September is Stage Musicals Lunar Cycle
Skin and Nazis. Music and propaganda.
I’m not really sure how the setting correlates with the show, but it’s probably in ways that ask tricky questions that add up to “the Holocaust was bad, mmkay?”
September is Stage Musicals Lunar Cycle
Skin and Nazis. Music and propaganda.
I’m not really sure how the setting correlates with the show, but it’s probably in ways that ask tricky questions that add up to “the Holocaust was bad, mmkay?”
Before watching the movie:
A large-budget film with a star-studded cast and strict attention to period accuracy could go poorly in all sorts of ways. The actors could fight for attention to the detriment of the film, the visual appeal could be lost in gritty details or vice versa, and the effort put into the enormous practical concerns could stomp out any entertainment value of the film.
These worries are only enhanced by the subject material. I vaguely recall an adaptation of The Three Musketeers in that a young man wants to be a Musketeer, gets in a fight with some, and then they all have adventures together. Rather dull, especially if one isn’t into swashbuckling tales.
I recognize many names, but I can connect hardly any of them with anything I know. At least it’s sold as a comedy, but I don’t expect much out of a 70s film.
Usually, I avoid sequels, but this pair was intended to be a single film, so I am taking it as one.
Before watching the movie:
My professor recommended this film to me as a similar story to draw from while writing for National Novel Writing Month. From the trailer I saw, it looks more like a totalitarian dystopia than a “the world is a lie” disillusionment, but I’ll give it a try.
The founding conceit reminds me of an episode of Star Trek, only with less protesting and more running and shooting. People’s hands have some glowing device in them.
Incidentally, Farrah Fawcett’s appearance makes a Google Image search for this movie difficult to find meaningful results.