Sleepy Hollow

Sleepy Hollow. Mandalay Pictures 1999.
Sleepy Hollow. Mandalay Pictures 1999.

Before watching the movie:

I principally know the story of The Legend of Sleepy Hollow through the Disney featurette. Wishbone did an adaptation, but it was the second season that I’m much less familiar with. It would be easy to go more into why Crane gets involved with the Horseman legend than the Disney version did, but it seems to pretty simply be that he’s spooked by the legend and happens to become a victim of the ghost. Well, it was a short story to begin with, so there’s not much need or room for motivation.

In this version, apparently they’ve changed him from a superstitious schoolteacher to a detective. Which would let him drive the plot, so it might be a good change. Definitely means this is going to be very different. Continue reading

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Toys

Toys.  Baltimore Pictures 1992.
Toys. Baltimore Pictures 1992.

Before watching the movie:

Yet another that’s been sitting on my list forever, continuing what will hopefully be a trend for the next few weeks.

I first saw this on a library shelf what seems like millennia ago. It probably was last millennium, actually. I recall it was during my period shortly after connecting the Robin Williams from Flubber to the voice of the Genie in Aladdin and deciding I wanted to see everything he’d ever done. That came to a halt long before I came close to doing that, though, which is why I can review this now.

Why didn’t I take it from the shelf then? I think the idea of building toys to go to war gave me a sense it was darker than I wanted, and also I was probably under the age of 13. We took “Parental Guidance, possibly inappropriate for children under 13” very seriously in our house. I did sneak Jakob the Liar once sometime when I was twelve. I probably would have been better off with Toys.

I’m kind of glad I didn’t see it then, though. Not only is it going to provide me with review fodder now, but I’ve also lately been revisiting some things I saw at a very young age and musing on how I wasted my First Watch of them when I wasn’t capable of appreciating the subtleties of storytelling and acting. And I wouldn’t have known who Michael Gambon was then.

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