It’s almost certainly just the snow and the 80s design aesthetic, but the poster makes me think of Spies Like Us a lot more than I should be.
Basically, these two New Yorkers lose their jobs the same week and their personality clash as they keep running into each other escalates to absurdity. Matthau and Williams may not seem compatible, but the central conceit is that they’re not compatible, so this could be a peanut butter and chocolate kind of combination.
I’m sure there are other movies that reach this level of substanceless fame, and probably ones that I’ve reviewed here before, but while I know I’ve reviewed well-known movies nobody actually seems to discuss the content of before, I can’t think of one so big yet so mysterious.
I roughly know its time period, but mainly because Wall-E used some clips. Otherwise, it’s somehow the codifier of what a classic musical film is, to the point that it’s taken as a generic for “musical”. But it’s theoretically in that position because it’s good and because it’s influential. But the mold got overused and eventually musicals started defying it. Later on Broadway reinvented Disney reinvented Broadway, but that’s beyond the scope of a review of Hello, Dolly!Continue reading →
Back when I was in a film studies class, I was shown a movie titled His Girl Friday. Apparently, this movie is a more faithful adaptation of the play that movie was based on. As my professor was also apparently a fan of Billy Wilder, I’m not sure why this film didn’t come up in a way that I remember.
Also, this one has Walter Matthau, Jack Lemmon, Carol Burnett, and Susan Sarandon, a trainload of fun people to watch. I didn’t know Matthau and Lemmon worked together outside of The Odd Couple, but the box seems to imply they were a popular comedy team.