I have the impression that this might be the last “good” Adam Sandler movie before he got lost making movies nobody wanted. I also felt like the title was a little disconnected from the kind of movies Sandler makes, and the character’s name being “Longfellow Deeds” really seemed removed from anything from the time. So I’m not surprised to learn that this is a remake of a movie from the 30s.
The comedy probably comes from putting the “regular guy” in the bizarre world of the mega rich, and especially because it’s a modernization of a much older story, I’m not sure there will be room for the kind of humor that Sandler’s worst movies over-rely on.
I always conflated this movie with Cool Worldbecause of the idea of an artist interacting with a cartoon reality. Until I reread my review of Cool World, I still thought it was also about creator and creation, but the artist only based his work on the already-existing alternate reality.
Also, this is definitely actually aimed at a PG-13 rating. And the animation is claymation, or CG pretending to be claymation, rather than Ralph Bakshi rotoscoped xeroxes. Continue reading →
I have a dim memory of being aware this movie was in theaters. It was nothing I would have gotten to see at the time, but it vaguely sparked some interest as a regular viewer of Jeopardy. I didn’t know what it was about then. It was 20 years later that Jeopardy had their own ratings-driving long-runner, but the reason it hadn’t happened before is that they had only recently dropped the forced retirement rule instituted to keep above the appearance of doing the same rigging that actually happened on Twenty-One.
There is absolutely no reason I can think of why this should remind me of The King’s Speech, but here we are. Maybe one of the posters for that movie shows the King making the radio address from behind? It’s completely immaterial, so. Continue reading →