This looked like a bland musical in a setting I wasn’t very interested in until I recently heard it discussed as a unionization success story, which is pretty topical. I also have more understanding of the newspaper landscape of the late 1800s and the media dueling media empires of the day.
It also still looks like a kind of bland musical, but I haven’t looked too closely.
In what would have been 1995, I was a little confused at how Macauley Culkin had made two movies about having a lot of money that came out so close together. Maybe I thought Culkin was in this because of the similarity with Richie Rich, or maybe Bonsall just looks enough like Culkin that I didn’t really notice he wasn’t. In actuality, Brian Bonsall played both Andy Keaton on “Family Ties”, a show I discovered in reruns in the early 2000s, and he was the best version of Worf’s son Alexander on “Star Trek: The Next Generation”.
I think I wanted to see Blank Check sooner, but as I recall, I didn’t get to see it until a summer movie screening at the public library. I remember the inciting incident scene, and I remember “Mister Macintosh”, and not a lot else. Which is more than I can say about Richie Rich.
Preston’s older brothers are using his bedroom for their new business. His father will only tell him about the value of working hard for his money. His birthday is next week, but nobody seems to care. Carl Quigley just escaped from prison, and has a million dollars in easily-traceable bills he brings to bank manager Biderman, an old accomplice, to launder. Biderman gives him a book of temporary checks he can have his associate cash for a clean million. On the way out, Quigley runs over Preston’s bike and, in a hurry to leave the scene, signs a blank check to pay for the bike. Preston writes the check for “one million dollars” and takes it to the bank, where Biderman mistakes him for Quigley’s associate and fills his backpack with the money. In order to spend the cash he’s suddenly acquired without adults getting too suspicious, Preston creates “Mr. Macintosh”, a newly wealthy older man who just moved to town and hired Preston to help decorate his palatial home and generally have fun so that “Macintosh” can enjoy childhood vicariously through him. Obviously, Quigley wants his money, and the FBI is very interested in this Macintosh person.
I was expecting there to be an extreme suspension of disbelief required for the central conceit of “kid is spending a bunch of money”, but that was satisfactorily explained between “there’s this man you can’t meet who pays me to spend his money” and “you gave me a wad of cash so I’m going to stop questioning things”. But what actually bothered me more was that nobody seemed terribly interested in what this secretive man wanted with a random neighbor boy. When Preston’s parents realize that neither of them have ever met Macintosh, they still just shrug it off as kinda odd.
I’m also not fully comfortable with the subplot of Preston’s crush on bank teller Shay, a grown adult person who he is trying to give heart-pendant necklaces to. Shay comes to care about him as a sweet kid who’s fun to hang out with, but the closest Preston comes to getting over his crush is when he thinks she was only interested in him to get to Macintosh’s money.
This is not the big event movie I had built it up as when I was a kid. I wondered several times if it’s the kind of money that would go to theaters now, or if it might be direct to Disney Channel or a streaming platform. There’s a touch of the Home Alone style using the environment of the kid’s house against the bad guys at the climax, but it’s a very limited sequence, and I don’t think it contributed to my confusion about the casting, unless it was heavily featured in the trailers.
I don’t know if this is even a “summer movie”. It’s just a light bit of fun for kids any time. Children’s wish fulfilment stories are probably always more exciting when watching as a kid than when watching as an adult.
This movie came to my attention from a book of Drew Struzan movie poster art (his design was not used). I was interested by the art deco style of Struzan’s poster and headliners Eddie Murphy and Richard Pryor, but I was scared off by the way it seemed to be promoted as a serious film about organized crime. I was relieved to read today when I chose it that it is in fact an action comedy. About organized crime.
I have high expectations for this movie, but I’m surprised considering its source. It was recommended to me by a friend on Facebook (I’m not sure who. He made a general recommendation through a status update) and it sounds like it has the potential to be hilarious.
On the other hand, it’s from George Lucas in the years between his old glory and much-maligned revival. The story is his, but fortunately he didn’t write the screenplay. Also, the last time I saw a movie about the radio with musical numbers, it was A Prarie Home Companion, and that was dull mixed with depressing. Continue reading →