Were there more movies about men posing as women/women posing as men in the early 2000s, or does it just seem that way because that era was a cultural experiment in irreverence and boundary breaking that did not combine well?
What I would expect from a man posing as a woman to play women’s pro basketball is finding that the grandstanding style of men’s pro basketball doesn’t work in the much more technique-focused women’s league, but since he’s the protagonist of an early 2000s comedy, I’m sure his loose cannon showboating will instead be played as suddenly making women’s basketball relevant.
While I’ve seen occasional mentions of the title here and there, I don’t remember this movie being a new release. I’m sure that’s because I wasn’t the target demographic and they didn’t advertise anywhere I was paying attention.
As an adult-oriented “urban comedy” from the early 2000s, this will probably not have aged well, and apparently it wasn’t well-received at the time.
I’ve seen this poster everywhere, but the movie doesn’t seem to actually get talked about much. I don’t even remember seeing trailers for it when it was in theaters.
The parents of a late bloomer hire a relationship expert for their son and no doubt they end up together in a very familiar romantic comedy progression. I wonder if there’s a bit of a Pygmalion element to the plot as well.
Part of the original concept for this blog was revisiting movies that I missed when they came around. I definitely remember Monster House being around in 2006. I think I even went to a theater for a different movie while this one was being screened there. I think it looked like more horror than I wanted in a movie at the time, but I can see more clearly now that it’s a children’s scary adventure movie.
I also have vague memories of it coming up in connection with the entertainment news show I worked with all through college, but I would have only started there over a year after it was released.
Eddie Murphy’s work since the late 90s has a reputation for not being good, at least when it comes to his live-action vehicles or possibly anything other than the Shrek franchise. If anyone liked The Nutty Professor, nobody really cared for what came after, including the two sequels. Eddie Murphy stopped being funny on screen around the time Will Smith became a movie star somehow.
This movie is a Nickelodeon production, so it’s clearly aimed directly at children and families, but other than children-oriented movies getting ignored, I don’t see anything that would indicate why it’s not considered a Good Eddie Murphy Movie. I don’t see any warning signs yet.
I barely remember this title floating around back in 2008, and I’m not sure if I remember it as a movie or just as the quirky stock trading show. I think I’ve also conflated it a little bit with Moneyball, which it has no connection with aside from the word “money”.
This looks like a movie that’s a little ahead of its time. Regrettably, the industry didn’t seem to have a foothold for women-led comedies until Bridesmaids. This all-women heist comedy didn’t make much of a splash, but ten years later Ocean’s Eight did very well doing basically the same thing.
I try not to read critical responses before watching the movie, but I skimmed a little to try to see if I just missed it somehow and along with a lot of general negativity, I saw a very charming comment from Roger Ebert about how “some girls will like it, the men not so much”. Which sounds like internet comment sections about every women-led movie even today. If the execution was bad, the execution was bad, but I wonder how much was just moviegoers in 2008 not getting it.
I’ve always been aware of Julia Child as an important figure in cooking, but I’ve only known of her indirectly. Of the PBS Digital Studios remixes, the Julia Child video was the only one I didn’t have my own experience with the source material of.
I actually watched the Academy Awards presentations for a few years, and I remember that this was one of those years. I had the impression this was about a direct mentorship or friendship, but apparently what happens is that a blogger challenges herself to cook every recipe in Childs’s book. But over the course of the movie we also learn Childs’s own story, so maybe I’ll finally understand why she made an impact on so many people that seems to go beyond writing a popular book and presenting a cooking show.
Also how have I been reviewing movies for ten years and this is the first time I’ve tagged Meryl Streep?
Men caring for children and being overwhelmed! That’s funny, right? Because men can’t handle kids? Or because men aren’t prepared for childcare and face a steeper learning curve? Eddie Murphy and his friend who’s not a big enough name to be billed above the title or featured on the poster at all will find out, I guess.
I thought this movie had both Eddie Murphy and Steve Martin, but I’m pretty sure I’m just confused because Steve Martin appeared in Cheaper By The Dozen the same year, and they are both movies about Too Many Kids.
I barely remember this being a thing when it came out. Maybe martial arts movies were especially common at the time, but they never interested me much, and I completely ignored whatever I might have seen advertising this movie.
I was so ignorant about it that, no doubt thanks to how hyped up the Jackie Chan and Jet Li pairing is, when I saw the description saying that a modern-day martial arts movie fan gets stuck in ancient China to have adventures, I wondered which of them would be the modern-day character with no direct fighting experience, which is a silly question because that would be a comedy slapstick fish out of water role that Jackie Chan would be attracted to like a magnet. However, they’re both masters of ancient China and the modern-day protagonist is a white American the domestic marketing doesn’t seem to want you to know about. I feel like this poster comes closer to telling the story I’m now prepared to see, but it’s not in English, so I didn’t use it.
This seems like a strange pairing for a movie that seems to want to be known as a pensive romance. Reeves and Bullock headlined Speed as well, but that was an action blockbuster, which they’re both better known for.
Similarly to how I was wondering how the original source of You’ve Got Mail got things going without the weird social construct of anonymous chat rooms, it’s my understanding that the central concept here is that they send letters to each other, but they’re in the same place a few years apart. I’m again curious to see how that gets started, but also how it can be sustained.