kind of movie today (I hope). Three women make it their top goals to marry into money. This will probably be a fun little romantic comedy romp running on outdated gender values, which isn’t in itself a bad thing, as long as one keeps in mind that it’s no longer considered healthy.
I was kind of looking forward to this until I put on my feminist glasses.
Anyway, three powerhouse ladies of the golden age of cinema in a story about taking control of their lives by manipulating anybody in reach with a thick enough wallet.
According to the box, this is a departure for Marylin Monroe. As opposed to her typical lighter fare, here she’s taking a dark turn as a woman plotting to kill her husband. While I think the term is never used on the cover, this sounds like a noir in the style of Double Indemnity.
I’m looking forward to seeing her playing a femme fatale. It seems to suit her more than the giggling, often airheaded bimbo she always plays in her comedies. I know she knew how to control a room with her sexuality, she even built a career on it. I always watch her other movies waiting for her to drop the act and get exactly what she wants because she knows people will give it to her, and that looks like what happens here. Or at least, she tries.
If AFI hasn’t done a countdown of iconic movie images yet, it’s probably on their to-do list. The one thing anybody remembers about this movie is probably in the top five, if not the number one.
What’s this film actually about, if not Marylin Monroe’s antigravity dress? I recall vaguely from a few synopses something about a man who’s bored with his marriage and strongly tempted by Monroe’s character. At least this poster has him standing nearby with his attention diverted by her, even if he’s not the focus.
I’m still trying to figure out how to describe Billy Wilder. So far all I’ve come up with is “gets it right.”