The Black Hole

The Black Hole. Buena Vista 1979.

Before watching the movie:

This always seemed a strange choice for Disney, even considering the weird live action movies they made in the 60s, 70s, and 80s. The trailer I dimly remember seeing for it on some tape seemed dark and scary and serious, not the kind of fanciful family outing that most Disney live action movies try to be. I’ve heard there are fun comic relief robots for the kids, but this always seemed to be positioned as “Disney does Star Wars” (which took about three and a half decades to actually happen).

The synopses I’ve seen are not much help for shaking this notion. It seems like Alien meets 2001: A Space Odyssey. A deep space mission with a sense of foreboding encounters a mystery that ultimately takes them beyond anything the reality we know prepared them for. You know, for kids!

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The Face With Two Left Feet

The Face With Two Left Feet.
Laser Films 1979.

Before watching the movie:

A hotel cook starts disco dancing to impress a girl because he happens to have a resemblance to John Travolta is pretty much all I have to go on for this movie. Also it was produced in Italian. I assume things get out of hand.

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Movie Movie

Movie MOvie. Warner Bros. 1979.

Before watching the movie:

I never heard of this movie before I found I had it available to me, but I like movies that satirize the movie business, and there are some big names I recognize here, so I decided to go ahead with it.

The summary I saw described it as specifically poking fun at the movies of the 30s, carrying the same ensemble through multiple genres, so it’s probably somewhat but not very much like the Hollywood Director improv game where one player keeps changing the genre on the other players while they improvise a scene.

Anthology movies are hard to synopsize though.

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Going in Style

Going in Style. Warner Bros. 1979.

Before watching the movie:

I didn’t realize until I started looking for the poster that there was what appears to be a remake a couple of years ago. While the combination of Morgan Freeman, Michael Caine, and Alan Arkin sounds pretty compelling, I’m also drawn to the idea of seeing George Burns and Art Carney together too. Lee Strasberg is not as big a name, but I’m sure he’ll probably hold his own with the other two.

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Attack of the Killer Tomatoes

Attack of the Killer Tomatoes. Four Square Productions 1978.

Before watching the movie:

I always knew that this was a horror spoof, but I didn’t realize it was a musical. It’s already under 90 minutes, and there are songs in it, so the plot will probably be very thin. But how much plot can be gotten out of running from murderous fruiting vines? Three sequels and a cartoon series, apparently.

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Alien

Alien. 20th Century Fox 1979.
Alien. 20th Century Fox 1979.

Before watching the movie:

This is definitely not part of the Movie Monster Month series. Because it’s a new month, of course.

I have the impression that this movie basically invented Sci-Fi-Action-Horror as a subgenre, or at least is why it’s so predominant. I don’t dislike that combination, but I do mind that it seems to have choked out the alternatives, at least through the 80s and 90s.

But anyway, this is very ingrained in culture, so the scariest part is that I haven’t seen it yet. Ripley is up there with Sarah Connor (in Terminator 2) for awesome female heroes, and John Hurt’s most famous role is as the guy who explodes. There’s a walking backhoe fight. (That’s Alien 2 I think) These are things it’s impossible not to know.

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Apocalypse Now

Apocalypse Now. Zoetrope Studios 1979.
Apocalypse Now. Zoetrope Studios 1979.

Before watching the movie:

Here’s one I’ve been putting off for a while. I almost went with it once, but then wasn’t available to me anymore, and only recently came back. I feel like my selections have been getting monotonous again, so I decided that since this was newly available, I’d get it out of the way.

I’ve been reluctant because I expect an extremely dark, probably graphically violent story. It’s a Vietnam War movie based on a book about colonial Africa. Hardly anything concrete I’ve seen come out of it necessarily backs that up, but since it’s about tracking down a guy who’s gone crazy and set himself up as a warlord, and is rated R, it seems very likely that this is the sort of movie I’ll be gladder to have watched than to watch.

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