Pumping Iron

yesterdocs

Pumping Iron.  White Mountain Films 1977.
Pumping Iron. White Mountain Films 1977.

Before watching the movie:

Way back in the beginning of this blog, when I was still feeling out what it was and what it covered, I reviewed one documentary. And in the years since, I have had one lonely post in the Documentary category (and one in Mockumentary, which I made a subcategory, but that’s another story).  I like documentaries. I’m just never in the mood to watch them, and I swiftly came to the idea that this blog should only cover scripted films. Maybe I’m better equipped to discuss scripted cinema, maybe it comes more easily. But lately documentaries have become a bigger part of my life, and I’ve been piling up docs in my to be watched list. I decided it was time to do something about it. So this month, not only am I reviewing four documentaries on this blog, I’m also trying to watch a total of at least 20 in the entire month, which I’m keeping track of on Tumblr.

I should probably discuss a little bit about this particular movie, even though I’ve gone on about the theme of the month for one whole Schwarzenegger. I get the sense it probably would have been forgotten if it hadn’t been the screen debut of a model about to become an actor known for being buff and not saying much. I don’t think I knew before now that it also profiles Lou Ferrigno, who also transitioned into acting in roles on his physique. It sounds like Arnold is more of the bad boy superstar of the movie, while Ferrigno has a more, perhaps sympathetic portrayal. They might be positioned as rivals in the narrative, or they might just be competitors in the same circuit, but the former seems more likely unless I’m missing an option for how the narrative may be constructed.

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Penn and Teller Get Killed

Penn and Teller Get Killed. Lorimar Film Entertainment 1989.
Penn and Teller Get Killed. Lorimar Film Entertainment 1989.

Before watching the movie:

I’m not entirely sure when I first encountered Penn and Teller. I clearly remember that my seventh grade science teacher, who was a magician himself, showed us some tapes of televised magic acts, and there was at least one Penn and Teller illusion in the bunch. They appeared on an episode of Home Improvement, though I don’t know if I recognized them when I was regularly watching that show. I knew them well enough when they released “Off The Deep End” in 2005 I made an effort to tape it myself. So I would conservatively say I knew of them by the early 2000s and had seen their work from as early as the mid-90s.

But when I discovered “Fool Us!”, I went looking for a list of their old specials and series, and discovered one that was pretty different from the others. Magic isn’t exactly unscripted, and it may tell a story, but here, among all these magic shows, was, nearly at the beginning of their career, a theatrical, scripted/narrative film where they play themselves. It’s perfect for them, but how did this even happen?

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Robin Hood: Prince of Thieves

Robin Hood: Prince of Thieves.  Warner Bros. 1991.
Robin Hood: Prince of Thieves. Warner Bros. 1991.

Before watching the movie:

Kevin Costner is on the poster, but I’m not going to talk about him right now. I’m sure I’ll have plenty to say after the fact.

I’m not sure if I heard the news late at night or in the morning. Last Thursday, and on into the weekend, the internet was filled with euologies for Alan Rickman. It was too late to cover last week.

But more than ever before, I had a sense that people weren’t mourning an actor, they were mourning his roles. Nobody was eulogizing Alan Rickman, they were eulogizing Severus Snape, Hans Gruber, Metatron, and Alex Dane/Dr. Lazarus. And I simply felt that nobody had a sense of what Rickman was really like, since nobody would accuse him of actually being like an abusive professor, terrorist, aut al. I sure didn’t know what he was like, but I try to believe the best about people, and that’s been borne out by some statements from people who knew him personally.

And so, here I am reviewing one of his more popular movies, where he plays another villain. Well, I can’t review him narrating a viral video for charity. This was a movie that came up a lot in a way that didn’t seem to focus too much on the character, and of the two that came up that I hadn’t seen, this one seemed a better choice. It’s also the version most directly spoofed by Robin Hood: Men In Tights.

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Cheech and Chong’s Up in Smoke

Cheech and Chong's Up In Smoke. Paramount Pictures 1978.
Cheech and Chong’s Up In Smoke. Paramount Pictures 1978.

Before watching the movie:

I don’t entirely get stoner comedy. No doubt, that’s because it’s the only real contact I have with stoner culture and you’re meant to consume stoner entertainment while stoned, so pretty much anything would be funny. But then there’s an element of making fun of how dulled the cognitive reflexes are while under the influence that would probably be funnier sober, so I guess it’s more about having fun with the lifestyle.

I’m fond of Cheech Marin’s comedy work, though I came in from a very different angle than most people (children’s edutainment). Tommy Chong I’ve really only encountered through Cheech & Chong, apparently because he had a rough time keeping his career afloat after Cheech split off to pursue acting. In most of their work together that I can remember, he seems like, if not the straight man (because high people are funny), the one who was there so Cheech had someone to play off of.

So… road movie about being high. I want to like it, but I can’t come up with much reason to express why. Continue reading

Swordfish

Swordfish.  Silver Pictures 2001.
Swordfish. Silver Pictures 2001.

Before watching the movie:

This hinges around a digital heist, but the summaries focus on the persuasion required to get the hacker to hack. Even Hollywood hacking can’t sustain a whole film (even The Net is mostly real-world action), so I expect very little of the excitement actually comes from a guy sitting at a laptop typing until the money is stolen.

I have the impression of the mastermind of the heist as a figure not directly involved in the plot aside from hiring people, coercing people, and hiring people to coerce, but there’s one more headliner than I would expect in that notion, so maybe he’s in the middle of it all, giving orders. I know far too little of use for comment beforehand.

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Anchors Aweigh

anchorsaweigh
Anchors Aweigh. Metro Goldwyn-Meyer 1945.

Before watching the movie:

I only know this movie exists because it famously has a scene where one of the men, probably Gene Kelly, dances with Jerry the cartoon mouse, which must be a fantasy number.

Apparently, this is a musical about falling in love on shore leave. Sinatra and Kelly are friends and shipmates and at least one of them falls in love with a local girl in port. I would be pleasantly surprised if this didn’t make up the bulk of its plot on a love triangle, but I’m just looking forward to some songs about sailors having good clean fun ashore.

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The Out of Towners

The Out of Towners. Paramount Pictures 1999.
The Out of Towners. Paramount Pictures 1999.

Before watching the movie:

I need a break from Christmas. Also there are very few Christmas movies I can get hold of that I can blog and wanted to see.

The impression I had of a couple getting out to New York for a change and everything going off the rails reminded me a lot of Date Night, but it looks like they’re looking at moving out there permanently as a change once their kids have moved out, so it’s a different time of life here. And also it probably isn’t going to go off the rails in anything like the same way.

Steve Martin is of course very consistent, and I recall Goldie Hahn doing well in Foul Play, but that may be the only thing I’ve seen her in.

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Movies of my Yesterdays: Lady and the Tramp


moviesyesterdays

Lady and the Tramp. Walt Disney Pictures 1955.
Lady and the Tramp. Walt Disney Pictures 1955.

 

Movies of my Yesterdays is a new irregular series where instead of writing about a movie I’ve never seen, I choose a movie important to my past and discuss why that is.

It is fitting to start with Lady and the Tramp, because not only is it bookended with Christmases, but it’s the first movie I had growing up. I don’t remember a time with it as the only tape, and there were others more important to me later, but this was the first.

As the first, it inspired the house rule that we could only watch a thing once a day, for my parents’ sanity. It is a rule I’ve long internalized, though occasionally I’ll break it and rewatch something brand new to me within a few hours. It still did not save the tape, which was the furthest gone by the time we gave up on the Betamax player.

Obviously, I remember the love story the most, but there’s quite a bit of adventure gotten up to that certainly appealed to me. But at the start, I think what was important to me as a very young child was that it was about dogs and it was a cartoon. It never mattered to me that it was about a girl dog, or that it was a love story. Maybe I was more invested in the male characters that are pretty much every other dog, but nobody taught me to be afraid of “girls’ stories” at that age. Kids will be happy with any well-told story until they’re told why they shouldn’t be. Later, I remember being embarrassed about how interested I was in seeing Pocahontas, but that was when I was older and more socialized.

I reached a point in my early teens when I noticed that there were several movies I’d seen so often that I was just letting them wash over me without thinking much about what was going on. Perhaps that awakening to analyzing what I was watching was the beginning of what I do here.

Coming back to this I think I’ve spent long enough away from it to break out of that old brain dead habit, but even so, there’s plenty of new things to notice and appreciate. I never really gave much thought to the human story going on, with the growth of Jim Dear and Darling’s family, as more than how it affects the dogs. I never considered how much the dogs’ story is rooted in the real lives and mannerisms of dogs as understood by humans. This is every moment familiar and every frame new.

The Hebrew Hammer

The Hebrew Hammer.  Jericho Entertainment 2003.
The Hebrew Hammer. Jericho Entertainment 2003.

Before watching the movie:

I do recall seeing pieces of this on TV in college, but never more than a moment here and there because I only caught it at the beginning once and I didn’t have the time to watch it then.

I think this involves saving Hanukkah. I’m not entirely sure about that right now, but I thought I’d do a Hanukkah movie, and how many Hanukkah movies are there anyway? I wouldn’t know, as it’s not actually my tradition. I can only think of one definite one I’d really rather not see.

But anyway, what this definitely is is a Jewish parody of Blaxploitation films. Kind of like Shaft if he was Chosen instead of black. Well, more like the remake of Shaft maybe.

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Bugsy Malone

Bugsy Malone. Paramount Pictures 1976.
Bugsy Malone. Goodtimes Enterprises 1976.

Before watching the movie:

I stumbled across this maybe decades ago, I believe referenced in an educational book about movie making, which noted that there was a movie that cast all child actors in grown-up roles, requiring all of the sets and props to be custom-built at a child scale. That obviously stuck in my mind, but I never followed up on it. Recently I watched a movie that made an offhand reference to this movie, finally looked it up, and here it is.

I had no idea before I looked it up that it was a musical. This sounds fantastic. A G-rated gangster movie musical with a completely child cast, starring Jodie Foster and Scott Baio. I mean, it could go horribly wrong, but what reputation I’ve been able to glean about it suggests not.

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