The Good, The Bad, and the Ugly. United Artists 1966
The legendary Spaghetti Westerns have always been a group I’ve meant to get to on this blog, and as the music from this one has transcended it, it’s the obvious “have to pick one” choice.
I have no idea what this movie is about, but the title suggests it’s going to explore some archetypes of good and evil, and probably there will be one character of each type listed.
I recently saw it argued that it’s impossible to see this movie the way it was intended, and that’s a pretty easy argument to make. All the big twists are pretty much the only aspects that survive in the public consciousness. The big star lead dies graphically early on and it becomes a different movie entirely. We all know the scene, and maybe we know about the casting making it more unexpected, and we know who did it and some amount of why.
I’m actually worried that with all that foreknowledge, maybe it won’t hold up. If it completely changes gear partway through, does it still all gel? Or is the purported greatness all in the shock and the music?
I really have no concept of what this movie is about. I think Mame is an outrageous character and I think this has the reputation of being an overblown production heralding the collapse of the musical bubble like Hello Dolly was.
I don’t know if I’m more surprised to learn this is starring Lucille Ball (not someone I think of as a singer) or that there was a nonmusical stage play and nonmusical film before this show. Or that this version is just “Mame”, not “Auntie Mame”.
I don’t think anyone would have expected Esperanto to turn up in a selection of non-English films, but this was part of the inspiration for the theme. Well, to be more specific, I wanted to try an Esperanto film but I didn’t want it to be Incubus because the bad pronunciation is infamous. However, there are only four films known to be produced in Esperanto and this is the only one I was actually able to get my hands on. I guess this has lived pretty well off of getting William Shatner immediately before his big break. Though apparently it was thought lost until the 90s, and a good quality version was only just announced last year.
Butch Cassidy and the Sundance Kid. Campanile Productions 1969.
Before watching the movie:
I am realizing now how many of the movies with title duos that come to mind as the most legendary are mainly known for their ending scenes. The ambush of Bonnie and Clyde, the Bolivian Army shootout, and another that’s coming that can probably be guessed at. So obviously all I know is how this movie ends.
I have the impression that this movie is held up as an example of machismo and friendship. Butch and Sundance in popular culture sound like tough guys who are devoted to each other in that unspoken and stoic way that Manly Men are allowed to love each other.
How about a run of titlular duos? And of course one of the most iconic cinematic duos is Bonnie and Clyde. I’d say that perhaps they had already achieved legendary infamy before the movie, but then, I’m even more sure that the movie romanticized and cemented their legacy. Would we be talking about a couple who were robbing banks across a few states almost a hundred years ago without the star power of Beatty and Dunaway keeping them in the public consciousness?
I should disclose that I’ve recently heard a summary of the actual Bonnie and Clyde’s career with commentary on what the movie changed, but I mainly remember just how badly the movie treated Blanche.
I didn’t mean to put two westerns back to back, but I couldn’t finish a month of musicals without Paint Your Wagon and I didn’t realize this was a short month.
I know precious little about this movie other than that it has Western movie stars not known for singing bafflingly cast in a musical. And I also know about the Simpsons taking the mickey out of it, but it’s so ridiculous that it has to be completely unrelated to the actual movie, no matter how ridiculous the movie itself is.
Journey to the Center of Time. Borealis Enterprises 1967.
Before watching the movie:
A nonsensical title on a movie about time travel? This should be just the kind of campy midcentury sci-fi story I’ve really been itching for. They’re getting harder to come by, at least ones that are new to me.
I don’t know much more about the plot than that some scientists get lost in time, and really, does one actually need more?
I strongly associate this movie with a sweaty, empty apartment because I originally reviewed it during a broke summer internship where streaming video was my only luxury. There was nothing signalling to me going in that this was a Christmassy movie, all I knew was that it starred Dick Van Dyke and it was some kind of caper maybe. And at this point, I never really remember much more than that it’s a Christmassy movie, Fitzwilly is running some kind of kind-hearted scam, and I liked it a whole lot more than I expected, to the point that I included my original review (which I made so early in the run of this blog that I hadn’t fully developed my standards for movie poster graphics and so it has a relatively tiny poster) in at least three different bundles of recommended back catalog reading/watching. Over the years I’ve occasionally felt a little disappointed that I didn’t run it at Christmas because I recall it being such a good Christmas movie nobody remembers. So, does it live up to my recollections?
Fitzwilly. The Mirisch Corporation 1967.
Claude Fitzwilliam has been elderly heiress Victoria Woolworth’s butler as long as he was old enough to run the household, after his father, her previous butler, died and Miss Vicky raised him. Miss Vicky’s father spent all of her inheritance, but Fitzwilly has made it his and his staff’s mission to keep her from knowing this, and to that end has developed an elaborate network of thievery charging expensive goods to other wealthy people and companies and diverting them to his “charity” thrift shops. Aside from the considerable expense of maintaining the house and staff and lifestyle Miss Vicky is accustomed to, the biggest hindrance to this scheme is her great passion for philanthropy, as she is constantly writing checks for thousands of dollars to any noble cause she comes across, most, but not all, being intercepted by Fitzwilly’s staff. A new complication enters this operation when Miss Vicky hires a secretary for her dictionary project who is not handpicked and briefed by Fitzwilly, but a straight and narrow college grad Juliet Nowell, who has to be kept from learning anything about the charade, and in the process comes to worry that Fitzwilly’s job as a butler isn’t appropriately challenging for someone with his mind and education. Under Juliet and Miss Vicky’s noses, Fitzwilly’s gang has to execute their biggest job ever, redecorating a house in Florida for a contact who spent most of the money his employers gave him on himself, in exchange for the remaining $75k, enough money to keep Miss Vicky in her lifestyle for the rest of her life.
For most of the movie I feel like my memory has oversold the amount to which it’s a Christmas movie, however the climax is in a busy department store on Christmas Eve and features carol singers, so it gets there eventually. Until that point it doesn’t even feel much like winter.
The two things this movie runs on are Dick Van Dyke’s charisma and to a somewhat lesser extent, the verbal fencing going on every time Fitzwilly and Juliet interact. Their scenes together are often dazzling displays of conversational agility and both actors meet the requirements of the dialogue expertly.
This is a comedic caper with a chapter that has as much Christmas in it as A Christmas Story, but it’s a much better fit to expectations to watch it for the heisting than for the Christmas.
The Adventures of Bullwhip Griffin. Walt Disney Pictures 1967.
Before watching the movie:
This is another one it’s hard to find much description that doesn’t just recap the entire plot, so I wasn’t sure if it was something I wanted to see for a while. A rich Boston kid running away to Gold Rush California to have adventures? Eh, not too exciting. The kid getting accompanied by his family’s very buttoned-up butler out of concern for his safety, and the butler is played by Roddy McDowall? This is somewhat more relevant to my interests.
I suspect this is going to have more of an episodic structure, as the Disney equivalent of a pulp Western adventure. Apparently it’s a musical, which could go either way. Being based on a book, there will probably be a decent amount of substance, but mostly I expect loosely connected Western-themed hijinks and barely justified showstopper songs.