
I believe I have been told this is the first movie I was ever taken to see. Of course, I was young enough that I don’t remember that at all. It was always a part of our home collection in my memory, one of the Beta cassettes that got run into the ground.
I always understood The Jetsons as having been a 60s series that the movie had revived, but I eventually learned that most of the episodes were produced over 20 years later. I’d thought that was either to justify or follow up on the movie, but some quick research right now informs me that the movie came years later, after the show had done well in syndication. I have no doubt the main reason for the 80s episodes was so there would be enough episodes of the property to sell in syndication.
As a kid, I didn’t pick up on much of a difference between the movie and the episodes I’d seen. Longer of course, and a big deal is made about moving the family to a new location, but pretty much the same. Oh, and the interminable song breaks, that I can now appreciate as pretty good MTV music videos that still don’t belong in the movie. As I got older, I came to recognize the CGI, and the cultural shift that had happened underneath the surface.
The last few times I watched this movie, I saw it as the wholesome 60s family uprooted to place them in a setting more relatable to contemporary audiences, but they’re slightly modernized themselves, Judy’s starstruck melodrama (it was just a date with a touring celebrity, not a long-term boyfriend she’s torn away from, come on) aside. Their roles within the family unit are slightly less regimented and clean.
The environmentalist and coexistence message might be a little pat today, but it’s a movie made when those messages were at their most popular in the industry, especially in children’s media. And it certainly wasn’t an overused message for me as a kid. Star Trek taught us that we can make the future better, but it seems very distant next to The Jetsons, which shows us that in the future, we’ll be much like we are now, but with better technology. And this movie asks us to consider what that kind of lifestyle might cost, and if we can do better than that. Sometimes, that just seems possible.
The movie was definitely different in one way: in the Saturday cartoons there was no smog. It was a comic vision of our bright, clean future and how we would still be the people we are now, in spite of it all. From the first frame, I knew this was not your father’s Jetsons. But I like it anyway.