Les Misérables

Les Miserables. Relativity Media 2012.

Before watching the movie:

I’m decently acquainted with the plot of the book, but somehow more through osmosis than from actually having watched the 1998 movie in class. I also recall attempting to read the book, but when I picked up the distressingly large tome with shockingly small text I was already having second thoughts, and then when this supposed English translation began with five pages in Latin, I put the book down and gave up.

I’ve wanted to experience the musical for a long time, and it’s always been a disappointment to me that the 1998 version was not based on the musical and that the musical was never properly filmed on stage (though there was an “original cast in concert” film just lined up on the stage performing the music, which I saw some of possibly in the same class that watched the other movie). When I decided to include Les Mis in this run of musicals, I was hoping there would’ve been another version because I’ve heard mostly bad things about Tom Hooper’s directorial decisions. But somehow this monumentally popular show has only been done on film the one time.

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The Cabinet of Dr. Caligari

The Cabinet of Dr. Caligari (Das Cabinet Des Dr. Caligari). Decla Film 1920.

Before watching the movie:

I find it a fascinating idea to tell a psychological horror story, framed as a man telling his story of how his life was ruined, in a silent medium. There seems to be so much language wrapped up in that concept, and yet a silent film will necessarily tell the story visually and use cards only sparingly. It has the potential to go very wrong, yet from its legendary status I know that’s probably not the case.

It also looks like it’s doing some tremendous innovating in stylized cinematography. I couldn’t imagine trying to communicate exotic psychological events with what was available in 1920s technology, but the example frames look like they’re creating some very artistic effects.

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