
Before watching the movie:
This seems strongly positioned as a guardian angel/Mary Poppins kind of movie, but I think that’s just metaphorical, and hopefully tongue in cheek. The movie I would really like this to be is Max Dugan dropping into his daughter’s life expecting to fix everything and be instantly forgiven and failing miserably on both accounts, then working to earn his way back into her family and in the process making things better. That’s the plot vibe I’m getting from this movie, and I hope the magical trappings are just because it’s the kind of art Neil Simon brings to a project, because if it’s as straightforward as it looks, that would easily become too simple and saccharine.