Fletch

Fletch. Universal Pictures 1985.
Fletch. Universal Pictures 1985.

Before watching the movie:

I always had the idea this was a movie extrapolated from a recurring Saturday Night Live character. My logic was that Fletch is often considered Chase’s most iconic character, and the title is simply the character’s name, as if we’re expected to already know him. When I got the disc and learned Fletch is a master of disguise, it just seemed more logical that this would be a vehicle movie to showcase Chase’s talents. I only found out just now that this is an adaptation of a novel.

Not much has changed in my expectations. I still expect some digressions to do characters more to be funny for a while than to advance the plot. However, since it’s based on a book, the plot will probably be a little more fully realized than with a typical vehicle movie.

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Easy Money

Easy Money. Orion Pictures 1983.
Easy Money. Orion Pictures 1983.

Before watching the movie:

Rodney Dangerfield should be able to play a slob pretty convincingly. It’s a large part of his persona. And all he has to do to inherit a windfall is give it all up. It’s an interesting conflict for an actor known for one personality to do a movie where he has to give up a large part of that personality. Vaguely like Jerry Lewis turning ultra-suave in The Nutty Professor.

Beyond that (admittedly large) nugget I’m going into this movie pretty blind. I don’t know how it’s going to play out in any detail beyond a guess at the basic plot structure.

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Dead Men Don’t Wear Plaid

Dead Men Don't Wear Plaid. Universal Pictures 1982.
Dead Men Don’t Wear Plaid. Universal Pictures 1982.

Before watching the movie:

This film’s use of archive footage within the narrative reminds me of What’s Up, Tiger Lilly?, but when I try to draw a tighter comparison, they aren’t really all that alike. The Woody Allen film takes a few foreign films and uses the audio to dub a new story onto it. I can’t quite tell if this is new material supported by old films or new material stringing old film clips together, but there’s much more new content on the screen than in “Tiger Lilly”. I get the idea it has more in common with Forrest Gump than the other. I’m sure there’s a better example of new material interacting with old material to tell a new story, but I can’t bring it to mind.

Otherwise, this looks like a standard noir detective spoof rested on Steve Martin’s capable back. It’s hard to say much past that, since everything I can find about it focuses on the classic clips.

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Going Berserk

Going Berserk. Universal Pictures 1983.
Going Berserk. Universal Pictures 1983.

Before watching the movie:

This movie’s plot looks completely insane, which I suppose fits the title. John Candy acquires a congressman’s enemies by getting engaged to his daughter, so religious aerobic instructors come after him, and then somehow the poster is involved at some point. I have no idea what to expect.

I’d never heard of this movie before. I don’t remember what specifically got it recommended to me, but it’s in my list with a handful of other John Candy movies. The timing might put it in line with when I looked up Top Secret!, but this one may not have been the one specifically like it.

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Top Secret!

Top Secret!. Paramount Pictures 1984.
Top Secret!. Paramount Pictures 1984.

Before watching the movie:

I’m not quite sure what this is. The synopsis I’ve seen about a rock star getting involved in a counter-operation on a Nazi attack on submarines is simply confusing, and I have a hard time picturing Val Kilmer and not someone like Brendan Fraser, but its cult reputation that I’ve very recently stumbled upon is that it’s a Zucker/Abrahams/Zucker comedy of the same caliber as Airplane!. That’s a tall order to fill, since Scary Movie 4 tried and failed to live up to it, and even The Naked Gun franchise eventually let me down (the first one is good, and I look forward to the short-lived TV show it was based on).

Also the presence of cows in boots on all the posters baffles me, but that’s probably intentional.

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Beverly Hills Cop

Beverly Hills Cop. Paramount Pictures 1984.
Beverly Hills Cop. Paramount Pictures 1984.

Before watching the movie:

I’m sure I’ve seen Eddie Murphy in an action movie, but I can’t remember one. Unless Harlem Nights counts as action, and I wouldn’t. So as far as I can recall, this is the first time I’ll really see Eddie Murphy doing “action hero”. It doesn’t seem like a good fit, but I know there were at least two sequels. I could see him doing a straight-up parody, but that’s not what comes to mind here.

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Fatal Attraction

Fatal Attraction. Paramount Pictures 1987.
Fatal Attraction. Paramount Pictures 1987.

Before watching the movie:

I’ve gotten the idea that this movie is kind of horror-drama about a stalker. Glenn Close’s character is obsessed with Michael Douglas and ruining his life in the name of “love”. The greatest insight I’ve seen into it is an episode of Family Matters where a character sees that Steve Urkel’s girlfriend’s bedroom is wallpapered with pictures of Steve and comments “You should rent Fatal Attraction. It’s about you.”

My description makes it sound more like Misery, but that’s all about a fan keeping an author captive, while I don’t think there’s captivity here, except maybe using the man’s family as hostages or something. This might have an element of action, which Misery wouldn’t.

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The Final Countdown

The Final Countdown. The Bryna Company 1980.
The Final Countdown. The Bryna Company 1980.

Before watching the movie:

So this is about a modern aircraft carrier dropped in the Pacific before Pearl Harbor. It appeals to me because I’m interested to see how modern military mixes with time travel, how they handle the realization, and how they get home. I don’t think I’ve seen accidental time travel done with large groups that didn’t use space-warping transportation daily and have practical “should you find yourself in the wrong time” procedures.

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Project X

Project X. Parkes-Lasker Productions 1987.
Project X. Parkes-Lasker Productions 1987.

Before watching the movie:

I’m trying not to think of this movie as The Barefoot Executive meets Short Circuit with a bit of War Games. Although a military experiment is trying to escape from the military, not every story about chimps with uncanny abilities and a young friend is going to be the farce “Executive” was. This is listed as a drama. So I think I know much more about this movie than I really do.

I wish I’d found this one before the more recent Project X of no relation came out. I similarly know everything and nothing about that one too, but I’m pretty sure they intended it that way.

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The Shining

The Shining. Hawk Films 1980.
The Shining. Hawk Films 1980.

Before watching the movie:

Well, we’re out of a stealth theme month. First person to send their guess as to what December’s theme was to me via Astral Projection wins a genuine No-Prize.

Here’s another selection from the “how did you miss that one?” files. As I think I’ve discussed previously, I avoided horror movies for years because I didn’t like being scared, and then when I started catching up on them in my 20s, I found myself at best unaffected, and at worst cringing at the cheese. This one seems to be mostly psychological horror, so it should be better than the classic slashers I saw previously.

Thanks to pop cultural osmosis, I know more about the movie than I’d prefer to be going in with, but that’s usually the case when The Simpsons parodies a movie wholesale.

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