Mystery Men

Mystery Men. Dark Horse Entertainment 1999.

Before watching the movie:

I have hardly any idea what this movie is like, and it kind of occupies the same headspace with Mystery Team, another cult movie that I think is ensemble-based that I need to get around to, but it looks like of the large ensemble there are a lot of big names, but only one I’d expect to be involved in something like this. My early impression is something like Watchmen by way of Kick-Ass. A deconstruction of superhero narratives, but as a farcical parody.

The timing of the movie should make an interesting tone. The late 90s were a time where superhero movies weren’t very popular, and sometimes not very well made. After Superman and Batman fell apart, the superhero genre struggled in movies, but the technology was starting to provide the ability make more convincing effects than the stunning work of the Christopher Reeve Superman movies, but the cynicism and assembly line pop culture of the post-Dark Knight/cinematic universe era hadn’t yet come in. Without global tentpole scrutiny from the studio, maybe a superhero movie could even Say Something. That’s probably a lot to ask of a failed spoof, but the possibilities are there.

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Godzilla (1998)

Godzilla (1998).
Centropolis Entertainment/Fried Films 1998.

Before watching the movie:

I don’t quite understand why Godzilla captured people’s imaginations. I would’ve said that a large part of the charm of the original Japanese kaiju movies was camp and cheap effects, but everything that sells eventually gets three high-budget reboots here, and I think this did pretty well in theaters.

I certainly remember it being heavily promoted and cross-promoted. It probably made its money back just on toy sales, or at least the studio thought they had a shot at doing so.

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