The King and I

The King and I. 20th Century Fox 1956.

Before watching the movie:

This is one of the most enduring musicals of classic Hollywood (an era I’m sure some would argue I’m stretching). I always had the sense it was something of a modern fairy tale, a common woman swept into the royal court and falling in love. It didn’t seem that interesting except for how popular it is. I think I’ve come across before that she’s there to teach the king’s children, but I keep forgetting it. I also don’t always remember that the king is Siamese until I remember that another title in its orbit is “Anna and the King of Siam”, which explains why his fashion doesn’t look much like the Western perception of kings.

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The Court Jester

The Court Jester. Paramount Pictures 1956.

Before watching the movie:

I may have encountered this in some dusty streaming back catalogs or cheap collection of classic movies, but it didn’t appeal much to me on the face of it. Much more recently, I learned that it’s the source of the tongue-twister scene I think I saw in an AFI special about “the pellet with the poison is in the vessel with the pestle”, which I always wanted to find. The climactic swordfight is also highly praised by fight choreographers, I believe coming behind few other than the famous Princess Bride duel.

I’ve seen a few other Danny Kaye movies, but I only just now realized I might have been confusing him with Dennis Day occasionally. Kaye seems to be someone who used to be much more appreciated, but has been forgotten since the New Hollywood revolution.

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The Conqueror

The Conqueror. RKO Radio Pictures 1956.

Before watching the movie:

This movie was probably forgotten for a while except as a strange footnote in John Wayne’s career. However, it’s been seized on due to the fact that it was filmed downwind from nuclear bomb testing, which leads more and more people to discover the bafflingly bad idea of casting Hollywood’s most famous Cowboy to lead in an epic on the origins of Genghis Khan.

On paper, it sounds bad, but hardly any movie deserves to have this much ridicule heaped on it. Most of the people mocking it haven’t even seen it. One thing I like to do with this blog is give movies a chance at the minor redemption of pleasantly surprising one hobbyist critic on the internet, so this was an irresistible pick.

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Carousel

Carousel. 20th Century Fox 1956.

Before watching the movie:

On the surface, this looks like just as much fluff as State Fair, but the setup sounds rather dark. It’s a man’s one more day to get it right with his family after a fatal accident. Moreover, one summary I saw specifically calls him abusive, though that’s probably from subtext. Depressing themes in a musical? Not something one would expect before the late 60s.

But then it manifests as flowy dancing around a carnival, so it can’t be entirely bleak.

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Earth vs. The Flying Saucers

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Earth vs the Flying Saucers. Clover Productions 1956.
Earth vs the Flying Saucers. Clover Productions 1956.

Before watching the movie:

I’m closing the month with another sci-fi B-movie. I’m not sure how I first heard about this one, but I know it only by the title. It sounds like one Mystery Science Theater 3000 would have riffed, but they haven’t (at least, a cross-reference search only points to an episode for Earth vs. The Spider). It’s one of the B-Moviest of B-movie titles out there.

Knowing nothing of the plot besides the title (which pretty much spells it all out), I can only assume that the pilots of those flying saucers are eventually shown, so this can count as a monster movie. This seems to be a safe assumption, since the poster appears to show menacing ground troops, but these are either spacesuits, mechs, or robots. Which are probably good enough.

This isn’t in 3D, but I almost feel like I should wear red-blue glasses for it.

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Rock, Rock, Rock!

Rock, Rock, Rock! Vanguard Productions 1956.
Rock, Rock, Rock! Vanguard Productions 1956.

Before watching the movie:

The title pretty much says it all. There’s a plot about high schoolers and some kind of competition, but this is basically a concert film.

The cast is full of appearances from acts who were famous in their day, but the main name I recognize now is Chuck Berry, and I think I’ve seen much more of him now than at the top of his career, so that will be interesting. When I think of Chuck Berry in the 50s, I think of Marty McFly.

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Moby Dick

Moby Dick. Moulin Productions 1956.
Moby Dick. Moulin Productions 1956.

Before watching the movie:

The most intriguing big name here is the writer: Ray Bradbury. Gregory Peck rarely gets mentioned outside of To Kill a Mockingbird anymore, I’m sure director John Huston has a following among deep film buffs, and of course Melville’s novel is a (somewhat sloppy) masterpiece, but Bradbury gets my attention. When I think of Bradbury, I think of his sci-fi concepts. I never think of his words, only his ideas. In a medium dominated by actors and directors, using someone else’s ideas and doubtless many of his words, I’m curious to see if I can spot any of Bradbury coming through.

Note should be made that this is once again from my late great aunt’s collection.

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