The Monster Club

The Monster Club. Sword and Sorcery Productions 1981.

Before watching the movie:

This is three horror stories as framed by a vampire and the actual author of those stories going to a dance club. The packaged stories could be anything, but that frame sounds bonkers, and they seem to be positioning the rest of the movie as a bit of a spoof too.

It looks like a pretty minor cult classic that didn’t get much outside of the UK, but it features some pretty big names in monster movies, so I’m interested in seeing how this goes.

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Masters of the Universe

Before watching the movie:

This is a movie based on a set of toys designed by adults trying to come up with what kind of story would feel most empowering to five year old boys in the 80s. That is the standard it should be held to.

I’m not directly familiar with the Masters of the Universe franchise. I mostly know it through osmosis, but apparently Eternia being a planet distinct from Earth is not a concept unique to this movie. I always considered MOTU a pure fantasy setting, but it seems to take whatever elements make exciting stories, and again, the core concept is for five year olds, so the mashup isn’t inappropriate. I’m still not fully comfortable with Skeletor being a spacefaring warlord subsuming planets into his empire, but this can’t go as poorly as Highlander 2 did.

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Predator

Predator. 20th Century Fox 1987.

Before watching the movie:

Survival sci-fi horror starring a ripped commando who shoots stuff. I’m not sure if the Predator franchise eventually blended with the Alien franchise just because they’re both survival sci-fi horror, but I think this is more action and less gore than Alien, at least that’s how it presents itself.

I like the angle of humans encountering a species more capable than themselves that is intentionally an intimate threat to them. Extraterrestrials are often threats in the form of invasions or mindless monsters, but the Predator is, I understand, a sapient being optimized biologically and technologically for hunting.

I suspect that there is less machine gun fire and more running and hiding than suggested by the poster.

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Girls Just Want to Have Fun

Girls Just Want to Have Fun. New World Pictures 1985.

Before watching the movie:

I just found out this movie existed. I know it’s a musical, but is it a jukebox musical (all preexisting songs), or is it new numbers and the somewhat-related song they got so they’d have a recognizable title? It’ll be interesting to find out.

I strongly suspect that the “Dance TV” alluded to in the summary is a stand-in for MTV.

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Mr. Mom

Mr. Mom. Sherwood Productions 1983.

Before watching the movie:

I’ve never seen much evidence that this movie is much more than, “Haha, a man has to take care of his children while his wife goes to work! How upside-down is this world?” I can hold out hope for some mention of how the expectation that men will always be away from the family at work leads to men who were never taught how to maintain a household, but it seems unlikely.

It’ll probably be funny, but just, maybe not the kind of funny that’s aged well.

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Wholly Moses!

Wholly Moses! Columbia Pictures 1980.

Before watching the movie:

This movie sounds very similar to Monty Python’s The Life of Brian. The major difference, aside from being about a Moses parallel instead of a Jesus parallel, seems to be that Herschel has been deluded into believing he is God’s prophet while Brian spends the whole movie begging the crowds to stop trying to make him their messiah. Apparently it was also protested by Jewish groups for mocking their religion. I didn’t find Life of Brian as blasphemous as everyone said, so I’ll reserve judgment here.

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The Survivors

The Survivors. Rastar Films 1983.

Before watching the movie:

It’s almost certainly just the snow and the 80s design aesthetic, but the poster makes me think of Spies Like Us a lot more than I should be.

Basically, these two New Yorkers lose their jobs the same week and their personality clash as they keep running into each other escalates to absurdity. Matthau and Williams may not seem compatible, but the central conceit is that they’re not compatible, so this could be a peanut butter and chocolate kind of combination.

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Real Genius

Real Genius. Tri-Star Pictures 1985.

Before watching the movie:

It seems like the 80s were fascinated with the idea of genius kids getting mixed up with top-secret government projects, but maybe it was just the inevitable collision between teenaged geniuses and mistrust of the government that both have plenty of independent examples. This time it’s lasers and remote assassination plots.

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Forbidden World

Forbidden World. New World Pictures 1982.

Before watching the movie:

I didn’t even know this was a Roger Corman movie when I selected it, but as a B-movie that looks a fair bit exploitative, it’s not terribly surprising. I’ve been drawn lately toward b-movies as it becomes harder to find suitable major releases through the channels I’m accustomed to.

It’s even confusing just what the threat is. The poster depicts an insectlike creature, the tagline refers to a human-alien hybrid, and the summary in front of me talks about “Subject 20” having been created with an eye toward preventing a food crisis. I’m not sure any of the promotional materials are all that concerned with the movie they’re promoting.

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Brewster’s Millions (1985)

Brewster’s Millions. Silver Pictures 1985.

Before watching the movie:

I’ve already covered the 1945 version of this story, but I knew that eventually I’d come to this one. This is the 7th movie adaptation of the 1902 novel just in English, and at this point it’s surprising that it hasn’t been tried again. The reputation this version has is tepid, and it’s the version people think of when the name comes up (the last version with the same title was made 40 years previous), but it’s clearly a story with staying power, and within the next ten years, every memorable movie from the 80s is going to get remade if it hasn’t already.

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